Symphony No. 2 in G minor, also known as Symphony No. 2"Song of a New Race", is a 1937 composition in four movements by American composer William Grant Still. [1] The work was first performed on December 10, 1937, by the Philadelphia Orchestra led by conductor Leopold Stokowski. [1] [2] [3] [4] The symphony is about thirty minutes long.
William Grant Still contrasted his Symphony No. 2 with his earlier Symphony No. 1. If Symphony No. 1 "represented the Negro of days not far removed from the Civil War," Symphony No. 2 represented "the American colored man of today, in so many instances a totally new individual produced through the fusion of White, Indian and Negro bloods". [4] According to one reviewer commenting on the premiere performance of the symphony by the Philadelphia Orchestra, "[The symphony]'s characteristically expansive, lyrical string writing seems specifically intended to exploit that orchestra’s famously silky string sound. Near the climax of the first movement, and at key moments elsewhere, the brasses-trumpets and trombones especially, punctuate the texture with gestures suggesting call and response, elements of the African American essence that persistently asserts itself even as blacks were more fully integrated into the wider, more diverse American culture." [4]
The symphony is in four movements as follows:
Allan Kozinn of The New York Times notes the work's, "bright, rhythmically vital third movement". [5]
Philip Glass is an American composer and pianist. He is widely regarded as one of the most influential composers of the late 20th century. Glass's work has been associated with minimalism, being built up from repetitive phrases and shifting layers. Glass describes himself as a composer of "music with repetitive structures", which he has helped to evolve stylistically.
John Paul Corigliano Jr. is an American composer of contemporary classical music. With over 100 compositions, he has won accolades including a Pulitzer Prize, five Grammy Awards, Grawemeyer Award for Music Composition, and an Academy Award.
William Grant Still Jr. was an American composer of nearly two hundred works, including five symphonies, four ballets, nine operas, over thirty choral works, art songs, chamber music, and solo works. Born in Mississippi and raised in Little Rock, Arkansas, Still attended Wilberforce University and Oberlin Conservatory of Music as a student of George Whitefield Chadwick and then Edgard Varèse. Because of his close association and collaboration with prominent African-American literary and cultural figures, Still is considered to be part of the Harlem Renaissance.
Florence Beatrice Price was an American classical composer, pianist, organist and music teacher. Born in Little Rock, Arkansas, Price was educated at the New England Conservatory of Music, and was active in Chicago from 1927 until her death in 1953. Price is noted as the first African-American woman to be recognized as a symphonic composer, and the first to have a composition played by a major orchestra. Price composed over 300 works: four symphonies, four concertos, as well as choral works, art songs, chamber music and music for solo instruments. In 2009, a substantial collection of her works and papers was found in her abandoned summer home.
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Béla Bartók's Violin Concerto No. 2, Sz. 112, BB 117 was written in 1937–38. During the composer's life, it was known simply as his Violin Concerto. His other violin concerto, Violin Concerto No. 1, Sz. 36, BB 48a, was written in the years 1907–1908, but only published in 1956, after the composer's death, as "Violin Concerto No. 1, Op. posth."
Richard Wernick is an American composer. He is best known for his chamber and vocal works. His composition Visions of Terror and Wonder won the 1977 Pulitzer Prize for Music.
Christopher Chapman Rouse III was an American composer. Though he wrote for various ensembles, Rouse is primarily known for his orchestral compositions, including a Requiem, a dozen concertos, and six symphonies. His work received numerous accolades, including the Kennedy Center Friedheim Award, the Grammy Award for Best Classical Contemporary Composition, and the Pulitzer Prize for Music. He also served as the composer-in-residence for the New York Philharmonic from 2012 to 2015.
Stephen Joel Albert was an American composer. He is best known for his Pulitzer Prize winning Symphony No. 1 RiverRun (1983) and his Cello Concerto (1990), written for Yo-Yo Ma. He died suddenly in a 1992 automobile accident, having just sketched out his Second Symphony. The work was subsequently completed by Sebastian Currier, and his death sparked musical tributes from composer colleagues such as Aaron Jay Kernis and Christopher Rouse.
