Symphonie diagonale | |
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Directed by | Viking Eggeling |
Release date |
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Running time | 7 minutes |
Country | Germany |
Language | Silent |
Symphonie diagonale, or Diagonal-Symphonie as its German title was, is a 1923 German film directed by Viking Eggeling.
The title has also been misspelled Symphonie diaganale in the United States.
A tilted figure, consisting largely of right angles at the beginning, grows by accretion, with the addition of short straight lines and curves which sprout from the existing design. The figure vanishes and the process begins again with a new pattern, each cycle lasting one or two seconds. The complete figures are drawn in a vaguely Art Deco style and could be said to resemble any number of things, an ear, a harp, panpipes, a grand piano with trombones, and so on, only highly stylized. The tone is playful and hypnotic. [1]
Eggeling began work on Symphonie diagonale in 1921. Paper cut-outs and tin foil figures were photographed a frame at a time. The Last version was completed in 1923 (it was re-shot 3 times because Eggeling was never satisfied), a version of the film was first shown publicly in 1922 at the V.D.I. in Berlin. [2] The final version of the film was shown in 1925 at the first international avant-garde film show at UFA's theatre Kurfürstendamm in Berlin. The project originated from Eggeling's scroll drawings produced with fellow Dadaist Hans Richter from 1921. [3]
Hans Johannes Siegfried Richter was a German Dada painter, graphic artist, avant-garde film producer, and art historian. In 1965 he authored the book Dadaism about the history of the Dada movement. He was born in Berlin into a well-to-do family and died in Minusio, near Locarno, Switzerland.
Nosferatu: A Symphony of Horror is a 1922 silent German Expressionist vampire film directed by F. W. Murnau and starring Max Schreck as Count Orlok, a vampire who preys on the wife of his estate agent and brings the plague to their town.
Paul Wegener was a German actor, writer, and film director known for his pioneering role in German expressionist cinema.
Viking Eggeling was a Swedish avant-garde artist and filmmaker connected to dadaism, Constructivism, and abstract art and was one of the pioneers in absolute film and visual music. His 1924 film Diagonal-Symphonie is one of the seminal abstract films in the history of experimental cinema.
Michael is a 1924 German silent drama film directed by Carl Theodor Dreyer, director of other notable silents such as The Passion of Joan of Arc (1928), Master of the House (1925), and Leaves from Satan's Book (1921). The film stars Walter Slezak as the titular Michael, the young assistant and model to the artist Claude Zoret. Along with Different from the Others (1919) and Sex in Chains (1928), Michael is widely considered a landmark in gay silent cinema.
Walter Ruttmann was a German cinematographer and film director, an important German abstract experimental film maker, along with Hans Richter, Viking Eggeling and Oskar Fischinger. He is best known for directing the semi-documentary 'city symphony' silent film, with orchestral score by Edmund Meisel, in 1927, Berlin: Symphony of a Metropolis. His audio montage Wochenende (Weekend) (1930) is considered a major contribution in the development of sound collages and audio plays.
Carl Mayer was an Austrian screenwriter who wrote or co-wrote the screenplays to The Cabinet of Dr. Caligari (1920), The Haunted Castle (1921), Der Letzte Mann (1924), Tartuffe (1926), Sunrise: A Song of Two Humans (1927), and 4 Devils (1928), most of them being films directed by F. W. Murnau. Mayer was a fundamental figure in the dramatic and narrative establishment of both German expressionist cinema and Kammerspielfilm.
The Diagonale is a film festival that takes place every March in Graz, Austria.
La Symphonie fantastique is a 1942 French drama film by Christian-Jaque and produced by the German-controlled French film production company Continental Films. The film is based upon the life of the French composer Hector Berlioz. The title is taken from the five-movement programmatic Symphonie fantastique of 1830. The film lasts around 90 minutes and was first shown at the 'Normandie' cinema in Paris on 1 April 1942. The posters at the premiere contained the sub-title 'La Vie passionnée et glorieuse d'un génie'.
De brug is a 1928 Dutch documentary silent short film directed by Joris Ivens. This silent film explores the then-newly constructed Koningshaven Bridge in Rotterdam, an elevator railway bridge. The film looks at its structure, mechanisms, complex actions, and the steam-powered trains and ships crossing it.
Black Oxen is a 1923 American silent fantasy / romantic drama film starring Corinne Griffith, Conway Tearle, and Clara Bow. Directed by Frank Lloyd, the film is based on the controversial best-selling 1923 novel of the same name by Gertrude Atherton.
Dimitri Buchowetzki (1885–1932), born Dmitry Savelyevych Bukhovecky, was a Russian film director, screenwriter, and actor in Germany, Sweden, United States, United Kingdom, and France.
Paul Davidson was a German film producer.
Hermann Vallentin was a German actor.
Fritz Richard was an Austrian actor and theatre director.
Ludwig Wüst is an Austrian film director, scriptwriter and producer.
Non-narrative film is an aesthetic of cinematic film that does not narrate, or relate "an event, whether real or imaginary". It is usually a form of art film or experimental film, not made for mass entertainment.
Opus IV is a 1925 German absolute film directed by Walter Ruttmann. The film is approximately 3m 55s in length. It uses abstract animation.
Decla-Film was a German film production and distribution company of the silent era, founded by Erich Pommer and Fritz Holz in February 1915.
Events in 1880 in animation.