Symphony No. 6 | |
---|---|
by Peter Maxwell Davies | |
Dedication | George Mackay Brown |
Movements | 3 |
Premiere | |
Date | 22 June 1996 |
Location | St Magnus Festival, Kirkwall |
Conductor | Peter Maxwell Davies |
Performers | Royal Philharmonic Orchestra |
The Symphony No. 6 by Peter Maxwell Davies was composed in Hoy during the first half of 1996, and was premiered on 22 June of the same year in the Phoenix Cinema, Kirkwall, as part of the twentieth St Magnus Festival, Orkney, by the Royal Philharmonic Orchestra conducted by the composer. The work was written with specific members of the RPO in mind, and is dedicated to the memory of the poet George Mackay Brown, who died on the day the symphony was completed.
The symphony sets out at the beginning from a slow Australian aboriginal tune, as reworked in Davies's Time and the Raven, composed the previous year, and returns to it at the end. Over the course of the symphony this theme is subjected to continual transformations. [1] As with many of Davies's works from the time of the First Symphony onward, the Sixth Symphony establishes its own set of harmonic rules, with its own "tonics" and "dominants". [2]
The symphony is scored for piccolo, two flutes (2nd doubling alto flute), two oboes, cor anglais, two clarinets, bass clarinet, two bassoons, double bassoon, four horns, three trumpets, three trombones, tuba, timpani, five percussionists (playing glockenspiel, crotales, marimba, two wood blocks, tambourine, side drum, two bass drums, two suspended cymbals, crash cymbals, rain sticks), harp, celesta, and strings.
The symphony is in three movements:
After the presentation of the slow theme as an introduction, the first movement becomes a "scherzo masquerading as a sonata-allegro". [3] The opening Aboriginal-derived theme is clearly centred on E, and after wandering into other areas, the movement settles back onto E at the end, with one of the secondary pitches, B, above it. [2]
The second movement reproduces the pattern of the first in many respects: a slow introduction, followed by faster music over a slower-moving background, as a sonata-allegro masquerading as a scherzo—the reverse of the first movement's disguise. [3] The initial tonality once again focusses on E, but soon gives way to B and a collection of minor-third related centres: D, F and G♯. Later, the tonality shifts to B, D, and F and the movement closes with a violent passage successively centred on B, F, and finally D. [2]
After two fast movements the finale is essentially a slow one. Like the other two, it begins with an introduction, only briefer this time, followed by transformations now attempting to reconcile everything from the diverse elements of the first and second movements. [4] This synthesis is reflected in the tonalities. When the Aboriginal theme returns at letter U, it is supported by a timpani tattoo, first on B, then on F, then alternating D, B, and F, finally settling quietly onto a low D. This leaves the ambiguous feeling that the tonic may be E and the dominant B, or the tonic may be B with dominants D, F, and G♯. [2]
Robert Wilfred Levick Simpson was an English composer, as well as a long-serving BBC producer and broadcaster.
The Piano Concerto No. 2 in B♭ major, Op. 83, by Johannes Brahms is separated by a gap of 22 years from his first piano concerto. Brahms began work on the piece in 1878 and completed it in 1881 while in Pressbaum near Vienna. It took him three years to work on this concerto which indicates that he was always self-critical. He wrote to Clara Schumann: "I want to tell you that I have written a very small piano concerto with a very small and pretty scherzo." Ironically, he was describing a huge piece. This concerto is dedicated to his teacher, Eduard Marxsen. The public premiere of the concerto was given in Budapest on 9 November 1881, with Brahms as soloist and the Budapest Philharmonic Orchestra, and was an immediate success. He proceeded to perform the piece in many cities across Europe.
The Symphony No. 1 in E minor, Op. 39, by Jean Sibelius is a symphony started in 1898, and finished in early 1899, when Sibelius was 33. The work was first performed on 26 April 1899 by the Helsinki Philharmonic Orchestra, conducted by the composer, in an original version which has not survived. After the premiere, Sibelius made some revisions, resulting in the version performed today. The revised version was completed in the spring and summer of 1900, and was first performed in Berlin by the Helsinki Philharmonic, conducted by Robert Kajanus on 1 July 1900.
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The Symphony in C major by German composer Robert Schumann was published in 1847 as his Symphony No. 2, Op. 61, although it was the third symphony he had completed, counting the B-flat major symphony published as No. 1 in 1841, and the original version of his D minor symphony of 1841. It is dedicated to Oscar I, king of Sweden and Norway.
The Symphony No. 100 in G major, Hoboken I/100, is the eighth of the twelve London symphonies written by Joseph Haydn and completed in 1793 or 1794. It is popularly known as the Military Symphony.
