Syed Jamil Ahmed

Last updated

Syed Jamil Ahmed
Syed Jamil Ahmed.jpg
Ahmed in 2009
NationalityBangladeshi
Alma mater National School of Drama
University of Warwick
OccupationAcademic

Syed Jamil Ahmed is a Bangladeshi scholar, theatre director, and founding chair of the Department of Theatre and Music at the University of Dhaka. [1] [2] His most notable theatre productions include Kamala Ranir Sagar Dighi (1997), Ek Hazar Aur Ek Thi Rate (1998), Behular Bhasan (2004), Pahiye (2006) and Shong Bhong Chong (2009). [1] He won Nandikar National Theatre Award of Calcutta and the B.V. Karanth Award of India's National School of Drama (NSD). [1]

Contents

Early life and education

Ahmed joined the Liberation War in 1971 as a freedom fighter. [3] The violence of the war impacted him, "having seen dead bodies rotting with gaping holes and the charred remains of abandoned homes, [for] having walked the streets of Dhaka city, clasping the clip of an unpinned grenade in [his] trousers pocket." [4] Ahmed came in touch with an amateur theatre group named Dhaka Theatre in 1974 and began to consider theatre as a career. [3] In 1975, Ahmed received a scholarship from the Indian Council for Cultural Relations (ICCR), and dropped out of English Literature BA (Hons) programme at the University of Dhaka to join the National School of Drama in New Delhi. [3] Here, from 1975 to 1978, he studied for three years and worked as an apprentice fellow for another year, under Ebrahim Alkazi and B. V. Karanth. Alkazi guided him through ‘Western’ theatre, and Karanth through traditional theatre of South Asia. [5] He received his Diploma in Dramatic Arts with distinction from the National School of Drama in 1978. In 1989, he received his Master of Arts degree in theatre from University of Warwick. [1] "Indigenous theatrical forms" was the subject of his thesis, which earned him a PhD degree from the University of Dhaka. [1]

Stage design and applied theatre

After his return from the National School of Drama to Bangladesh in 1979, Ahmed began working as a stage and light designer, achieving critical acclaim for plays such as Achalayantan (the Immovable), Raktakarabi (Red Oleanders) and Chitrangada by Rabindranath Tagore in Calcutta, India. [6] He was part of the shift from the painted scene design of the 1970s to the realist, symbolic and surrealist design in the 1980s. [7] He was awarded the Munir Chowdhury Samman in 1993 for his influence in the realist design. After eight years of free-lance theatre practice, Ahmed studied under Clive Barker at the University of Warwick in England, in 1987–88. Barker introduced him to Theatre-for-Development (Applied Theatre today) and in Latin America and Africa. [8] :xvi Upon his return home, he engaged with a left-leaning landless farmers’ political party, and then with international and national Non-Governmental Organizations working in Bangladesh. In 1992, he was elected to the Ashoka Fellowship by the Ashoka Foundation (USA). By 1995, he was disillusioned on all applied theatre fronts. [8] :16,19 [9]

Teaching, directing, and writing

Ahmed joined the University of Dhaka in 1989 and later founded the Department of Theatre and Music in 1994. He built a performance-oriented pedagogy, which led to its recognition as a major centre of experimental and innovative productions. [10] His major contribution to the pedagogy of the department, now grown into the Department of Theatre and Performance Studies, has been the introduction of Theatre-for-Development, Theatre-in-Education, Performance Studies, Sociology of Theatre, and Psychoanalysis in Theatre. His academic work led him to be awarded Fulbright Fellowship twice. The first time, in 1990, his award took him to the Antioch College, Yellow Springs (Ohio, USA), as a scholar-in-residence, where he taught and directed (with Denny Patridge), The Wheel, an English translation of Salim Al Deen's Chaka. The second award took him to the San Francisco City College (California, USA) in 2005, as a Visiting Specialist under the programme ‘Direct Access to the Muslim World’. [11] In 1992, he wrote a six-hour epic tragedy based on Karbala legend and Mir Mosharraf Hossian's novel of the legend. [12]

From 1993 to 1997, he embarked on "voyages" to distant rural pockets of Bangladesh and attended numerous performances of the indigenous theatre in situ. [13] He was awarded PhD by the University of Dhaka in 1997 for his thesis on "Indigenous Theatrical Performance in Bangladesh: Its History and Practice". Part of his PhD research was published as Achinpākhi Infinity: Indigenous Theatre of Bangladesh. [14] Kamala Ranir Sagar Dighi (based on the indigenous form of narrative performance Pala Gan) in 1997 in Dhaka, Ek Hazar Aur Ek Thi Rate (based on The Thousand and One Nights) in 1998 in Karachi, Behular Bhasan (an adaptation of the Padma Puran) 2004 in Dhaka, Pahiye (Hindi translation of Chaka) at the National School of Drama in New Delhi in 2006, and Shong Bhong Chong (based on the indigenous theatre form of Shong Jatra), in Dhaka in 2009 all were influenced by his time in rural Bangladesh. They contributed to him winning the Nandikar National Theatre Award, in Calcutta, in 1999. Behular Bhasan participated in Bharat Rang Mahotav, New Delhi, 2006, and Leela: South Asian Women's Theatre Festival, Kolkata and New Delhi, 2010. [15] [16]

