Established | 2001 |
---|---|
Type | Art gallery |
Owner | Deepak Talwar |
Website | https://www.talwargallery.com/ |
Talwar Gallery is a contemporary art gallery. Founded by Deepak Talwar, it opened in New York City in September 2001 and in New Delhi in 2007. [1]
Talwar Gallery, New York was launched in September 2001 and Talwar New Delhi opened in 2007. Deepak Talwar, founder of Talwar Gallery, has been working with contemporary artists from India since 1996. Representing some of the most exciting artists working in the Indian subcontinent today and the essential 20th century artists from India like Estate of Rummana Hussain and Nasreen Mohamedi, Talwar Gallery is a contemporary art gallery focusing on artists from the Indian Subcontinent and its Diaspora. Underlying the gallery vision is the belief that the artist is geographically located not the art. Their search and their work traverse any simplified categorization based on geography, religion, culture or race.
Since opening in September 2001, Talwar Gallery NY has presented the first solo exhibitions of artists that have since been the focus of major museum exhibitions and collections. Talwar Gallery presented the first solo exhibition in the US of Nasreen Mohamedi (1937–90) in 2003. It was Mohamedi's first solo exhibition outside India and the first ever of her photographs. The Gallery presented Mohamedi again in 2008 and 2013 in two solo exhibitions. Later in 2016, The Metropolitan Museum of Art (MET) in New York presented Mohamedi’s work as their inaugural solo exhibition at The MET Breuer. [2] Talwar NY also presented the first solo exhibition in the US of Ranjani Shettar in 2004. Since then, Shettar has been the subject of solo exhibitions at ICA Boston (2008), [3] The Modern Art Museum, Fort Worth, TX (2008), [4] The San Francisco Museum of Modern Art (2009), [5] The Metropolitan Museum of Art, New York (2018), [6] The Phillips Collection, Washington DC (2019). [7] Amongst other artists introduced by Talwar to the western audiences include Alwar Balasubramaniam, Allan deSouza, Rummana Hussain, Alia Syed, Anjum Singh, Arpita Singh, Muhanned Cader, N. N. Rimzon, Kartik Sood, Sheila Makhijani, and Paramjit Singh.
Source: [14]
2021: Alwar Balasubramaniam, BALA, text by Vesela Sretenović, Alwar Balasubramaniam, and Deepak Talwar
2019: Arpita Singh, Tying down time, text by Ella Datta and Deepak Talwar
2009: Alwar Balasubramaniam, (In)between, text by Deepak Talwar, Talwar Gallery
2005: (Desi)re, Talwar Gallery, 2005
Francis Newton Souza was an artist of modern Indian painting, and a founding member of the Bombay Progressive Artists' Group. His style exhibited both decadence and primitivism.
The Faculty of Fine Arts, Maharaja Sayajirao University of Baroda is one of the major art colleges in India. It has a reputation for promoting a creative and individualist approach among its students, and has historically adhered to secularist, humanist, and modernist ideals.
Arpita Singh is an Indian artist. Known to be a figurative artist and a modernist, her canvases have both a story line and a carnival of images arranged in a curiously subversive manner. Her artistic approach can be described as an expedition without destination. Her work reflects her background. She brings her inner vision of emotions to the art inspired by her own background and what she sees around the society that mainly affects women. Her works also include traditional Indian art forms and aesthetics, like miniaturist painting and different forms of folk art, employing them in her work regularly.
Ranjani Shettar is a visual artist from Bangalore, India known for her large-scale sculptural installations. Her work has been displayed at The Metropolitan Museum of Art, the Museum of Modern Art (MoMA), and the San Francisco Museum of Modern Art.
Alwar Balasubramaniam, known as Bala, is an Indian artist known for his sculptures, paintings and printmaking.
Gayatri Sinha is an art critic and curator based in New Delhi, India. Her primary areas of research are around the structures of gender and iconography, media, economics and social history. She founded Critical Collective, a forum for thinking about conceptual frames within art history and practice in contemporary India.
