The Symphony No. 1 by Robert Simpson was completed in 1951 and submitted as his doctorate thesis for the University of Durham. Simpson was only 30 years old at the time of submission. [1]
It is scored with a fairly standard orchestra with the exception that high D trumpets are used instead of the standard B-flat or C trumpets.
The work is in three connected movements, all in one basic pulse so that tempo changes are all proportionally related. The work pits the tonalities of A and E flat against each other. It begins with a fanfare-like introduction from the brass and which then resides for several moments into a quieter section dominated by the strings which develops the main motives.
The second part is half the basic pulse of the opening and is almost completely diatonic, again dominated mostly by strings and introducing a theme which was metamorphosed from the opening section. It is very peaceful, and evokes timeless purity in which its restrained melancholy conveys a meditative atmosphere.
Both themes of the opening are combined to form a Part 3 which acts like a finale. The piece ends triumphantly in A major.
"The impression created is of a monolithic unity as though conceived in a single breath." [2]
The premiere was played by the Danish State Radio Orchestra under Launy Grøndahl in Copenhagen on 11 June 1953 and it was recorded by HMV under the auspices of the British Council in 1956, with the London Philharmonic Orchestra conducted by Sir Adrian Boult.
There are two commercially available CDs: one is a Hyperion Records release which also includes Symphony No. 8, both performed by the Royal Philharmonic Orchestra conducted by Vernon Handley, the other is a remastering of Boult's HMV LP of 1956, which also includes Racine Fricker's Symphony No. 2 and Robin Orr's Symphony in One Movement. [3]
Robert Wilfred Levick Simpson was an English composer, as well as a long-serving BBC producer and broadcaster.
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The Piano Concerto No. 4 in C minor, Op. 44 was composed by Camille Saint-Saëns in 1875. It was premièred on October 31, 1875, at the Théâtre du Châtelet of Paris, with the composer as the soloist. The concerto is dedicated to Anton Door, a professor of piano at the Vienna Conservatory. It continues to be one of Saint-Saëns' most popular piano concertos, second only to the Piano Concerto No. 2 in G minor.
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The Symphony No. 2 in E minor, Op. 27 by Russian composer Sergei Rachmaninoff was written from October 1906 to April 1907. The premiere was performed at the Mariinsky Theatre in Saint Petersburg on 26 January 1908, with the composer conducting. Its duration is approximately 60 minutes when performed uncut; cut performances can be as short as 35 minutes. The score is dedicated to Sergei Taneyev, a Russian composer, teacher, theorist, author, and pupil of Pyotr Ilyich Tchaikovsky. The piece remains one of the composer's most popular and best known compositions.
Ralph Vaughan Williams dedicated his Symphony No. 4 in F minor to Arnold Bax.
A London Symphony is the second symphony that Ralph Vaughan Williams composed. The work is sometimes referred to as Symphony No. 2, though the composer did not designate that name for the work. First performed in 1914, the original score of this four-movement symphony was lost and subsequently reconstructed. Vaughan Williams continued revisions of the work into its final definitive form, which was published in 1936.
Symphony No. 5, Op. 50, FS 97 is a symphony composed by Carl Nielsen in Denmark between 1920 and 1922. It was first performed in Copenhagen on 24 January 1922 with the composer conducting. It is one of two of Nielsen's six symphonies lacking a subtitle, the other being his Symphony No. 1.
Crown Imperial is an orchestral march by William Walton, commissioned for the coronation of King George VI in Westminster Abbey in 1937. It is in the Pomp and Circumstance tradition, with a brisk opening contrasting with a broad middle section, leading to a resounding conclusion. The work has been heard at subsequent state occasions in the Abbey: the coronation of Queen Elizabeth II in 1953, the wedding of Prince William in 2011 and the coronation of King Charles III in 2023. It has been recorded in its original orchestral form and in arrangements for organ, military band and brass band.
Ralph Vaughan Williams composed his Symphony in E minor, published as Symphony No. 6, in 1944–47, during and immediately after World War II and revised in 1950. Dedicated to Michael Mullinar, it was first performed, in its original version, by Sir Adrian Boult and the BBC Symphony Orchestra on 21 April 1948. Within a year it had received some 100 performances, including the U.S. premiere by the Boston Symphony Orchestra under Serge Koussevitzky on 7 August 1948. Leopold Stokowski gave the first New York performances the following January with the New York Philharmonic and immediately recorded it, declaring that "this is music that will take its place with the greatest creations of the masters." However, Vaughan Williams, very nervous about this symphony, threatened several times to tear up the draft. At the same time, his programme note for the first performance took a defiantly flippant tone.
Ralph Vaughan Williams's Symphony No. 8 in D minor was composed between 1953 and 1955. Sir John Barbirolli, its dedicatee, conducted the Hallé Orchestra in the premiere at the Free Trade Hall in Manchester on 2 May 1956. It is the shortest of the composer's nine symphonies, and is mostly buoyant and optimistic in tone.
The Symphony No. 9 in E minor was the last symphony written by the English composer Ralph Vaughan Williams. He composed it during 1956 and 1957, and it was given its premiere performance in London by the Royal Philharmonic Orchestra conducted by Sir Malcolm Sargent on 2 April 1958, in the composer's eighty-sixth year. The work was received respectfully but, at first, without great enthusiasm. Its reputation has subsequently grown, and the symphony has entered the repertoire, in the concert hall and on record, with the majority of recordings from the 1990s and the 21st century.
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The Symphony No. 2 by Robert Simpson was completed in 1956 and dedicated to Anthony Bernard, conductor of the London Chamber Orchestra, though the first performance was in fact given by the Hallé Orchestra conducted by Sir John Barbirolli on 16 July 1957 at the Cheltenham Festival.
The Symphony No. 3 by Robert Simpson was written in 1962 and dedicated to veteran composer Havergal Brian. The premiere was given by the City of Birmingham Symphony Orchestra on 14 March 1963 under the conductor Hugo Rignold. Its BBC Proms premiere was given by the Royal Philharmonic Orchestra on 21 August 1967 under the conductor Charles Groves. The US premiere was given by the Oklahoma City Symphony Orchestra on 8 December 1974 under its then Music Director, Ainslee Cox.
The Symphony No. 5 by Robert Simpson was written in 1972 and "dedicated in admiration" to the London Symphony Orchestra, who gave the premiere on May 3, 1973, conducted by Andrew Davis. The second performance in England didn't take place until 1984.
Robert Simpson composed his Seventh Symphony in 1977, the same year he completed his Sixth Symphony. Composition was begun 26 September and concluded 23 October in Chearsley. The work is dedicated to Hans Keller and his wife, Milein Keller, and was first performed by the Royal Liverpool Philharmonic Orchestra, conducted by Brian Wright at the Philharmonic Hall, Liverpool on 30 October 1984. It is a one-movement work of approximately 28 minutes duration, and since its first performance it has become one of Simpson's most frequently heard symphonies.
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The Piano Concerto No. 3 in E minor "Ballade", Op. 60, was one of Nikolai Medtner's last major compositions, completed in 1943, when he was 63.