Take a Powder | |
---|---|
Directed by | Lionel Tomlinson |
Written by |
|
Produced by |
|
Starring | |
Cinematography | Ernest Palmer |
Edited by | Oscar Burn |
Production company | RLT Productions |
Distributed by | Apex Film Distributors |
Release date | 1953 |
Running time | 58 minutes |
Country | United Kingdom |
Language | English |
Take a Powder is a 1953 British comedy film directed by Lionel Tomlinson and starring Julian Vedey, Max Bacon and Isabel George. [1] A B film, it was made at Brighton Studios. The plot is set against the backdrop of the developing Cold War.
The Tell-Tale Heart is a 1960 British horror film directed by Ernest Morris produced by the Danzigers. The screenplay by Brian Clemens and Eldon Howard is a loose adaptation of the 1843 short story of the same name by Edgar Allan Poe. The film was released in England in December 1960, and in the U.S. in February 1962 as The Hidden Room of 1,000 Horrors.
The Chinese Bungalow, also known as Chinese Den, is a 1940 British drama film directed by George King and starring Kay Walsh, Jane Baxter and Paul Lukas. It was adapted from the 1925 play The Chinese Bungalow by Marion Osmond and James Corbett. King was a former producer of quota quickies who was increasingly working on films with better budgets during the early war years.
Calling All Stars is a 1937 British musical comedy film directed by Herbert Smith and starring Arthur Askey, Evelyn Dall and Max Bacon. The film is a revue, featuring a number of musical acts playing themselves. It was made at Beaconsfield Studios for release as a quota quickie. The film's art direction is by Norman G. Arnold.
Kicking the Moon Around is a 1938 British musical comedy film directed by Walter Forde and starring Bert Ambrose, Evelyn Dall and Harry Richman. The film marked Maureen O'Hara's screen debut; she appeared very briefly, speaking one line.
Julian Vedey was a British actor.
Night Train for Inverness is a black and white 1960 British drama film directed by Ernest Morris and starring Norman Wooland, Jane Hylton and Dennis Waterman. It is notable as the film debut of Dennis Waterman. The film was referenced in an episode of the Minder Podcast.
The Fall of the House of Usher is a 1950 British horror film directed by Ivan Barnett and starring Gwendoline Watford, Kaye Tendeter and Irving Steen. It is an adaptation of the 1839 short story of the same title by Edgar Allan Poe.
Calling All Ma's is a 1937 British comedy film directed by Redd Davis and starring Billy Caryll, Hilda Mundy and Margaret Yarde. A henpecked husband attempts to escape from his domineering wife. The film was made at Wembley Studios by 20th Century Fox's British subsidiary, for release as a quota quickie.
Romance in Rhythm is a 1934 British mystery film directed by Lawrence Huntington and starring Phyllis Clare and David Hutcheson, David Burns. It was made at Cricklewood Studios. The screenplay concerns a songwriter who is accused of murdering a nightclub manager.
Strange Cargo is a 1936 British crime film directed by Lawrence Huntington and starring Kathleen Kelly, George Mozart and Moore Marriott. The film is notable for an early performance by George Sanders who went on to success in Hollywood. It was made at British and Dominions Elstree Studios for release by Paramount Pictures. It is also known by the alternative title Breakers Ahead. Criminal gun runners smuggle illegal arms onto a British ship at a South American port.
Butcher's Film Service was a British film production and distribution company that specialised in low-budget productions. The company was founded by William Butcher, a chemist from Blackheath. The company survived through several production slumps in the British film industry and two World Wars.
Take Me to Paris is a 1951 British comedy film directed by Jack Raymond and starring Albert Modley, Roberta Huby and Bruce Seton. It was made at Walton Studios.
Mignon O'Doherty was an Australian actress who worked in British theatre, film and television.
Counterspy is a 1953 British thriller film directed by Vernon Sewell and starring Dermot Walsh, Hazel Court and Hermione Baddeley. A mild mannered accountant comes into possession of secret papers that both the government and a spy ring are after. Alexander Gauge turns in a good performance as a villain rather in the mould of Sydney Greenstreet.
The Temptress is a 1949 British drama film directed by Oswald Mitchell and starring Joan Maude, Arnold Bell and Don Stannard. It was made as a second feature at Bushey Studios. It was the final film directed by Mitchell before his death the same year.
Night Comes Too Soon is a 1948 British horror film directed by Denis Kavanagh and starring Valentine Dyall, Anne Howard and Alec Faversham. It was based on the story The Haunters and the Haunted by Edward Bulwer-Lytton. It was released in the United States under the alternative title of The Ghost of Rashmon Hall.
His Brother's Keeper is a 1940 British crime film directed by Roy William Neill and starring Clifford Evans, Tamara Desni and Una O'Connor.
Undercover Girl is a 1958 British crime film directed by Francis Searle and starring Paul Carpenter, Kay Callard and Bruce Seton.
Dangerous Voyage is a 1954 British mystery crime film directed by Vernon Sewell and starring William Lundigan, Naomi Chance and Vincent Ball. It was produced as a second feature for distribution by Anglo-Amalgamated. It was shot at Merton Park Studios in London. The film's sets were designed by the art director George Haslam. Location shooting took place in the English Channel and in Honfleur in France and Shoreham in Sussex. It was distributed in the United States by Lippert Pictures under the alternative title Terror Ship.
Wrong Number is a 1959 British crime film directed by Vernon Sewell and starring Peter Reynolds, Lisa Gastoni and Olive Sloane. It was produced as a second feature at Merton Park Studios in London. The film's sets were designed by the art director Wilfred Arnold.