Sylvia Glasser

Last updated

Sylvia Glasser (born 1940) is a South African dancer and choreographer known as a pioneer of Afrofusion, a dance genre that combines African culture with Western modern dance. She served as founding director of the influential dance company Moving into Dance from 1978 to 2013.

Contents

Early life and education

Sylvia Glasser was born into a white Jewish family in Pietersburg, now Polokwane, South Africa, in 1940. [1] [2] [3] [4] [5]

She moved to England to study dance at the London College of Drama and Dance, where she graduated in 1963. [2] She later obtained a bachelor's degree from the University of the Witwatersrand, in 1973; pursued further studies in anthropology at Witwatersrand in the late 1980s; and graduated with a master's in dance from University of Houston–Clear Lake in the United States in 1997. [2] [4] [6]

Career

Returning to South Africa from the U.K., Glasser established herself in the local dance scene with the Experimental Dance Theatre, an annual platform she founded in 1967. [4] By the late 1970s, she had become a prominent figure in the modern dance community of South Africa. [1] Beginning in 1978, she was the founder and longtime director of the influential company Moving into Dance, whose dancers affectionately call her Magogo, meaning "mother" or "grandmother." [1] [2] [5] [7] Notable artists who trained with Glasser include Vincent Mantsoe, Gregory Maqoma, Moeketsi Koena, and Portia Mashigo. [5] [8]

Her choreography blends South African, African and Western traditions and techniques, which came to be known as Afrofusion, a style that would come to be adopted by many dancers and musical artists. [1] [7] [9] [10] Her seminal work of choreography Tranceformations, inspired by the art of the San people, was first staged in 1991. [2] [3] [4]

During the apartheid period, Glasser used dance to demonstrate opposition to the regime's oppression of black South African culture. [1] From its founding, her company was the first in the country to racially integrate, which was still illegal at the time. [2] [3] [5] She also emphasized the power of education through dance, which she dubbed "Educdance." [4]

In 1996, Glasser was given an FNB Vita Special Achievement Award for her work as a choreographer and dance educator. [1] In 2000, she was named a National Living Human Treasure and Foremost Pioneer of South Africa. [1] She was also given a Lifetime Achievement Award from the Tunkie Arts and Culture Trust in 2005. [1] She holds both a Dutch knighthood (2014) and the Order of Ikhamanga Silver from South Africa (2016). [2] [3]

Since her retirement in 2013, Glasser has published a book, Contemporary Dance and Southern African Rock Art: Tranceformations and Transformations. [3] [4]

Related Research Articles

<span class="mw-page-title-main">Choreography</span> Art or practice of designing sequences of movements of physical bodies

Choreography is the art or practice of designing sequences of movements of physical bodies in which motion or form or both are specified. Choreography may also refer to the design itself. A choreographer is one who creates choreographies by practising the art of choreography, a process known as choreographing. It most commonly refers to dance choreography.

<span class="mw-page-title-main">Contemporary dance</span> Genre of dance performance

Contemporary dance is a genre of dance performance that developed during the mid-twentieth century and has since grown to become one of the dominant genres for formally trained dancers throughout the world, with particularly strong popularity in the U.S. and Europe. Although originally informed by and borrowing from classical, modern, and jazz styles, it has come to incorporate elements from many styles of dance. Due to its technical similarities, it is often perceived to be closely related to modern dance, ballet, and other classical concert dance styles.

Postmodern dance is a 20th century concert dance form that came into popularity in the early 1960s. While the term "postmodern" took on a different meaning when used to describe dance, the dance form did take inspiration from the ideologies of the wider postmodern movement, which "sought to deflate what it saw as overly pretentious and ultimately self-serving modernist views of art and the artist" and was, more generally, a departure from modernist ideals. Lacking stylistic homogeny, Postmodern dance was discerned mainly by its anti-modern dance sentiments rather than by its dance style. The dance form was a reaction to the compositional and presentational constraints of the preceding generation of modern dance, hailing the use of everyday movement as valid performance art and advocating for unconventional methods of dance composition.

<span class="mw-page-title-main">Anna Sokolow</span> American dance artist (1910–2000)

Anna Sokolow was an American dancer and choreographer. Sokolow's work is known for its social justice focus and theatricality. Throughout her career, Sokolow supported of the development of modern dance around the world, including in Mexico and Israel.

