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Sylvain Lemaitre is a Canadian art director production designer. He is most noted for his work on the 2020 film Blood Quantum , for which he and Louisa Schabas won the Canadian Screen Award for Best Art Direction or Production Design at the 9th Canadian Screen Awards, [1] and were nominees for the Prix Iris for Best Art Direction at the 23rd Quebec Cinema Awards. [2]
He was previously a Prix Iris nominee at the 22nd Quebec Cinema Awards for Young Juliette (Jeune Juliette). [3]
His other credits have included the films Love in the Time of Civil War (L'amour au temps de la guerre civile), Turbo Kid and Thanks for Everything (Merci pour tout).
The Prix Iris is a Canadian film award, presented annually by Québec Cinéma, which recognizes talent and achievement in the mainly francophone feature film industry in Quebec. Until 2016, it was known as the Jutra Award in memory of influential Quebec film director Claude Jutra, but Jutra's name was withdrawn from the awards following the publication of Yves Lever's biography of Jutra, which alleged that he had sexually abused children.
The Canadian Screen Award for Best Achievement in Art Direction/Production Design is awarded by the Academy of Canadian Cinema and Television to the best Canadian film art direction/production design.
Sylvain Bellemare is a Canadian sound editor and sound designer, best known internationally as the supervising sound editor of Arrival (2016), for which he won the BAFTA Award for Best Sound and the Academy Award for Best Sound Editing. He is also known for Soft Shell Man (2001), It's Not Me, I Swear! (2008), Incendies (2010), Monsieur Lazhar (2011), Gabrielle (2013) and Endorphine (2015). He frequently works with Quebec filmmakers Philippe Falardeau or Denis Villeneuve.
Bernard Gariépy Strobl is a Canadian re-recording sound mixer, best known internationally as the supervising re-recording mixer of Arrival (2016), for which he won the BAFTA Award for Best Sound and was nominated for the Academy Award for Best Sound Mixing. He has been a re-recording mixer on many prominent Quebec films of the last two decades, including The Red Violin (1998), C.R.A.Z.Y. (2005), Monsieur Lazhar (2011), War Witch (2012), Gabrielle (2013), and Endorphine (2015).
Québec Cinéma presents an annual award for Best Actress to recognize the best in the Cinema of Quebec.
Québec Cinéma presents an annual award for Best Actor to recognize the best in the Cinema of Quebec.
Québec Cinéma presents an annual award for Best Supporting Actor to recognize the best in the Cinema of Quebec.
Québec Cinéma presents an annual award for Best Supporting Actress to recognize the best in the Cinema of Quebec.
Québec Cinéma presents an annual award for Best Director to recognize the best in the Cinema of Quebec.
The Prix Iris for Best Cinematography is an annual film award presented by Québec Cinéma as part of the Prix Iris awards program, to honour the year's best cinematography in the Cinema of Quebec.
The Prix Iris for Best Editing is an annual film award presented by Québec Cinéma as part of the Prix Iris awards program, to honour the year's best film editing in the Cinema of Quebec.
The Prix Iris for Best Cinematography in a Documentary is an annual film award, presented by Québec Cinéma as part of its Prix Iris awards program, to honour the year's best cinematography in documentary films made within the Cinema of Quebec.
The Prix Iris for Best Art Direction is an annual film award presented by Québec Cinéma as part of the Prix Iris awards program, to honour the year's best art direction in the Cinema of Quebec.
The Prix Iris for Best Original Music is an annual film award, presented by Québec Cinéma as part of its Prix Iris awards program, to honour the year's best music in films made within the Cinema of Quebec. Unlike some other film awards, which present separate categories for scores and songs, the Prix Iris only presents a single music category inclusive of both types of film music.
The Prix Iris for Best Sound is an annual film award presented by Québec Cinéma as part of the Prix Iris awards program, to honour the year's best sound in feature films made within the Cinema of Quebec. Unlike some film awards, Québec Cinéma does not present separate awards for overall sound and sound editing, but instead honours the full sound team in a single category; however it does also present a distinct category for Best Sound in a Documentary.
Wandering: A Rohingya Story is a Canadian documentary film, directed by Mélanie Carrier and Olivier Higgins and released in 2020. The film is a portrait of the Kutupalong refugee camp in Bangladesh, which houses a large number of refugees from the Rohingya conflict in Myanmar.
Noémi Poulin is a Canadian costume designer.
Natalie Lamoureux is a Canadian film editor. She is most noted for her work on the film A Woman, My Mother , for which she won the Canadian Screen Award for Best Editing in a Documentary at the 9th Canadian Screen Awards in 2021, and was a Prix Iris nominee for Best Editing in a Documentary at the 22nd Quebec Cinema Awards in 2020.
Erik Gosselin is a Canadian make-up artist and special effects technician. He is most noted for his work on the 2017 film Ravenous , for which he won both the Canadian Screen Award for Best Makeup at the 6th Canadian Screen Awards and the Prix Iris for Best Makeup at the 20th Quebec Cinema Awards in 2018, and the 2020 film Blood Quantum, for which he won both of the same awards at the 9th Canadian Screen Awards and the 22nd (B) Quebec Cinema Awards in 2021.
Louisa Schabas is a Canadian production designer. She is most noted for her work on the 2020 film Blood Quantum, for which she and Sylvain Lemaitre won the Canadian Screen Award for Best Art Direction or Production Design at the 9th Canadian Screen Awards, and were nominees for the Prix Iris for Best Art Direction at the 23rd Quebec Cinema Awards.
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