Takamba | |
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Cultural origins | Songhai Empire |
Regional scenes | |
Mali, Niger | |
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Bitti Harey |
Takamba is a music and dance native to the Songhai and Tuareg peoples of Niger and Mali. It is both a musical composition and a dance. The musicians play a traditional instrument known as the Kurbu or Tehardent and a traditional African Calabash. The Takamba dance includes graceful and rhythmic movements performed both seated and standing where the shoulders and arms sway with the flow of the music . [1] [2] [3] [4]
Takamba music and dance originated from the Songhai Empire. Before being known as Takamba, it was performed by the nomadic Tuareg griots and blacksmiths to celebrate the end of good harvest, cheer warriors back from the battle and to praise noble families. The griot in a sitting position, would play the ngoni or commonly known by the Tuareg as "tehardent". The word ‘Takamba’ has its etymology from the Songhai language which literally means "take the hand". [5] [6]
Mali is located in Africa. The history of the territory of modern Mali may be divided into:
The Tuareg people are a large Berber ethnic group that principally inhabit the Sahara in a vast area stretching from far southwestern Libya to southern Algeria, Niger, Mali, and Burkina Faso. Traditionally nomadic pastoralists, small groups of Tuareg are also found in northern Nigeria.
The music of Mali is, like that of most African nations, ethnically diverse, but one influence predominates: that of the ancient Mali Empire of the Mandinka. Mande people make up around 50% of Mali's population; other ethnic groups include the Fula (17%), Gur-speakers 12%, Songhai people (6%), Tuareg and Moors (10%).
The music of Niger has developed from the musical traditions of a mix of ethnic groups; Hausa, the Zarma-Songhai, Tuareg, Fula, Kanuri, Toubou, Diffa Arabs and Gurma and the Boudouma from Lac Chad.
A griot is a West African historian, storyteller, praise singer, poet, and/or musician.
The Zaghai Empire was a state located in the western part of the Sahel during the 15th and 16th centuries. At its peak, it was one of the largest African empires in history. The state is known by its historiographical name, derived from its largest ethnic group and ruling elite, the Songhai people. Sonni Ali established Gao as the empire's capital, although a Songhai state had existed in and around Gao since the 11th century. Other important cities in the kingdom were Timbuktu and Djenné, where urban-centred trade flourished; they were conquered in 1468 and 1475, respectively. Initially, the Songhai Empire was ruled by the Sonni dynasty, but it was later replaced by the Askia dynasty (1493–1901).
The Songhai people are an ethnolinguistic group in West Africa who speak the various Songhai languages. Their history and lingua franca is linked to the Songhai Empire which dominated the western Sahel in the 15th and 16th century. Predominantly adherents of Islam, the Songhai are primarily located in Niger and Mali within the Western Sudanic region. Historically, the term "Songhai" did not denote an ethnic or linguistic identity but referred to the ruling caste of the Songhay Empire known as the Songhaiborai. However, the correct term used to refer to this group of people collectively by the natives is "Ayneha". Although some Speakers in Mali have also adopted the name Songhay as an ethnic designation, other Songhay-speaking groups identify themselves by other ethnic terms such as Zarma or Isawaghen. The dialect of Koyraboro Senni spoken in Gao is unintelligible to speakers of the Zarma dialect of Niger, according to at least one report. The Songhay languages are commonly taken to be Nilo-Saharan but this classification remains controversial: Dimmendaal (2008) believes that for now it is best considered an independent language family.
Askia Muhammad I (1443–1538), born Muhammad ibn Abi Bakr al-Turi or Muhammad Ture, was the first ruler of the Askia dynasty of the Songhai Empire, reigning from 1493 to 1528. He is also known as Askia the Great, and his name in modern Songhai is Mamar Kassey. Askia Muhammad strengthened his empire and made it the largest empire in West Africa's history. At its peak under his reign, the Songhai Empire encompassed the Hausa states as far as Kano and much of the territory that had belonged to the Songhai empire in the east. His policies resulted in a rapid expansion of trade with Europe and Asia, the creation of many schools, and the establishment of Islam as an integral part of the empire.
Islam is very important to traditional Malian culture. Muslims currently make up approximately 95 percent of the population of Mali. The majority of Muslims in Mali are Malikite Sunni, influenced with Sufism. Ahmadiyya and Shia branches are also present.
Toumani Diabaté is a Malian kora player. In addition to performing the traditional music of Mali, he has also been involved in cross-cultural collaborations with flamenco, blues, jazz, and other international styles. In 2006, the London-based newspaper The Independent named Diabaté one of the fifty best African artists.
Articles related to Mali include:
The culture of Mali derives from the shared experience, as a colonial and post-colonial polity, and the interaction of the numerous cultures which make up the Malian people. What is today the nation of Mali was united first in the medieval period as the Mali Empire. While the current state does not include areas in the southwest, and is expanded far to the east and northeast, the dominant roles of the Mandé people is shared by the modern Mali, and the empire from which its name originates from.
Tishoumaren or assouf, internationally known as desert blues, is a style of music from the Sahara region of northern and west Africa. Critics describe the music as a fusion of blues and rock music with Tuareg, Malian or North African music. Various other terms are used to describe it including desert rock, Saharan rock, Takamba, Mali blues, Tuareg rock or simply "guitar music". The style has been pioneered by Tuareg musicians in the Sahara region, particularly in Mali, Niger, Libya, Western Sahara, Algeria, Burkina Faso and others.
Douentza is a town and urban commune in the Mopti Region of central Mali. The town lies 145 km east-northeast of Mopti on the RN16, a paved road that links Mopti and Gao. It is the administrative center of the Douentza Cercle.
The Ikelan are a caste within Tuareg society, who were at one time slaves or servile communities in their natives lands like Mauritania, Mali and Niger.
Cheick Hamala Diabate is a musician from Mali, West Africa, who has been nominated for a Grammy award. Using Adelphi, Maryland, as his home he travels all over the United States, Canada, Europe, and Asia. He has performed at the Kennedy Center, the United States Senate, and the Smithsonian Institution. Cheick Hamala was born into a griot family in Kita, Mali. From a young age, he learned to play the ngoni, a stringed instrument related to the American banjo. In addition, Cheick has learned the history of Mali passed down for over 800 years. Cheick has performed internationally.
The boubou or grand boubou is a flowing wide-sleeved robe worn across West Africa, and to a lesser extent in North Africa, related to the dashiki suit.
Khaira Arby, known as The Nightingale of Timbuktu, was a Malian singer.
The Songhaiborai are a distinct subgroup within the larger Songhai ethnolinguistic family. Residing predominantly in Niger's Songhai region, Northern Mali, and a minority presence in Burkina Faso. Notably, they trace their lineage to the ruling dynasties of the ancient Songhai Empire.
Kassé Mady Diabaté was a Malian singer, musician and griot. His soft and particular voice with deep undertones – an atypical characteristic for a griot – earned him the nickname "The golden voice of Mali". He is considered, together with Salif Keita, as one of the greatest Mandinka artists of his generation.