Ranjani Shettar

Last updated

Ranjani Shettar
Ranjani portrait.jpg
Born1977 (age 46–47)
Bangalore, India
NationalityIndian
Known forLarge-scale sculptural installations using combination of natural and industrial materials

Ranjani Shettar (born 1977) is a visual artist from Bangalore, India known for her large-scale sculptural installations. [1] Her work has been displayed at The Metropolitan Museum of Art, the Museum of Modern Art (MoMA), and the San Francisco Museum of Modern Art. [2] [3] [4]

Contents

Personal life and education

Shettar received a Bachelors of Fine Arts in Sculpture in 1998 and a Masters of Fine Arts in Sculpture in 2000, from the College of Fine Art Karnataka Chitrakala Parishath and the Institute of Advanced Studies Karnataka Chitrakala Parishath in Bangalore, respectively.[ citation needed ]

Shettar currently lives and works in Karnataka, India.

Career

Shettar’s first exhibition was in 2004 at the Talwar Gallery in New York. [5] Since then, her works have been featured in museums worldwide. [6]

Shettar's works have been the subject of various publications from the National Gallery of Victoria, Melbourne [7] , and galleries like the Talwar and [8] Marian Goodman Gallery. [9] Shettar was awarded the Hebbar Foundation award in 1999 and 2003, as well as the Charles Wallace Trust Award in 2004, the Sanskriti award in 2008, and the Aditya Vikram Birla Kalakiran Puraskar in 2011 for her works.[ citation needed ]

In 2023, Shettar’s first major institutional show in Europe was commissioned by the Barbican Centre in London. Titled "Cloud songs on the horizon," the project features a series of expansive suspended sculptures spanning the Conservatory's space. [10]

Work

In her work, Shettar combines natural and industrial materials, including beeswax, wood, organic dyes, vegetal pastes, lacquer, steel, and cloth, to create large-scale installations. [11] Shettar draws inspiration from India's history of craft traditions, incorporating many of their time-honored techniques into her creative process. [12]

Ranjani Shettar, Honeysuckle and Mercury in a Thick Midnight Plot (2016) Honeysuckle and mercury.jpg
Ranjani Shettar, Honeysuckle and Mercury in a Thick Midnight Plot (2016)

Shettar's hand-carved wood sculptures involve deliberate preservation of the natural textures of the material. [13] [14]

Ranjani Shettar, Touch Me Not (2006-2007), from the collection of Kiran Nadar Museum of Art Touch Me Not (2006-2007) 1.jpg
Ranjani Shettar, Touch Me Not (2006-2007), from the collection of Kiran Nadar Museum of Art

Shettar’s woodwork also exists as wall-mounted compositions. One example is Touch Me Not (2006-2007), now a permanent part of Kiran Nadar Museum of Art's collection. [15]

Ranjani Shettar, Seven ponds and a few raindrops (2017), from the collection of The Metropolitan Museum of Art Hang sculpture titled "Seven ponds and a few raindrops" displayed at the MET.jpg
Ranjani Shettar, Seven ponds and a few raindrops (2017), from the collection of The Metropolitan Museum of Art

Shettar has created an immersive installations, such as Seven Ponds and a Few Rain Drops (2017), [16] which entered the permanent collection at The Metropolitan Museum of Art in 2018. Other examples include Sing Along (2008-2009), now in the collection of Kiran Nadar Museum of Art. [17]

Shettar has also created works connecting hand-molded wax beads with cotton thread. [18] In her work Just a bit more (2005-2006), [19] which is now in the permanent collection of MoMA New York, the artist really relied on the lightweight and translucent quality of the material to create an intricate web of threads. [20]

Ranjani Shettar, Me, no, not me, buy me, eat me, wear me, have me, me, no, not me, (2006-2007), from the collection of San Francisco Museum of Modern Art Ranjani Shettar, Me, no, not me, buy me, eat me, wear me, have me, me, no, not me (2006-2007).jpg
Ranjani Shettar, Me, no, not me, buy me, eat me, wear me, have me, me, no, not me, (2006-2007), from the collection of San Francisco Museum of Modern Art

