The Symphony No. 22, Op. 236, City of Light is a four-movement symphony for orchestra by the American composer Alan Hovhaness. The work was commissioned by the Birmingham Symphony Orchestra for the centennial of Birmingham, Alabama and was completed in 1970. [1] The work has been recorded multiple times and remains one of Hovhaness's more popular compositions. [2]
City of Light has a duration of approximately thirty minutes and is composed in four movements:
Though the symphony was composed for the city of Birmingham, Alabama, the city referred to in the title is one of Hovhaness's invention; Hovhaness described, "I was thinking of a million lights, an imaginary city..." He described the second movement "Angel of Light" as "a memory of a childhood vision I had... I was always affected by Christmas." The third movement "Allegretto grazioso" is based on a dance melody Hovhaness originally wrote in high school for an operetta Lotus Blossom. [1]
Music critic David Hurwitz praised the symphony for anticipating the music of Arvo Pärt and John Tavener, adding, "Hearing this, it’s no wonder Hovhaness is only just coming into his own, and it’s a fitting historical irony that a composer once denigrated as backward looking should in fact turn out to be a prophet of important musical trends." [3] Mark Swed of the Los Angeles Times also lauded the work, opining, "Enthralled with mystical Asia, Bach and mountains, Alan Hovhaness is often accused of writing formulaic, long-lined and heady counterpoint that predictably resolves into spiritually grandiose cadences. But if his music is all of a mold, in the best of it the lingering melodies are gorgeous; the fugues, fabulously opulent; the finales, downright mood-elevating." [4] Andrew Farach-Colton of Gramophone gave the symphony a more mixed response, writing, "...City of Light (1970) has some lovely ideas, like the surprisingly sweet and simple string melody in the middle of the 'Angel of Light' movement (beginning at 1'30"), and the third movement, Allegretto grazioso, which sounds like a minuet in oriental garb. The outer movements, however, outstay their welcome." [5] Conversely, Annette Morreau of BBC Music Magazine criticized the work, in addition to Hovhaness's Symphony No. 50, Mount St. Helens, commenting, "Both works are marshmallows, gluttonously kitsch and laboriously serious. Hovhaness’s musical style is an eclectic soup of Hollywood/Western and Hollywood/Oriental with a dash of Renaissance modalism thrown in." [6]
The Symphony No. 1 in F minor, Op. 10, by Dmitri Shostakovich was written in 1924–1925, and first performed in Leningrad by the Leningrad Philharmonic under Nicolai Malko on 12 May 1926. Shostakovich wrote the work as his graduation piece at the Petrograd Conservatory, completing it at the age of 19.
The Symphony No. 8 in G major, Op. 88, B. 163, is a symphony by Antonín Dvořák, composed in 1889 at Vysoká u Příbramě, Bohemia, on the occasion of his election to the Bohemian Academy of Science, Literature and Arts. Dvořák conducted the premiere in Prague on 2 February 1890. In contrast to other symphonies of both the composer and the period, the music is cheerful and optimistic. It was originally published as Symphony No. 4.
Symphony No. 2 in D major, Op. 73, was composed by Johannes Brahms in the summer of 1877, during a visit to Pörtschach am Wörthersee, a town in the Austrian province of Carinthia. Its composition was brief in comparison with the 21 years it took him to complete his First Symphony.
Rainbow Body is an orchestral composition by the American composer Christopher Theofanidis. It was commissioned by the Houston Symphony, which first performed the work in April 2000 under the conductor Robert Spano. The piece is dedicated to the Texas lawyer and philanthropist Glen Rosenbaum. Rainbow Body is one of Theofanidis's most-performed compositions and won the 2003 London Masterprize competition.
Symphony No. 2, Op. 132, Mysterious Mountain is a three-movement orchestral composition by the Armenian-American composer Alan Hovhaness. The symphony was commissioned by the conductor Leopold Stokowski and the Houston Symphony, and premiered live on NBC television in October 1955 on the Houston Symphony's first program with Stokowski as conductor. The first and most popular recording of the work, released in 1958 with the Chicago Symphony Orchestra performing under Fritz Reiner, is often regarded as the foremost performance of the piece. This recording, like early performances of the work, predates the composer's decision to categorize the work "symphony". Later on, the G. Schirmer published score was titled Mysterious Mountain with "Symphony No. 2" printed as a subtitle in smaller typeface.
Symphony No. 50, Op. 360, Mount St. Helens is a three-movement orchestral composition by the American composer Alan Hovhaness. The symphony was commissioned by former Hovhaness publisher C.F. Peters and was completed January 24, 1982. It premiered March 2, 1984, and was performed by the San Jose Symphony under conductor George Cleve. The piece commemorates the volcano Mount St. Helens, culminating in the events of its 1980 eruption, which Hovhaness had witnessed from his Seattle home.
