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Tambourines to Glory is a gospel play with music by Langston Hughes and Jobe Huntley which tells the story of two female street preachers who open a storefront church in Harlem. The play premiered on Broadway in 1963.
Hughes began writing Tambourines to Glory: A Play with Songs in July 1956, [1] and later that year turned it into a novel, which was published by John Day in 1958. [2]
The play opened on Broadway at the Little Theatre November 2, 1963 and closed on November 23, 1963. The playbill for the 1963 premiere makes reference to the "gospel singing play" being adapted from Hughes' novel. [3]
The opening night cast featured a who's who of African-American performers, including:
The musical was generally well-received but generated some criticism from certain segments of the black intelligentsia, who felt that the themes of corruption and hypocrisy mocked the black church. Howard Taubman, in his review in The New York Times wrote: "The leading players are supported by an ensemble overflowing with energy and a zest for song. Like their play, they'd all be more usefully employed if they had more gospel songs to sing and less story to tell." [4]
Hello, Dolly! is a 1964 musical with lyrics and music by Jerry Herman and a book by Michael Stewart, based on Thornton Wilder's 1938 farce The Merchant of Yonkers, which Wilder revised and retitled The Matchmaker in 1955. The musical follows the story of Dolly Gallagher Levi, a strong-willed matchmaker, as she travels to Yonkers, New York, to find a match for the miserly "well-known unmarried half-a-millionaire" Horace Vandergelder.
Lost in the Stars is a musical with book and lyrics by Maxwell Anderson and music by Kurt Weill, based on the novel Cry, the Beloved Country (1948) by Alan Paton. The musical premiered on Broadway in 1949; it was the composer's last work for the stage before he died the following year.
How to Succeed in Business Without Really Trying is a 1961 musical by Frank Loesser and book by Abe Burrows, Jack Weinstock, and Willie Gilbert, based on Shepherd Mead's 1952 book of the same name. The story concerns young, ambitious J. Pierrepont Finch, who, with the help of the book How to Succeed in Business Without Really Trying, rises from window washer to chairman of the board of the World Wide Wicket Company.
The Neil Simon Theatre, originally the Alvin Theatre, is a Broadway theater at 250 West 52nd Street in the Theater District of Midtown Manhattan in New York City. Opened in 1927, the theater was designed by Herbert J. Krapp and was built for Alex A. Aarons and Vinton Freedley. The original name was an amalgamation of Aarons's and Freedley's first names; the theater was renamed for playwright Neil Simon in 1983. The Neil Simon has 1,467 seats across two levels and is operated by the Nederlander Organization. Both the facade and the auditorium interior are New York City landmarks.
The Hayes Theater is a Broadway theater at 240 West 44th Street in the Theater District of Midtown Manhattan in New York City. Named for actress Helen Hayes, the venue is operated by Second Stage Theater. It is the smallest Broadway theater, with 597 seats across two levels. The theater was constructed in 1912 for impresario Winthrop Ames and designed by Ingalls & Hoffman in a neo-Georgian style. The original single-level, 299-seat configuration was modified in 1920, when Herbert J. Krapp added a balcony. The theater has served as a legitimate playhouse, a conference hall, and a broadcasting studio throughout its history.
The August Wilson Theatre is a Broadway theater at 245 West 52nd Street in the Theater District of Midtown Manhattan in New York City. Opened in 1925, the theater was designed by C. Howard Crane and Kenneth Franzheim and was built for the Theatre Guild. It is named for Pulitzer Prize-winning playwright August Wilson (1945–2005). The August Wilson has approximately 1,225 seats across two levels and is operated by Jujamcyn Theaters. The facade is a New York City designated landmark.
The Al Hirschfeld Theatre, originally the Martin Beck Theatre, is a Broadway theater at 302 West 45th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1924, it was designed by G. Albert Lansburgh in a Moorish and Byzantine style and was constructed for vaudevillian Martin Beck. It has 1,404 seats across two levels and is operated by Jujamcyn Theaters. Both the facade and the interior are New York City landmarks.
The St. James Theatre, originally Erlanger's Theatre, is a Broadway theater at 246 West 44th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1927, it was designed by Warren and Wetmore in a neo-Georgian style and was constructed for A. L. Erlanger. It has 1,709 seats across three levels and is operated by Jujamcyn Theaters. Both the facade and the auditorium interior are New York City landmarks.
The Shubert Theatre is a Broadway theater at 225 West 44th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1913, the theater was designed by Henry Beaumont Herts in the Italian Renaissance style and was built for the Shubert brothers. Lee and J. J. Shubert had named the theater in memory of their brother Sam S. Shubert, who died in an accident several years before the theater's opening. It has 1,502 seats across three levels and is operated by The Shubert Organization. The facade and interior are New York City landmarks.