Alia Syed is an experimental filmmaker and artist of Welsh-Indian descent.
Sheila Makhijani is a New Delhi-based artist.
Nasreen Mohamedi (1937—1990) was an Indian artist best known for her line-based drawings, and is today considered one of the most essential modern artists from India. Despite being relatively unknown outside of her native country during her lifetime, Mohamedi's work has been the subject of remarkable revitalisation in international critical circles and has received popular acclaim over the last decade. Her work has been exhibited at the Museum of Modern Art (MoMA) in New York, the Kiran Nadar Museum of Art in New Delhi, documenta in Kassel, Germany, and at Talwar Gallery, which organised the first solo exhibition of her work outside of India in 2003, Today, Mohamedi is considered one of the major figures of the art of the twentieth century.
Allan deSouza is a transmedia artist, photographer, art writer, and professor. Their work deals with issues of migration, overlapping histories, and the poetics of relocation. They work in the San Francisco Bay Area, and are Full Professor in the Department of Art Practice at the University of California, Berkeley.
Rummana Hussain (1952–1999) was an artist and one of the pioneers of conceptual art, installation, and politically engaged art in India.
Shambhavi Singh is a painter, printmaker, and installation artist currently based in New Delhi, India. Her artistic practice includes a wide variety of processes and media, but her work is largely non-figurative and focuses on the relationship between man and nature, as well as the social and metaphysical condition of the agricultural worker.
The Met Breuer was a museum of modern and contemporary art at Madison Avenue and East 75th Street in the Upper East Side of Manhattan, New York City. It served as a branch museum of the Metropolitan Museum of Art from 2016 to 2020.
Anjum Singh was an Indian artist whose works focused on urban ecology, environmental degradation, and her own struggles with cancer. She was born in New Delhi, India, and she continued to live and work there. Singh was the daughter of noted Indian artists Arpita Singh and Paramjit Singh.
The Kiran Nadar Museum of Art (KNMA) is a private modern and contemporary art museum with locations in New Delhi and Noida. Established in 2010, it is India's first private museum dedicated to modern and contemporary art.
Contemporary Art in Asia: Traditions/Tensions was an exhibition held from 4 October 1996 to 5 January 1997, staged simultaneously in three locations in New York City: the Grey Art Gallery, the Queens Museum of Art, and the Asia Society Galleries. The exhibition was organized by Vishakha N. Desai, director of the Asia Society Galleries, and Thai guest curator Apinan Poshyananda.
Contemporary Indian Art was an exhibition held from September 18 – October 31, 1982 at The Royal Academy of Arts in London. The exhibition featured two sections, I. The Gesture, and Motif, which was on view from September 18 – October 5, 1982, and II. Stories, Situations, which was on view from October 9 – 31, 1982. The exhibition was co-curated by Akbar Padamsee, Richard Bartholomew, and Geeta Kapur.
The Jehangir Nicholson Art Foundation (JNAF) is a private, not-for-profit organization located in Mumbai, India, with its core interest in promoting the preservation, exhibition, education, and research of post-colonial Indian modern art. The collection is endowed by the personal collection of the late Jehangir Nicholson, comprising over 800 pieces of art across mediums from artists including M. F. Husain, Vasudeo S. Gaitonde, S. H. Raza, K. H. Ara. The foundation is currently housed in the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS), and functions as the modern and contemporary art wing of the museum.
Action, Gesture, Paint: Women Artists and Global Abstraction 1940–1970 was an art exhibition held at the Whitechapel Gallery from 9 February 2023 through 7 May 2023. The exhibit presented 150 mid-century abstract paintings by 81 women artists. The show included artists from Asia, Europe, North America, and South America.
Women in Abstraction. Another History of Abstraction in the 20th Century or Elles font l'abstraction. Une autre histoire de l'abstraction au XXe siècle was a major exhibition of 20th century abstract art created by women. It was curated by Christine Macel. The exhibition was first presented at the Centre Georges Pompidou from 19 May to 23 August 2021.