In addition to organic mediums, Shettar also uses industrial materials. One such piece, Me, No, Not Me, Buy Me, Eat Me, Wear Me, Have Me, Me, No, Not Me (2006-2007) [21] was featured at the inaugural exhibition of San Francisco Museum of Modern Art's sculptural garden. [22]

Shettar's projects are mostly sculptural, however she has experimented in other forms as well. One such project is Varsha, an artist's book in collaboration with The Museum of Modern Art (New York). In 2021, Shettar was invited to create a special print titled Alae alae to commemorate The Metropolitan Museum of Art's 150th anniversary. [23]

Related Research Articles

<span class="mw-page-title-main">San Francisco Museum of Modern Art</span> Modern and contemporary art museum in San Francisco, California (SFMOMA)

The San Francisco Museum of Modern Art (SFMOMA) is a modern and contemporary art museum and nonprofit organization located in San Francisco, California. SFMOMA was the first museum on the West Coast devoted solely to 20th-century art, and has built an internationally recognized collection with over 33,000 works of painting, sculpture, photography, architecture, design, and media arts. The collection is displayed in 170,000 square feet (16,000 m2) of exhibition space, making the museum one of the largest in the United States overall, and one of the largest in the world for modern and contemporary art.

<span class="mw-page-title-main">Kanayi Kunhiraman</span> Indian sculptor (b. 1937)

Kanayi Kunhiraman is an Indian sculptor, best known for his outsize sculptures such as Yakshi of Malampuzha Dam Gardens, Sagarakanyaka at Shankumugham Beach and Mukkola Perumal trinity in Kochi. Taught by K. C. S. Paniker, he is a former chairman of the Lalit Kala Academy, India's national academy of fine arts. The Government of Kerala awarded him the inaugural Raja Ravi Varma Award in 2005. He is also a recipient of the Thikkurissy Award and the inaugural MS Nanjunda Rao National Award of the Karnataka Chitrakala Parishath. In 2022, he was honoured with Kerala Sree Award, third highest civilian award given by the Government of Kerala.

<span class="mw-page-title-main">Karnataka Chitrakala Parishath</span>

Karnataka Chitrakala Parishath is a visual art complex located in Bangalore. The complex has 18 galleries. 13 of these galleries carry a permanent collection of paintings, sculptures and folk art. The other galleries are rented out for exhibitions of works by artists of repute. The folk art collection showcases Mysore paintings and leather puppets. The Parishat runs the College of Fine Arts, a visual arts college. Each January, the Parishath organizes Chitra Santhe, a cultural event showcasing affordable art to the public. The motto of the event is "Art for All".

<span class="mw-page-title-main">Arpita Singh</span> Indian artist

Arpita Singh is an Indian artist. Known to be a figurative artist and a modernist, her canvases have both a story line and a carnival of images arranged in a curiously subversive manner. Her artistic approach can be described as an expedition without destination. Her work reflects her background. She brings her inner vision of emotions to the art inspired by her own background and what she sees around the society that mainly affects women. Her works also include traditional Indian art forms and aesthetics, like miniaturist painting and different forms of folk art, employing them in her work regularly.

N. N. Rimzon is an Indian artist known primarily for his symbolic and enigmatic sculptures. His metal, fiberglass and stone sculptures have won him international acclaim, though in recent years his drawings have gained recognition.

Sonia Khurana is an Indian artist. She works with lens-based media: photo, video, and the moving image, as well as performance, text, drawing, sound, music, voice, and installation.

Surekha is a contemporary Indian video artist whose works showcase themes including identity and feminism/ecology. She has been a full-time artist since 1996 and her video works have been shown at galleries outside India since 2001. Her works are known for the mix of video and physical presence, highlighting inherent experiences. Surekha has been exploring the possibilities of the video form, negotiating the public and private, locating the body as a site of contestation and appropriation. She uses photography and video to archive, document and perform. She has shown her works both in India and many international shows. Surekha, a visual artist from India, is exploring artistic forms through installations, video & photography since last two decades. Her works investigates how visuality can engage with gender/ ecology/socio-political aesthetics, negotiating public and private spaces. Surekha has been to international art residencies and also taught in art universities. She has presented talks at Malmo University, Tate Modern etc., She has been involved in visual art collectives like BAR1, Khoj and was a founder curator of Rangoli Metro Art Center, Bangalore. Surekha lives and works in Bangalore.

