Sainsbury Centre | |
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General information | |
Status | Completed |
Type | Art gallery and museum |
Architectural style | Structural Expressionism |
Location | UEA, Norwich, England, UK |
Construction started | 1974 |
Completed | 1978 |
Design and construction | |
Architect(s) | Foster + Partners |
Website | |
sainsburycentre | |
References | |
[1] |
The Sainsbury Centre is an art museum located on the campus of the University of East Anglia, Norwich, England. As part of its relaunch in 2023 under new executive director, Jago Cooper, the Sainsbury Centre became the first museum in the world to formally recognise art as alive. The centre's ethos 'Living Art Sharing Stories' aims to give agency to the objects in the collection, as well as enable people to build relationships with the living works of art. The centre's approach to programming was also transformed in 2023, moving away from a traditional approach to adopt one which "empowers art to answer life's biggest questions".
The building, which contains a collection of world art, was one of the first major public buildings to be designed by the architects Norman Foster and Wendy Cheesman, completed in 1978. [1] The building became Grade II* listed in December 2012. [2]
The Sainsbury Centre building was opened in 1978. It was designed between 1974 and 1976 by the then relatively unknown architect Foster (now Lord Foster). According to Chris Abel, the building exemplifies Foster's early work of "a regular structure embracing all functions within a single, flexible enclosure, or 'universal space'" where "the design is all about allowing for change, internally and externally." [3] The Sainsbury Centre also demonstrates Foster's characteristic work methods of "design development", or "integrated design". [3] It is situated on the western edge of the university's campus, beside the River Yare, and also houses the School of World Art Studies and Museology. Foster said of the building "A building is only as good as its client and the architecture of the Sainsbury Centre is inseparable from the enlightenment and the driving force of the Sainsburys themselves and the support of the University of East Anglia." [2]
The main building is sited on sloping, turfed ground, and consists of a large cuboid, clad steel structure. One face is almost entirely glazed, with the prefabricated skeleton clearly visible. Internally, the museum gives the impression of being one vast open space, lacking any internal divisions to interfere with the interplay of natural and artificial light. Services, lighting, toilets and maintenance access are housed in triangular towers and trusses, and between the external cladding and internal aluminium louvres.
In 1988, ten years after its opening, the entire cladding had to be replaced, the aluminum panels having deteriorated beyond repair. [4]
By the late 1980s, the collection had outgrown its accommodation, and Foster was asked to design an extension. Rather than simply extending the existing structure as had been envisaged 15 years earlier, it was decided to look below ground. The sloping site allowed for an enlarged basement to emerge at a curved glass frontage overlooking a man-made lake (an echo of the nearby 13th-century Norfolk Broads).[ citation needed ] There is little clue of the extent of the new wing, except when viewed from the position of the lake. The crescent wing was built by Anthony Hunt Associates and opened in 1991.
In 1973, Sir Robert Sainsbury and Lady Lisa Sainsbury donated to the university their collection of over 300 artworks and objects, which they had been accumulating since the 1930s. The collection has since increased in size to several thousand works spanning over 5,000 years of human endeavour, including pieces by Jacob Epstein, Henry Moore (numerous sculptures can be found dotted around the grounds of the university), Alberto Giacometti, and Francis Bacon, alongside art from Africa (including a 'Fang Reliquary Head' from Gabon and the Nigerian 'Head of an Oba'), Asia, North and South America, the Pacific region, medieval Europe and the ancient Mediterranean.
In June 2014, the centre was used for filming several scenes of the 2015 motion pictures Avengers: Age of Ultron [5] and Ant-Man .
Norman Robert Foster, Baron Foster of Thames Bank, is an English architect and designer. Closely associated with the development of high-tech architecture, Foster is recognised as a key figure in British modernist architecture. His architectural practice Foster + Partners, first founded in 1967 as Foster Associates, is the largest in the United Kingdom, and maintains offices internationally. He is the president of the Norman Foster Foundation, created to 'promote interdisciplinary thinking and research to help new generations of architects, designers and urbanists to anticipate the future'. The foundation, which opened in June 2017, is based in Madrid and operates globally. Foster was awarded the Pritzker Prize in 1999.