Black Nativity is an adaptation of the Nativity story by Langston Hughes, performed by an entirely black cast. Hughes was the author of the book, with the lyrics and music being derived from traditional Christmas carols, sung in gospel style, with a few songs created specifically for the show. The show was first performed Off-Broadway on December 11, 1961, and was one of the first plays written by an African American to be staged there. The show had a successful tour of Europe in 1962, one of its appearances being at the Spoleto Festival of Two Worlds in Italy.
Violet is a musical with music by Jeanine Tesori and libretto by Brian Crawley based on the short story "The Ugliest Pilgrim" by Doris Betts. It tells the story of a young disfigured woman who embarks on a journey by bus from her farm in Spruce Pine, North Carolina, all the way to Tulsa, Oklahoma in order to be healed. The musical premiered Off-Broadway in 1997 and won the Drama Critics' Circle Award and Lucille Lortel Award as Best Musical.
Regina Annette Taylor is an American actress and playwright. She has won several awards throughout her career, including a Golden Globe Award and NAACP Image Award. In July 2017, Taylor was announced as the new Denzel Washington Endowed Chair in Theater at Fordham University.
Patricia Neway was an American operatic soprano and musical theatre actress who had an active international career during the mid-1940s through the 1970s. One of the few performers of her day to enjoy equal success on both the opera and musical theatre stages, she was a regular performer on both Broadway and at the New York City Opera during the 1950s and 1960s.
The Broadway Theatre is a Broadway theater at 1681 Broadway in the Theater District of Midtown Manhattan in New York City. Opened in 1924, the theater was designed by Eugene De Rosa for Benjamin S. Moss, who originally operated the venue as a movie theater. It has approximately 1,763 seats across two levels and is operated by The Shubert Organization. The Broadway Theatre is one of the few Broadway theaters that is physically on Broadway.
The Gerald Schoenfeld Theatre, formerly the Plymouth Theatre, is a Broadway theater at 236 West 45th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1917, the theater was designed by Herbert J. Krapp and was built for the Shubert brothers. The Schoenfeld Theatre is named for Gerald Schoenfeld, longtime president of the Shubert Organization, which operates the theater. It has 1,079 seats across two levels. Both the facade and the auditorium interior are New York City landmarks.
The Nederlander Theatre is a Broadway theater at 208 West 41st Street in the Theater District of Midtown Manhattan in New York City. Opened in 1921, it was designed by William Neil Smith for theatrical operator Walter C. Jordan. It has around 1,235 seats across two levels and is operated by the Nederlander Organization. Since 1980, it has been named for American theater impresario David Tobias Nederlander, father of theatrical producer James M. Nederlander. It is the southernmost Broadway theater in the Theater District.
The Lunt-Fontanne Theatre, originally the Globe Theatre, is a Broadway theater at 205 West 46th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1910, the Lunt-Fontanne Theatre was designed by Carrère and Hastings in the Beaux-Arts style for Charles Dillingham. The theater is named after theatrical couple Alfred Lunt and Lynn Fontanne; its original name was inspired by that of the Globe Theatre, London's Shakespearean playhouse. The current configuration of the interior, dating to 1958, has about 1,519 seats across two levels and is operated by the Nederlander Organization. The facade is a New York City landmark.
James Herbert Stovall, Jr. was an American actor best known for his work in Broadway and regional theater, appearing in productions of Once on This Island, The Life and Ragtime, and The Rocky Horror Show, having made his Broadway debut in the short-lived production of Bob Fosse's musical Big Deal. He also created and directed Nativity: A Life Story, an African American-themed musical intended to become an annual Christmas season performance.
David Anthony Stuart Atkinson was a Canadian baritone and New York Broadway actor/singer. Most of his career was spent performing in musicals and operettas in New York City from the late 1940s through the early 1970s, although he did appear in some operas and made a few television appearances. In 1952 he created the role of Sam in the world premiere of Leonard Bernstein's Trouble in Tahiti. From 1956-1962 he was a leading performer at the New York City Opera where he starred in several musicals and appeared in the world premieres of several English language operas. His greatest success on the stage came late in his career: the role of Cervantes in Man of La Mancha which he portrayed in the original Broadway production, the 1968 national tour, and in the 1972 Broadway revival.
Village East by Angelika is a movie theater at 189 Second Avenue, on the corner with 12th Street, in the East Village of Manhattan in New York City. Part of the former Yiddish Theatre District, the theater was designed in the Moorish Revival style by Harrison Wiseman and built from 1925 to 1926 by Louis Jaffe. In addition to Yiddish theatre, the theater has hosted off-Broadway shows, burlesque, and movies. Since 1991, it has been operated by Angelika Film Center as a seven-screen multiplex. Both the exterior and interior of the theater are New York City designated landmarks, and the theater is on the National Register of Historic Places.
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