<span class="mw-page-title-main">Pearl Primus</span> American dancer, choreographer and anthropologist (1919–1994)

Pearl Eileen Primus was an American dancer, choreographer and anthropologist. Primus played an important role in the presentation of African dance to American audiences. Early in her career she saw the need to promote African dance as an art form worthy of study and performance. Primus' work was a reaction to myths of savagery and the lack of knowledge about African people. It was an effort to guide the Western world to view African dance as an important and dignified statement about another way of life.

<span class="mw-page-title-main">Helen Tamiris</span> American choreographer, modern dancer and teacher

Helen Tamiris was an American choreographer, modern dancer, and teacher.

<span class="mw-page-title-main">Katherine Dunham</span> American dancer and choreographer (1909–2006)

Katherine Mary Dunham was an American dancer, choreographer, anthropologist, and social activist. Dunham had one of the most successful dance careers of the 20th century and directed her own dance company for many years. She has been called the "matriarch and queen mother of black dance."

<span class="mw-page-title-main">African dance</span> Body movement-centered performing arts developed by African people

African dance refers to the various dance styles of sub-Saharan Africa. These dances are closely connected with the traditional rhythms and music traditions of the region. Music and dancing is an integral part of many traditional African societies. Songs and dances facilitate teaching and promoting social values, celebrating special events and major life milestones, performing oral history and other recitations, and spiritual experiences. African dance uses the concepts of polyrhythm and total body articulation. African dances are a collective activity performed in large groups, with significant interaction between dancers and onlookers in the majority of styles.

<span class="mw-page-title-main">Modern dance</span> Genre of western concert or theatrical dance

Modern dance is a broad genre of western concert or theatrical dance which includes dance styles such as ballet, folk, ethnic, religious, and social dancing; and primarily arose out of Europe and the United States in the late 19th and early 20th centuries. It was considered to have been developed as a rejection of, or rebellion against, classical ballet, and also a way to express social concerns like socioeconomic and cultural factors.

The physically integrated dance movement is part of the disability culture movement, which recognizes and celebrates the first-person experience of disability, not as a medical model construct but as a social phenomenon, through artistic, literary, and other creative means.

<span class="mw-page-title-main">Diane Victor</span> South African artist and print maker (born 1964)

Diane Victor, is a South African artist and print maker, known for her satirical and social commentary of contemporary South African politics.

Mamela Nyamza is a dancer, teacher, choreographer, curator, director and activist in South Africa. She is trained in a variety of styles of dance including ballet, modern dance, African dance, the Horton technique, Spanish dance, jazz, movement and mime, flying low technique, release technique, gumboot dance and Butoh. Her style of dance and choreography blends aspects of traditional and contemporary dances. Nyamza has performed nationally and internationally. She has choreographed autobiographical, political, and social pieces both on her own and in collaboration with other artists. She draws inspiration from her daily life and her childhood growing up in Gugulethu, as well as her identity as a homosexual, Black, South African woman. She uses her platform to share some of the traumas faced by South African lesbians, such as corrective rape. Additionally, she has created various community outreach projects that have spread dance to different communities within South Africa, including the University of Stellenbosch's Project Move 1524, a group that uses dance therapy to educate on issues relating to HIV/AIDS, domestic violence and drug abuse.

Eileen Jensen Krige (1905–1995) was a prominent South African social anthropologist noted for her research on Zulu and Lovedu cultures. Together with Hilda Kuper and Monica Wilson, she produced substantial works on the Nguni peoples of Southern Africa. Apart from her research she is considered to be one of the 'pioneering mothers' of the University of Natal, Durban, South Africa, where she taught from 1948 until retirement in 1970. She inspired many women to devote themselves to research. Krige is also associated with a group of South African anthropologists who were strongly against the segregation policies of apartheid in South Africa. These include amongst others, Isaac Schapera, Winifred Hoernlé, Hilda Kuper, Monica Wilson, Audrey Richards and Max Gluckman.

Catherine Lowe Besteman is an Italian American abolitionist educator at Colby College, where she holds the Francis F. Bartlett and Ruth K. Bartlett Chair in Anthropology. Her research and practice engage the public humanities to explore abolitionist possibilities in Maine. She has taught at that institution since 1994.

<span class="mw-page-title-main">Dore Hoyer</span> German expressionist dancer and choreographer

Dore Hoyer was a German expressionist dancer and choreographer. She is credited as "one of the most important solo dancers of the Ausdruckstanz tradition." Inspired by Mary Wigman, she developed her own solo programmes and toured widely before and after the Second World War. Wigman called Hoyer "Europe's last great modern dancer."