Research and productions

[17] [18] [19]

Published works

Books

Related Research Articles

<span class="mw-page-title-main">Kazi Nazrul Islam</span> Bengali poet, writer and musician (1899–1976)

Kazi Nazrul Islam, popularly known as Nazrul, was a Bengali poet, writer, musician, and is the national poet of Bangladesh. Nazrul produced a large body of poetry, music, messages, novels, and stories with themes that included equality, justice, anti-imperialism, humanity, rebellion against oppression and religious devotion. Nazrul Islam's activism for political and social justice as well as writing a poem titled as "Bidrohī", meaning "the rebel" in Bengali, earned him the title of "Bidrohī Kôbi". His compositions form the avant-garde music genre of Nazrul Gīti.

Syed Waliullah was a Bangladeshi novelist, short-story writer and playwright. He was notable for his debut novel, Lalsalu. He was awarded Bangla Academy Literary Award (1961), Adamjee Prize (1965), Ekushey Padak (1984) and Bangladesh National Film for Best Story (2001).

<span class="mw-page-title-main">Bengali literature</span> Texts composed in the Bengali language

Bengali literature denotes the body of writings in the Bengali language and which covers Old Bengali, Middle- Bengali and Modern Bengali with the changes through the passage of time and dynastic patronization or non-patronization. Bengali has developed over the course of roughly 1,300 years. If the emergence of the Bengali literature supposes to date back to roughly 650 AD, the development of Bengali literature claims to be 1600 years old. The earliest extant work in Bengali literature is the Charyapada, a collection of Buddhist mystic songs in Old Bengali dating back to the 10th and 11th centuries. The timeline of Bengali literature is divided into three periods: ancient (650–1200), medieval (1200–1800) and modern. Medieval Bengali literature consists of various poetic genres, including Hindu religious scriptures, Islamic epics, Vaishnava texts, translations of Arabic, Persian and Sanskrit texts, and secular texts by Muslim poets. Novels were introduced in the mid-19th century. Nobel laureate Rabindranath Tagore is the best known figure of Bengali literature to the world. Kazi Nazrul Islam, notable for his activism and anti-British literature, was described as the Rebel Poet and is now recognised as the National poet of Bangladesh.

<span class="mw-page-title-main">Syed Mujtaba Ali</span> Indo-Bangladeshi author and scholar (1904–1974)

Syed Mujtaba Ali was a Bengali writer, journalist, travel enthusiast, academic, scholar and linguist. He lived in Bangladesh, India, Germany, Afghanistan and Egypt.

Qazi Imdadul Haq (1882–1926) was a Bengali writer.

<span class="mw-page-title-main">Bengali theatre</span>

Bengali theatre primarily refers to theatre performed in the Bengali language. Bengali theatre is produced mainly in West Bengal, and in Bangladesh. The term may also refer to some Hindi theatres which are accepted by the Bengali people.

Mufazzal Haider Chaudhury was a prominent Bengali essayist, prized scholar of Bengali literature, educator and linguist of the Bengali language.

<span class="mw-page-title-main">Culture of Bengal</span> Overview of the Bengali culture

The culture of Bengal defines the cultural heritage of the Bengali people native to eastern regions of the Indian subcontinent, mainly what is today Bangladesh and the Indian states of West Bengal and Tripura, where they form the dominant ethnolinguistic group and the Bengali language is the official and primary language. Bengal has a recorded history of 1,400 years.

<span class="mw-page-title-main">Jyotirindranath Tagore</span>

Jyotirindranath Tagore was a playwright, a musician, an editor and a painter from Bengal. He played a major role in the flowering of the talents of his younger brother, the first non-European Nobel Prize winner, Rabindranath Tagore.

<span class="mw-page-title-main">Muzaffar Ahmad</span> Indian politician

Muzaffar Ahmad was an Indian-Bengali politician, journalist and a co-founder of the Communist Party of India.