The Symphony No. 1, Op. 17, Exile is the first symphony by the American composer Alan Hovhaness. The piece was composed in 1936 and was premiered by the BBC Symphony Orchestra under the conductor Leslie Heward in 1939. The work commemorates the genocide of the Armenian people, including Hovhaness's paternal family, during the Ottoman Turkish occupation of World War I. The symphony is dedicated to English writer and philosopher Francis Bacon.
The Symphony No. 66, Op. 428, Hymn to Glacier Peak is an orchestral composition in three movements and the penultimate symphony by the American composer Alan Hovhaness. The work was commissioned by the Seattle Youth Symphony Orchestra and was completed in 1992, shortly before its premiere by the Seattle Youth Symphony, conducted by Ruben Gurevich, at the Seattle Opera House on May 10, 1992. The title of the work comes from the stratovolcano Glacier Peak in the Cascade Range, visible from Hovhaness's home in Seattle, Washington.
The Concerto for Orchestra is an orchestral composition in five movements by the American composer Jennifer Higdon. The work was commissioned by the Philadelphia Orchestra with contributions from the National Endowment for the Arts, the Philadelphia Music Project, and Peter Benoliel. It was premiered at the Kimmel Center for the Performing Arts in Philadelphia June 12, 2002, with conductor Wolfgang Sawallisch leading the Philadelphia Orchestra.
Lousadzak, Op. 48, is a 1944 concerto for piano and string orchestra by the American-Armenian composer Alan Hovhaness. The work is known for its use of aleatory that is said to have impressed fellow composers Lou Harrison and John Cage, and anticipated "many soon-to-be-hip" aleatory techniques.
The Guitar Concerto No. 2, Op. 394, is a concerto for classical guitar and string orchestra by the American composer Alan Hovhaness. The work was commissioned by the Spanish guitarist Narciso Yepes. It was completed in June 1985 and later premiered at the Granada Festival in 1990.
The Symphony No. 63, Op. 411, Loon Lake is a symphony for orchestra in two movements by the American composer Alan Hovhaness. The work was commissioned in September 1987 by the New Hampshire Music Festival and the Loon Preservation Society. It was completed in early 1988 and premiered August 18, 1988, with conductor Thomas Nee leading the New Hampshire Music Festival Orchestra. The ending of the piece was later revised by Hovhaness at the request of his wife; the revised symphony premiered July 2, 1991, and is the only version available on recording.
The Concerto for Viola and Orchestra is a viola concerto by the American composer John Harbison. The work was commissioned by the Saint Paul Chamber Orchestra, the Los Angeles Chamber Orchestra, and the New Jersey Symphony Orchestra with contributions from Meet The Composer and Reader's Digest. It was first performed by Jaime Laredo and the New Jersey Symphony Orchestra under the direction of Hugh Wolff on May 18, 1990.
A percussion concerto is a type of musical composition for a percussion soloist and a large ensemble, such as a concert band or orchestra. Two notable figures in the genre are the percussionists Colin Currie and Evelyn Glennie, who have separately commissioned and premiered numerous entrees to the repertoire. Two common subsets of the percussion concerto are the timpani concerto and the marimba concerto.
The Symphony No. 3 is a composition for orchestra by the American composer Ned Rorem. The work was first performed by the New York Philharmonic under the direction of Leonard Bernstein at Carnegie Hall on April 16, 1959.
The Piano Concerto No. 2, Op. 39, is the second piano concerto by the Argentinian composer Alberto Ginastera. The work was commissioned by the Indianapolis Symphony Orchestra for the pianist Hilde Somer, to whom the concerto is dedicated. It was first performed by Somer and the Indianapolis Symphony Orchestra conducted by Izler Solomon on March 22, 1973.
The Concerto for Viola and Orchestra is a musical composition for viola and orchestra by the American composer Walter Piston. The work was written in 1957 for the violist Joseph de Pasquale, who first performed the piece with the Boston Symphony Orchestra on March 7, 1958.
The Symphony No. 5 is the fifth symphony by the American composer George Rochberg. It was commissioned by the Chicago Symphony Orchestra, which first performed the piece under the direction of Georg Solti on March 13, 1986. The symphony has a duration of approximately 28 minutes and is cast a single continuous movement. It was a finalist for the 1986 Pulitzer Prize for Music.
The Symphony No. 3 is a symphony for orchestra by the American composer Ellen Taaffe Zwilich. The work was commissioned by the New York Philharmonic to commemorate their sesquicentennial anniversary. It was first performed by the New York Philharmonic conducted by Jahja Ling on February 25, 1993. The symphony is dedicated "with love and admiration" to Kurt Masur and the New York Philharmonic.
The Concerto Grosso 1985 is a composition for chamber orchestra by the American composer Ellen Taaffe Zwilich. The work was commissioned by the Washington Friends of Handel in commemoration of the 300th anniversary of the birth of George Frideric Handel. It was given its world premiere by Handel Festival Orchestra conducted by Stephen Simon on May 9, 1986.