Afro-American Symphony, also known as Symphony No. 1"Afro-American" and Symphony No. 1 in A-flat major, is a 1930 composition by William Grant Still, the first symphony written by an African American and performed for a United States audience by a leading orchestra. It was premiered in 1931 by the Rochester Philharmonic Orchestra and later published in 1935. It is a symphonic piece for full orchestra, including celeste, harp, and tenor banjo. It combines a fairly traditional symphonic form with blues progressions and rhythms that were characteristic of popular African-American music at the time. This combination expressed Still's integration of black culture into the classical forms. Still used quotes from four poems by early 20th-century African-American poet Paul Laurence Dunbar as epigraphs for each symphonic movement. The symphony is about twenty-four minutes long.
Capricorn Concerto, Op. 21, is a composition for flute, oboe, trumpet, and strings by Samuel Barber, completed on September 8, 1944. A typical performance lasts approximately 14 minutes.
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Jennifer Higdon's Concerto for Violin and Orchestra was written in 2008. The work was jointly commissioned by the Indianapolis Symphony Orchestra, the Toronto Symphony Orchestra, the Baltimore Symphony Orchestra, and the Curtis Institute of Music. It was composed for the violinist Hilary Hahn and was given its world premiere by Hahn and the Indianapolis Symphony Orchestra under the conductor Mario Venzago on February 6, 2009. The piece was later awarded the 2010 Pulitzer Prize for Music.
The Concerto for Orchestra is an orchestral composition in five movements by the American composer Jennifer Higdon. The work was commissioned by the Philadelphia Orchestra with contributions from the National Endowment for the Arts, the Philadelphia Music Project, and Peter Benoliel. It was premiered at the Kimmel Center for the Performing Arts in Philadelphia June 12, 2002, with conductor Wolfgang Sawallisch leading the Philadelphia Orchestra.
Made in America is an orchestral composition in one movement by the American composer Joan Tower. The work was jointly commissioned by the League of American Orchestras and Meet the Composer. It was first performed in Glens Falls, New York by the Glens Falls Symphony Orchestra in October 2005.
The Symphony No. 3 is a composition for orchestra by the American composer Ned Rorem. The work was first performed by the New York Philharmonic under the direction of Leonard Bernstein at Carnegie Hall on April 16, 1959.
Symphony No. 3, also known as Symphony No. 3"The Sunday Symphony", is a 1958 composition in four movements by American composer William Grant Still. The work was first performed on February 12, 1984 by the North Arkansas Symphony Orchestra conducted by Carlton Woodsi. The symphony is about eighteen minutes long.
Symphony No. 4, also known as Symphony No. 4"Autochthonous", is a 1947 composition in four movements by American composer William Grant Still. The work was first performed on March 18, 1951, by the Oklahoma City Symphony Orchestra conducted by Victor Alessandro. The symphony is about twenty-six minutes long.
Symphony No. 5, also known as Symphony No. 5"Western Hemisphere", is a 1945 composition in four movements by American composer William Grant Still. The work was first performed on November 9, 1970 by the Oberlin College Orchestra conducted by Robert Baustian. The symphony is about twenty minutes long.
The Short Symphony, or Symphony No. 2, is a symphony written by the American composer Aaron Copland from 1931 to 1933. The name derives from the symphony's short length of only 15 minutes. The work is dedicated to Copland's friend, the Mexican composer and conductor Carlos Chávez. The symphony's first movement is in sonata-allegro form, and its slow second movement follows an adapted ternary form. The third movement resembles the sonata-allegro but has indications of cyclic form. The composition contains complex rhythms and polyharmonies, and it incorporates the composer's emerging interest in serialism as well as influences from Mexican music and German cinema. The symphony includes scoring for a heckelphone and a piano while omitting trombones and a percussion section. Copland later arranged the symphony as a sextet.
| Operas (9) |
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| Ballets (4) |
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| Symphonies (5) |
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| Concertos |
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| Orchestra works |
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| Chamber music |
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