<span class="mw-page-title-main">Selim Al Deen</span> Bangladeshi playwright and theatre artist

Muhamed Mianudin Ahmed (Selim Al Deen) (18 August 1949 – 14 January 2008) was a Bangladeshi playwright and theatre artist. He was the founder chairperson of the Department of Drama and Dramatics at Jahangirnagar University. He was awarded Bangla Academy Literary Award in 1984 and Ekushey Padak in 2007 by the Government of Bangladesh for his contribution to theatre and won the Independence Award in 2023 for his contribution to the field of literature.

<span class="mw-page-title-main">Ubaidullah Al Ubaidi Suhrawardy</span> Professor, translator and writer

Ubaidullah Al Ubaidi Suhrawardy was a Bengali Islamic scholar, educationist and writer from Midnapore. He is often regarded as the Father of modern Islamic education in Bengal.

Ghulam Murshid is a Bangladeshi author, scholar and journalist, based in London. He won a number of awards, including Bangla Academy Literary Award in 1982 for his contribution to research.; Prothom Alo Book Award in 2007; IFIC literary prize 2018; the Ekusey Padak for language and literature in 2021 and the Vidyasagar Endowments Lectures 1973 at Calcutta University. Besides being a prolific author, Dr. Murshid is a distinguished lexicographer. He edited a three-volume Bengali dictionary, called 'Bibartonmulak Bangla Abhidhan', published in 2013–2014, by the Bangla Academy. In the two hundred years' of history of Bengali dictionaries, it is the first to be based on historical principles. It provides the evolution of the form and meaning of every word and traces the first use thereof in written Bengali.

Nurul Momen was a Bangladeshi playwright, educator, director, broadcast personality, orator, academician, satirist, essayist, translator and poet. He served as a faculty member in the capacities of professor and dean at the faculty of Law in the University of Dhaka. He also served as a lawyer. He is called "Father of Bangladeshi theatre" and "Natyaguru" of Bangladesh. He was awarded the Bangla Academy Award in 1961, merely a year after its inception. He was also honoured by the People's Republic of Bangladesh with the Ekushey Padak in 1978, only a couple of years after this State honor was introduced.

Aneek, established on 09 October 1999, is a group theatre based in Kolkata, India. Aneek celebrates its Silver Jubilee this year.

Sanglap Kolkata or Sanglap theatre group is a Kolkata based Bengali theatre group. The theatre group was founded in 1979. The group's first production was "Ispat" based on Nikolai Ostrovsky's novel "How the Steel Was Tempered".

<span class="mw-page-title-main">Theatre in Bangladesh</span> Theatre in Bangladesh

Theatre in Bangladesh is believed to have its origin in the 4th century AD in the form of Sanskrit drama. The conquest of Bengal by the Gupta dynasty led the ingress of the northern Indian culture into the ancient Bangladeshi culture which eventually introduced the tradition of theatre in Bangladesh. At present, apart from the Sanskrit theatre, the influence of the European theatre and the indigenous folk culture can also be seen in the theatre art of Bangladesh.

<span class="mw-page-title-main">Syed Rashid Ahmed Jaunpuri</span> 20th-century Sufi Muslim saint

Syed Rashid Ahmed Jaunpuri was a Sufi saint, author, scholar of Hadith and Quran, and Muslim missionary in Bangladesh. He was influenced by Aala Hazrat Imam Ahmed Raza Khan Qadri and his Ahle Sunnat Wal Jamaat Barelvi movement He also written Urdu ghazals, nazm, hamd and naat, his Pen name being Fani. As a Sufi master he was initiated in Qadiriyya, Chishti, Naqshbandi, Naqshbandiyya-Mujaddidiyya, Shadhili, Uwaisi, Qalandariyya, Saberiyya and Nizamiyya orders.

<span class="mw-page-title-main">Mohammad Abu Bakr Siddique</span> Bengali Islamic scholar and Pir from Furfura Sharif

Moḥammad Abū Bakr Ṣiddīque al-Qurayshī was a Bengali Islamic scholar and the inaugural Pir of Furfura Sharif in West Bengal. He is regarded by his followers, who are scattered across eastern India and Bangladesh, as a mujaddid (reviver) of Islam in the region, due to his significant contributions in religious propagation via the establishment of mosques and madrasas, publication of newspapers and education development in neglected areas. He was the founding president of the sociopolitical Anjuman-i-Wazin-i-Bangla organisation, which advocated for causes such as the Khilafat Movement and Pakistan Movement. Siddique died in 1943, and his shrine is greatly venerated as one of West Bengal's most prominent Sufi centres.

Syed Alimuddin Ahmad, popularly known as Master Saheb, was a Bengali bodybuilder and wrestler. He participated in the anti-British independence movement as an underground activist and revolutionary, as a part of the Dhaka Mukti Sangha organisation. Ahmed rose to prominence after the organisation was absorbed into Subhas Chandra Bose's Bengal Volunteers during the mayorship of Chittaranjan Das in Calcutta.

