| Talkin' & Walkin' | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1956 | |||
| Recorded | December 1955 | |||
| Studio | Capitol (Hollywood) | |||
| Genre | Jazz | |||
| Length | 70:12 | |||
| Label | Jazz: West JWLP 4 | |||
| Kenny Drew chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [1] |
Talkin' & Walkin' is an album by pianist Kenny Drew recorded in 1955 and originally released on the Jazz:West label. [2] The album was subsequently rereleased on Pacific Jazz and on CD on Blue Note with three additional live tracks recorded around the same time.
The Allmusic review states "Excellent modern mainstream music of the mid-'50s". [1]
All compositions by Kenny Drew except as indicated
Cedar! is the debut album by pianist Cedar Walton, recorded in 1967 and released on the Prestige label.
Midnight Blue is a 1963 album by jazz guitarist Kenny Burrell featuring Stanley Turrentine on tenor saxophone, Major Holley on double bass, Bill English on drums and Ray Barretto on conga, and is one of Burrell's best-known works for Blue Note. Jazz Improv magazine lists the album among its top five recommended recordings for Burrell, indicating that "[i]f you need to know 'the Blue Note sound', here it is". In 2005, NPR included the album in its "Basic Jazz Library", describing it as "one of the great jazzy blues records". The album has been re-issued by Blue Note.
Bohemia After Dark is an album by jazz drummer Kenny Clarke, featuring the earliest recordings with Cannonball Adderley and Nat Adderley. It was released by Savoy Records in September 1955.
Presenting Cannonball is the 1955 debut album by jazz saxophonist Cannonball Adderley, released on the Savoy label, featuring a quintet with Nat Adderley, Hank Jones, Paul Chambers, and Kenny Clarke. A 1994 Japanese CD release also included alternate takes of tracks from Adderley's recording debut previously released as Kenny Clarke's Bohemia After Dark (1955).
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This Is How I Feel About Jazz is a 1957 album by American musician Quincy Jones, his first full-length album as a bandleader after a recording debut with the 1955 split album Jazz Abroad.
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Structurally Sound is an album by American jazz saxophonist Booker Ervin recorded in 1966 and released on the Pacific Jazz label. The album was rereleased on CD in 2001 on the Blue Note label with four bonus tracks.
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The Ear of the Behearer is an album by American jazz saxophonist Dewey Redman featuring performances recorded in 1973 for the Impulse! label. The CD reissue added four performances from Coincide (1974) as bonus tracks.
The Max Roach 4 Plays Charlie Parker is an album by American jazz drummer Max Roach featuring tracks associated with Charlie Parker recorded in late 1957 and 1958 and released on the EmArcy label. It is also the first album to feature Roach playing without a piano.
Groovin' with Jug is a live album by organist Richard Holmes and saxophonist Gene Ammons recorded in 1961 and released on the Pacific Jazz label.
Kaleidoscope is an album by saxophonist Sonny Stitt compiling tracks recorded in 1950-52 and released on the Prestige label in 1957. The 1991 CD reissue added four bonus tracks to the original LP.
All Star Sessions is an album by saxophonist Gene Ammons recorded between 1950 and 1955 and released on the Prestige label.
Collaboration West is an album by jazz vibraphonist and pianist Teddy Charles recorded in 1953 for the Prestige label. Four tracks from an earlier session were added to the 1993 CD release.
Sunset Eyes is an album by saxophonist Teddy Edwards recorded in 1960 and released on the Pacific Jazz label.