<span class="mw-page-title-main">Talwar Gallery</span> Contemporary Indian art gallery

Talwar Gallery is a contemporary Indian art gallery. Founded by Deepak Talwar, it opened in New York City in September 2001 and in New Delhi in 2007.

<span class="mw-page-title-main">Alwar Balasubramaniam</span> Indian artist

Alwar Balasubramaniam, commonly known as "Bala," is an Indian artist Known for his sculptures, paintings, and printmaking.

<span class="mw-page-title-main">V. Anamika</span> Indian painter

V. Anamika is a Contemporary Artist born in Neelankarai, Chennai, Tamil Nadu, a student of S. Dhanapal, an eminent artist of India. She received her master's degree in Fine Arts in 1999 from Government College of Fine Arts, Chennai. She undertook a course on Care of museum objects at Government Museum in 2005. In 2006, she went to Scotland as a visiting artist scholar to learn Japanese wood-block printing at Edinburgh printmaker's studio.

<span class="mw-page-title-main">K. M. Madhusudhanan</span> Indian film maker and artist

Madhusudhanan is an Indian film maker and artist, also known as K. M. Madhusudhanan. His debut feature film, Bioscope has received many awards. He is working with different media in art, including sculpture, printmaking installation art and film.

Alia Syed is an experimental filmmaker and artist of Welsh-Indian descent.

Sheila Makhijani is a New Delhi-based artist.

<span class="mw-page-title-main">Nasreen Mohamedi</span> Indian artist

Nasreen Mohamedi (1937—1990) was an Indian artist best known for her line-based drawings, and is today considered one of the most essential modern artists from India. Despite being relatively unknown outside of her native country during her lifetime, Mohamedi's work has been the subject of remarkable revitalisation in international critical circles and has received popular acclaim over the last decade. Her work has been exhibited at the Museum of Modern Art (MoMA) in New York, the Kiran Nadar Museum of Art in New Delhi, documenta in Kassel, Germany, and at Talwar Gallery, which organised the first solo exhibition of her work outside of India in 2003, Today, Mohamedi is considered one of the major figures of the art of the twentieth century.

<span class="mw-page-title-main">Tomie Ohtake</span> Japanese-Brazilian artist

Tomie Ohtake was a Japanese Brazilian visual artist. Her work includes paintings, prints and sculptures. She was one of the main representatives of informal abstractionism in Brazil.

<span class="mw-page-title-main">Renuka Kesaramadu</span> Indian painter, sculptor

Renuka Kesaramadu is a contemporary painter and sculptor from India. She is best known internationally through her collaborative art exhibitions and participations in workshops in Europe. She has also curated a few international art symposia and exhibitions in India.

Sadhu Aliyur was an Indian (watercolor) painter and art teacher from Kerala, India. He has done a workshop on the art of watercolor painting at the State Gallery of Fine Arts. He co-founded "Colouring India foundation" a non profit organisation.

The Kiran Nadar Museum of Art (KNMA) is a private modern and contemporary art museum with locations in New Delhi and Noida. Established in 2010, it is India's first private museum dedicated to modern and contemporary art.

Tau Lewis is a Jamaican-Canadian artist working in a variety of mediums including hand-sewn, carved, and assemblage pieces.

Shyamal Dutta Ray, also spelt as Shyamal Dutt Ray was a renowned Bengali contemporary painter. His paintings marked a pivotal moment in the history of the Bengal School of Art. When the Bengal school of art was first emerging, light and watery hues were the norm. He is recognised with bringing intensity to the medium of watercolours. Dutta Ray was also one of the founding members of the artists' collective Society of Contemporary Artists. He served as a teacher in the Jagadbandhu Institution. He was a recipient of the Gold Medal from the Academy of Fine Arts, Kolkata in the year 1958. In 1982 he was honoured with the National Award from the Lalit Kala Akademi. His pieces can be found in the collections of the Glenbarra Art Museum in Japan, the Victoria and Albert Museum in London, and the National Gallery of Modern Art in Delhi, National Museum of Modern Art in Baghdad, Chittagong University museum in Bangladesh and the Shilpa Kala Academy as well as Government College of Arts in Dhaka, Bangladesh. The Rabindra Bharati University had honoured him with the Rabindra Bharati University Award in the year 1968. In addition, he received the Birla Academy of Art and Culture Award four times, in 1972, 1973, 1975 and 1978, respectively. Aside from that, Dutta Ray has garnered other prestigious honours, such as the 1988 Shiromani Kala Puraskar and the Special Commendation of the Karnataka Chitrakala Parishath in Bangalore, Karnataka.

