Sydney Printmakers was an association of artists, founded in 1961, [1] to further the art of print-making. It marked a renewal of interest in the technique after a lull of two decades occasioned by a boom in etching which began in the late 1930s.
Members included Earle Backen, Sue Buckley, John Coburn, Joy Ewart, Roy Fluke, Strom Gould, Weaver Hawkins, Eva Kubbos, Ursula Laverty, Peter Laverty, Vaclovas Ratas, Elizabeth Rooney, Henry Salkauskas, James Sharp, Algirdas Simkunas, and David Strachan. [2]
Sue Buckley later became the printmaking tutor for The Print Circle. [3]
The Bulletin was an Australian weekly magazine based in Sydney and first published in 1880. It featured politics, business, poetry, fiction and humour, alongside cartoons and other illustrations.
Alexander Henry Buckley, VC was an Australian recipient of the Victoria Cross, the highest award for gallantry in the face of the enemy that can be awarded to British and Commonwealth forces.
George Frederick Henry Bell was an Australian painter and teacher, critic, portraitist, violinist and war artist who contributed significantly to the advancement of the local Modern movement from the 1920s to the 1930s.
John Mawurndjul is a highly regarded Australian contemporary Indigenous artist. He uses traditional motifs in innovative ways to express spiritual and cultural values, He is especially known for his distinctive and innovative creations based on the traditional cross-hatching style of bark painting technique known as rarrk.
Grey Gardens is a musical with book by Doug Wright, music by Scott Frankel, and lyrics by Michael Korie, produced in 2006 and based on the 1975 documentary of the same title about the lives of Edith Ewing Bouvier Beale and her daughter Edith Bouvier Beale by Albert and David Maysles. The Beales were Jacqueline Kennedy's aunt and cousin, respectively. Set at Grey Gardens, the Bouviers' mansion in East Hampton, New York, the musical tracks the progression of the two women's lives from their original status as rich and socially polished aristocrats to their eventual largely isolated existence in a home overrun by cats and cited for repeated health code violations. However, its more central purpose is to untangle the complicated dynamics of their dysfunctional mother/daughter relationship.
Thirty-six Views of Mount Fuji is a series of landscape prints by the Japanese ukiyo-e artist Hokusai (1760–1849). The series depicts Mount Fuji from different locations and in various seasons and weather conditions. The immediate success of the publication led to another ten prints being added to the series.
There were two Australian periodicals called The Port Phillip Gazette.
Harold Pierce Cazneaux, commonly referred to as H. P. Cazneaux, was an Australian photographer; a pioneer whose style had an indelible impact on Australian photographic history. In 1916, he was a founding member of the pictorialist Sydney Camera Circle. As a regular participator in national and international exhibitions, Cazneaux was unfaltering in his desire to contribute to the discussion about the photography of his times. His career between the Wars established him as "the country's leading pictorial photographer".
Colin Robert Andrew Laverty was an Australian medical practitioner and was the first to confirm that the human papillomavirus was much more common in the cervix than previously thought and, in 1978, he suggested that this virus be considered as possibly involved in the causation of cervical cancer. He was also a prolific art collector.
John Rensselaer Chamberlain was an American journalist, business and economic historian, syndicated columnist, and literary critic who was dubbed "one of America's most trusted book reviewers" by the libertarian magazine The Freeman.
Vladimir Meškėnas was an Australian expressionist painter and portraitist in oil and pastel, who has been a frequent Archibald Prize finalist.
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Art Collector, previously known as Australian Art Collector, is a quarterly Australian art magazine that was first published in July 1997. The magazine primarily covers Australian contemporary and Indigenous Australian art, and also features artists from New Zealand and internationally. It is based in Sydney, New South Wales, Australia and is published in English. The magazine is known for its in-depth articles about artists, gallerists, and art collectors, as well as news of upcoming exhibitions in Australia and New Zealand. It is available in both print and online formats.
Henry Buckley was an Australian politician. He was a member of the New South Wales Legislative Assembly for two terms between 1856 and 1859 and after the creation of the separate colony of Queensland he became a member of the Legislative Assembly of Queensland.
Harold Frederick Weaver Hawkins (1893–1977) was an English painter and printmaker working with the techniques of etching, monotypes, linocuts and woodcuts. He specialized in "ambitious, sometimes mural-sized, modernist allegories of morality for an age of atomic warfare and global over-population." He was active from 1923 to 1972.
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Joyce Vera Mary Ewart (1916–1964) was an Australian painter, graphic artist, and teacher. She was a finalist for the Archibald Prize in 1943, 1944, 1945 and 1948; for the Wynne Prize in 1943, 1945 and 1946; and the recipient of the Mosman Art Prize in 1948. Her works are held by the Art Gallery of New South Wales and have been included in several retrospectives and exhibitions. She mounted solo exhibitions at the Macquarie Galleries in 1942, 1943, 1944, 1948 and 1953. She founded the Workshop Art Centre at Willoughby, NSW where the main gallery bears her name and which offers the Joy Ewart Scholarship for Year 10 students and the Ewart Art Prize for works by Centre members. As Ewart included lithography and etching presses in the art centre, it was able to host The Print Circle collective of women artists.
The Irish Rover is an independent, conservative, Catholic biweekly student newspaper serving the University of Notre Dame community. The paper was launched in 2003 by Joe Lindlsey, when he and students believed that The Observer, another student publication, was showing a liberal bias in their coverage of events. The paper provides news coverage of campus life and features regular opinion columns from alumni and faculty.
The Print Circle is a professional group of women printmakers that operate out of Sydney, New South Wales. The group was created in 1970 by 15 women artists who took pioneering and experimental approaches to printmaking and supported women artists. The group first worked out of Willoughby Arts Centre set up by Joy Ewart who included lithographic and etching presses in the centre. Sue Buckley became the first printmaking tutor and was a member of Sydney Printmakers. In 1971 the first Print Circle exhibition was held at Sebert Galleries in the Argyle Centre, Sydney. The Print Circle promotes the work of women artists, similar to the Tin Sheds workshop at University of Sydney.