The University of East Anglia (UEA) is a public research university in Norwich, England. Established in 1963 on a 320-acre (130-hectare) campus west of the city centre, the university has four faculties and twenty-six schools of study. It is one of five BBSRC funded research campuses with forty businesses, four independent research institutes and a teaching hospital on site.
The John Innes Centre (JIC), located in Norwich, Norfolk, England, is an independent centre for research and training in plant and microbial science founded in 1910. It is a registered charity grant-aided by the Biotechnology and Biological Sciences Research Council (BBSRC), the European Research Council (ERC) and the Bill and Melinda Gates Foundation and is a member of the Norwich Research Park. In 2017, the John Innes Centre was awarded a gold Athena SWAN Charter award for equality in the workplace.
The year 1977 in architecture involved some significant architectural events and new buildings.
Tatlinʼs Tower, or the project for the Monument to the Third International (1919–20), was a design for a grand monumental building by the Russian artist and architect Vladimir Tatlin, that was never built. It was planned to be erected in Petrograd after the October Revolution of 1917, as the headquarters and monument of the Communist International.
The Sainsbury Laboratory (TSL) is a research institute located at the Norwich Research Park in Norwich, Norfolk, England, that carries out fundamental biological research and technology development on aspects of plant disease, plant disease resistance and microbial symbiosis in plants.
The Sainsbury family founded Sainsbury's, the UK's second-largest supermarket chain. Today, the family has many interests, including business, politics, philanthropy, arts, and sciences.
Sir Robert James Sainsbury, was the son of John Benjamin Sainsbury. Along with his wife Lisa, they began the collection of modern and tribal art housed at the Sainsbury Centre for Visual Arts in Norwich.
The Sainsbury Research Unit is a research department at the University of East Anglia, in the UK.
The Sainsbury Institute for Art (SIfA) is based in the Sainsbury Centre for Visual Arts at the University of East Anglia in the United Kingdom.
The School of Art History and World Art Studies operates with the Faculty of Arts and Humanities department at the University of East Anglia in Norwich, England.
Peter Erik Lasko was a British art historian, Professor of Visual Art at the University of East Anglia, from 1965 to 1974, Director of the Courtauld Institute of Art, London, from 1974–85 and a Fellow of the British Academy.
UEA Broad is an area of open water that neighbours the University of East Anglia, from which it gets its name. It is a part of The Broads in Norfolk.
Daniel Mensah, also known as Hello, is a Ga carpenter and fantasy coffin artist. He works as an independent artist and carpenter in Teshie, Greater Accra, Ghana.
Paul Greenhalgh is a British historian, writer, museologist, and curator of art and design.
Mary Webb is a British abstract artist.
Thomas Alexander "Sandy" Heslop,, publishing as T. A. Heslop, is a British academic who specialises in the art and architecture of medieval England. He is Professor of Visual Arts at the University of East Anglia (UEA). He was Slade Professor of Fine Art at the University of Cambridge for the 1997/1998 academic year.
Andrew Henry Robert Martindale (1932–1995) was Professor of Visual Art at the University of East Anglia at the time of his sudden death, aged just 62. One of the pioneers in the teaching of art history as an academic discipline and a founding member of the Association of Art Historians, he was also a highly respected medieval scholar specialising in the late Gothic and early Renaissance periods with a number of publications to his name. His 1972 book, The Rise of the Artist, is much vaunted, often cited, and has been described as 'a brilliant study of the hierarchies within the medieval patronage system'.
Anne Haour is an anthropologically trained archaeologist, academic and Africanist scholar. She is Professor in the Arts and Archaeology of Africa at the Sainsbury Research Unit for the Arts of Africa, Oceania and the Americas at the University of East Anglia, Norwich, United Kingdom. She is a Fellow of the British Academy in Anthropology, Archaeology and Geography in recognition of her outstanding contributions to the social sciences, humanities and arts.
John Mack FBA FSA is a British social anthropologist and art historian specialising in African arts and cultures. He is an academic and former museum curator.
Media related to Sainsbury Centre for Visual Arts at Wikimedia Commons