Pyotr Ilyich Tchaikovsky composed his Orchestral Suite No. 3 in G, Op. 55 in 1884, writing it concurrently with his Concert Fantasia in G, Op. 56, for piano and orchestra. The originally intended opening movement of the suite, Contrastes, instead became the closing movement of the fantasia. Both works were also intended initially as more mainstream compositions than they became; the fantasia was intended as a piano concerto, while the suite was conceived as a symphony.
The Symphony No. 2 in F minor was written by Richard Strauss between 1883 and 1884. It is sometimes referred to as just Symphony in F minor. He gave it the Opus number 12, and it also appears in other catalogues as TrV 126 and Hanstein A.I.2. It is not listed in von Asow's catalog.
The Symphony No. 1 by the British composer Michael Tippett was completed in 1945.
Harold Shapero completed the Symphony for Classical Orchestra in B-flat major on March 10, 1947, in Newton Centre, Massachusetts. It is written for an orchestra consisting of piccolo, 2 flutes, 2 oboes, 2 clarinets in B-flat, 2 bassoons, contrabassoon, 2 horns in F, 2 trumpets in C, 2 tenor trombones and one bass, timpani and strings. Although labelled "Classical," many of the work's features point to Beethoven rather than Haydn or Mozart, such as "the way in which Shapero paces himself, alternating long passages in the tonic and the dominant, with fast, dramatic modulations often reserved for transitions and developments." Nicolas Slonimsky remarked on how the piece is "premeditatedly cast in the proclamatory key of B-flat major, the natural tonality of the bugle, and ending in a display of tonic major triads." But there are modern features as well, with "the work's orchestration, in general, ... distinctively bright and brassy, and undoubtedly derived a fair amount from Piston and Copland, as well as from the composer's experience as a dance band arranger."
Felix Mendelssohn wrote thirteen string symphonies between 1821 and 1823, when he was between 12 and 14 years old.. These symphonies were tributes to Classical symphonies especially by Joseph Haydn, Johann Christian Bach, Carl Philipp Emanuel Bach, and Wolfgang Amadeus Mozart.
The Symphony No. 2 by Peter Maxwell Davies was commissioned by the Boston Symphony Orchestra in celebration of its centenary, and was composed in 1980. Seiji Ozawa conducted the world premiere with the BSO on 26 February 1981 at Symphony Hall, Boston.
The Symphony No. 3 by Peter Maxwell Davies was composed in 1984 on a commission from the BBC Philharmonic, who gave the world premiere on 19 February 1985, at the Free Trade Hall in Manchester, with Edward Downes conducting.
The Symphony No. 4 by Peter Maxwell Davies was commissioned for the Scottish Chamber Orchestra by Christian Salvesen plc and composed in 1989. It is dedicated to the memory of the violinist John Tunnell, who had been leader of the orchestra, and was premiered at the Royal Albert Hall on a BBC Promenade Concert on 10 September 1989, with the composer conducting the Scottish Chamber Orchestra.
The Symphony No. 5 was composed by Peter Maxwell Davies in 1994 on commission from the Philharmonia Orchestra, who gave the world premiere under the composer’s direction at a BBC Promenade concert on 9 August 1994, at the Royal Albert Hall in London.
The Symphony No. 1 by Peter Maxwell Davies was composed between 1973 and 1976, and is dedicated to Sir William Glock, "as a mark of friendship and of appreciation of his work for contemporary music in his years as music controller at the B.B.C.". It was commissioned by the Philharmonia Orchestra, which gave the premiere of the symphony at the Royal Festival Hall, London, on 2 February 1978, with Simon Rattle conducting.
The Symphony No. 7 by Peter Maxwell Davies was composed in 2000. It was written for and dedicated to the BBC Philharmonic Orchestra, by whom it was premiered on 19 June 2000 at the St Magnus Festival, in the Pickaquoy Centre, Kirkwall, Orkney, conducted by the composer.
The Symphony No. 1 in D minor, Op. 9, was completed by Ernő Dohnányi in 1901, when the composer was 24. Premiered in 1902, it is an early work by Dohnányi, though his second venture into orchestral writing. Although audibly influenced by the prevailing voices of the time, including Bruckner, Strauss, Tchaikovsky, Wagner, Mahler and Brahms, the work nonetheless demonstrates a formidable handling of complex compositional techniques and is a notable precursor to what would become Dohnányi's distinctive neoromantic style. As with most of his public work, Dohnányi published the composition under the Germanized version of his name, Ernst von Dohnányi. The symphony is 50–55 minutes in duration.
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