References

  1. ↑ "Ranjani Shettar: Earth Songs for a Night Sky". The Phillips Collection. Retrieved 4 November 2021.
  2. ↑ "New Work: Ranjani Shettar · SFMOMA". sfmoma.org. Retrieved 5 December 2019.
  3. ↑ "Ranjani Shettar | MoMA". The Museum of Modern Art. Retrieved 5 December 2019.
  4. ↑ "Ranjani Shettar: Seven ponds and a few raindrops". The Metropolitan Museum of Art. Retrieved 27 June 2023.
  5. ↑ "RANJANI SHETTAR: The Indian Spring". Talwar Gallery. Retrieved 27 June 2023.
  6. ↑ "Ranjani Shettar". Talwar Gallert. Retrieved 12 July 2023.
  7. ↑ Baker, Alex; Shettar, Ranjani (2011). Ranjani Shettar: Dewdrops and Sunshine. National Gallery of Victoria. ISBN   978-0-7241-0349-2.
  8. ↑ "Ranjani Shettar – Between the sky and earth « TALWAR GALLERY" . Retrieved 5 December 2019.
  9. ↑ "Freeing the Line". Marian Goodman. Retrieved 5 December 2019.
  10. ↑ "Press room, Ranjani Shettar: Cloud songs on the horizon". Barbican Centre. Retrieved 12 July 2023.
  11. ↑ "Seven ponds and a few raindrops". the MET. Retrieved 12 July 2023.
  12. ↑ "Press release, Ranjani Shettar: Seven ponds and a few raindrops". The MET. Retrieved 12 July 2023.
  13. ↑ "RANJANI SHETTAR: Summer garden and rain clouds". Talwar Gallery. Retrieved 12 July 2023.
  14. ↑ Singh, Devika. "Ranjani Shettar: Fire in the Belly". Art Asia Pacific. Retrieved 12 July 2023.
  15. ↑ "Touch Me Not". Kiran Nadar Museum of Art. Retrieved 12 July 2023.
  16. ↑ "Seven ponds and a few raindrops". The Metropolitan Museum of Art. Retrieved 12 July 2023.
  17. ↑ "Sing Along". Kiran Nadar Museum of Art on Google Arts&Culture. Retrieved 12 July 2023.
  18. ↑ Menezes, Meera. "Ranjani Shettar". Artforum. Retrieved 12 July 2023.
  19. ↑ "Just a bit more". MOMA. Retrieved 12 July 2023.
  20. ↑ "Behind the Scenes: On Line: Ranjani Shettar" (video). The Museum of Modern Art. 23 November 2010 – via YouTube.
  21. ↑ "Me, no, not me, buy me, eat me, wear me, have me, me, no, not me". SFMOMA. Retrieved 12 July 2023.
  22. ↑ "SFMOMA TO OPEN ROOFTOP SCULPTURE GARDEN". SFMOMA. Retrieved 12 July 2023.
  23. ↑ "RANJANI SHETTAR". Talwar Gallery. Retrieved 27 June 2023.
  1. Washington City Press, Ranjani Shettar's Earth Songs for a Night Sky, June 2019
  2. The New York Times Style Magazine, The South Asian Artists Making Their Mark on the Western Scene, December 2018.
  3. Artforum, Ranjani Shettar The Metropolitan Museum of Art, September 2018.
  4. Mint, Ranjani Shettar: Making Waves with Wood, July 2017.
  5. The New York Times, Ranjani Shettar: Night Skies and Daydreams, September 2014.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.