References

  1. 1 2 3 4 5 "The World of Syed Jamil Ahmed". The Daily Star. 16 September 2017. Retrieved 15 July 2018.
  2. Geoffrey Samuel, "Review of Reading Against the Orientalist Grain: Performance and Politics Entwined with a Buddhist Stain." Religions of South Asia 6.1 (2012), p. 138. Retrieved from 15 July 2014.
  3. 1 2 3 "Jamil Ahmed". Everyone a Changemaker. Retrieved 15 July 2018.
  4. Syed Jamil Ahmed, "Negotiating ‘theatre (in place/instead) of war’", Research in Drama Education 11.1, 2006, p. 59.
  5. বহু দিন পরে মঞ্চ আলোয় [Back in theatre after long time]. Prothom Alo (in Bengali). 19 July 2012. Retrieved 15 July 2018.
  6. Syed Jamil Ahmed, Who's Who in Contemporary World Theatre (ed. Daniel Meyer-Dinkgrafe), London: Routledge: 2000, p. 5. Baidyanath Mukhopadhyay, Samsad Bangla Natya Abhidhan [Samsad Dictionary of Bengali Theatre], Kolkata: Shishu Sahitya Samsad, 2000, p. 411.
  7. Kabir Chowdhury, "Bangladesh", The World Encyclopedia of Contemporary Theatre, Volume 5, Asia-Pacific (ed. Don Rubin), p. 110.
  8. 1 2 Syed Jamil Ahmed, Applied Theatricks: Essays in Refusal, Kolkata: Anderson, 2013
  9. Syed Jamil Ahmed (2002). "Wishing for a World without 'Theatre for Development': demystifying the case of Bangladesh". Research in Drama Education. 7 (2): 207. doi:10.1080/1356978022000007983. S2CID   144638983.
  10. Saymon Zakaria, "Bangladesh", The World of Theatre: 2011 Edition, Dhaka: International Theatre Institute, 2011, p. 26.
  11. শিল্প ও শিল্পী » সুদীপের চাকা একটা ঘোরে ফেলে দিয়েছে. www.shilpaoshilpi.com (in Bengali). Retrieved 15 July 2018.
  12. Meghna Guhathakurta, "The Representation and Characterization of Women in Contemporary Theatre: The Case of Bishad Sindhu," Infinite Variety: Women and Society and Literature (Firdous Azim and Niaz Zaman eds.), Dhake: University Press Ltd, 1994, p, 289.
  13. Syed Jamil Ahmed, Acinpakhi Infinity: Indigenous Theatre of Bangladesh, Dhaka: University Press Ltd, 2000, p. xv.
  14. Clive Barker (May 2003). "Review of In Praise of Niranjan: Islam Theatre and Bangladesh". The New Theatre Quarterly. 19 (2): 198. doi:10.1017/S0266464X0327010X. S2CID   194072752.
  15. Bajeli, Diwan Singh (25 March 2010). "A Dhaka delight". The Hindu. ISSN   0971-751X . Retrieved 15 July 2018.
  16. "Scenes from the neighbourhood". The Telegraph (Opinion). Calcutta. Archived from the original on 15 April 2015. Retrieved 15 July 2018.
  17. "Le Bangladesh, scenes melees", La Scene et la Terre: Questions d’Ethnoscenologie, Babel, Maison des Culture du Monde, Paris, 1996. "Fremforingsteknikker I det etniske teatret I Bangladesh", Spillerom, Norsk Dukketeater Akademi, 1/1995. "Decolonized Roots and Postcolonial Wings: The Minoritarian Theatrescape of Rabindranath Tagore" [in English and Korean], Asia: Magazine of Asian Literature, 29: 261-306 (Spring 2013). "If/After the ‘Lamp of the East’ Has Been Lighted Again, Whither Rabindranath’s Iimaginary of Asia and Orient?", Barima Literary Magazine, No. 2, 215-234 (in Korean), 235-254 (in English). Zai "Xiangzheng" he "Daibiao" de Jiaojiemian, in Zhang Boyu (ed.) Music Cultures around Himalaya (In Chinese: Huan Xima Laya Yinyue Wenhua Yanjiu). Beijing: Central Conservatory of Music Press, 2015.
  18. Bajeli, Diwan Singh; Bajeli, Diwan Singh (12 November 2010). "Guilt-edged mantle". The Hindu. ISSN   0971-751X . Retrieved 15 July 2018.
  19. "Guaranteed to stimulate spectators". The Telegraph. Archived from the original on 4 March 2016. Retrieved 15 July 2018.