<span class="mw-page-title-main">Penny Siopis</span> South African artist from Cape Town (born 1953)

Penny Siopis is a South African artist from Cape Town. She was born in Vryburg in the North West province from Greek parents who had moved after inheriting a bakery from Siopis maternal grandfather. Siopis studied Fine Arts at Rhodes University in Makhanda, completing her master's degree in 1976, after which she pursued postgraduate studies at Portsmouth Polytechnic in the United Kingdom. She taught Fine Arts at the Technikon Natal in Durban from 1980 to 1983. In 1984 she took up a lectureship at the University of the Witwatersrand in Johannesburg. During this time she was also visiting research fellow at the University of Leeds (1992–93) and visiting professor in fine arts at Umeå University in Sweden (2000) as part of an interinstitutional exchange. With an honorary doctorate from Rhodes University, Makhanda – Siopis is currently honorary professor at Michaelis School of Fine Art, University of Cape Town.

Germaine Acogny is a Senegalese dancer and choreographer. She is responsible for developing "African Dance", as well as the creation of several dance schools in both France and Senegal. She has been decorated by both countries, including being an Officer of the Ordre des Arts et des Lettres in France, and a Knight of the National Order of the Lion.

<span class="mw-page-title-main">Melati Suryodarmo</span> Indonesian performance artist

Melati Suryodarmo is an Indonesian durational performance artist. Her physically demanding performances make use of repetitive motions and often last for many hours, sometimes reaching "a level of factual absurdity". Suryodarmo has performed and exhibited throughout Europe and Asia as well as in North America. Born in Surakarta, she attended Padjadjaran University, graduating with a degree in international relations before moving to Germany. She lived there for 20 years, studying performance art at the Braunschweig University of Art with Butoh choreographer Anzu Furukawa and performance artist Marina Abramović.

<span class="mw-page-title-main">Flora Théfaine</span> Togolese-French choreographer

Flora Théfaine is a Togolese-French choreographer. Considered a pioneer of African contemporary dance, she is the founder of the dance corps Compagnie Kossiwa.

<span class="mw-page-title-main">Afro fusion</span> Dance genre and musical style

Afro fusion is a dance and musical style that emerged between the 1970s and 2000s. In the same way as the dance style, the musical style invokes fusions of various regional and inter-continental musical cultures, such as jazz, hip hop, kwaito, reggae, soul, pop, kwela, blues, folk, rock and afrobeat.

References

  1. 1 2 3 4 5 6 7 8 Davies Cordova, Sarah (2016), "Glasser, Sylvia (1940–)", Routledge Encyclopedia of Modernism (1 ed.), London: Routledge, doi:10.4324/9781135000356-rem1663-1, ISBN   978-1-135-00035-6 , retrieved 2024-07-05
  2. 1 2 3 4 5 6 7 "Dancing to Change the Conversation". Parvati Magazine. 2022-01-08. Retrieved 2024-07-05.
  3. 1 2 3 4 5 Shem-Tov, Richelle (December 2021). "Tranceformations and Transformations". ESRAmagazine. Retrieved 2024-07-05.
  4. 1 2 3 4 5 6 Tranceformations. 2014-04-17. Retrieved 2024-07-05 via Numeridanse.
  5. 1 2 3 4 Sassen, Robyn (2015-12-10). "Sylvia Glasser dances to her own drum". Mail & Guardian. Retrieved 2024-07-05.
  6. Williams, Drid (2000). Anthropology and Human Movement: Searching for Origins. Scarecrow Press. ISBN   978-0-8108-3707-2.
  7. 1 2 Seibert, Brian (2020-01-14). "For This Choreographer, the Traditional Is Contemporary". The New York Times. ISSN   0362-4331 . Retrieved 2024-07-05.
  8. Bremser, Martha; Sanders, Lorna (2011-03-15). Fifty Contemporary Choreographers. Taylor & Francis. ISBN   978-1-136-82832-4.
  9. Whitman, Daniel (2014-04-09). Outsmarting Apartheid: An Oral History of South Africa's Cultural and Educational Exchange with the United States, 1960–1999. State University of New York Press. ISBN   978-1-4384-5122-0.
  10. Frederiksen, Lynn E.; Chang, Shih-Ming Li (2024). Dance Cultures Around the World. Human Kinetics. ISBN   978-1-4925-7232-9.