Northwest Folklife is an independent 501(c)(3) arts organization that celebrates the multigenerational arts, cultures, and traditions of a global Pacific Northwest. Since 1972, Northwest Folklife has been deeply committed to celebrating the diversity of our Northwest communities and demystifying our differences together, under one roof.
Folk art covers all forms of visual art made in the context of folk culture. Definitions vary, but generally the objects have practical utility of some kind, rather than being exclusively decorative. The makers of folk art are normally trained within a popular tradition, rather than in the fine art tradition of the culture. There is often overlap, or contested ground, with naive art, but in traditional societies where ethnographic art is still made, that term is normally used instead of "folk art".
High culture encompasses the cultural objects of aesthetic value, which a society collectively esteem as exemplary art, and the intellectual works of philosophy, history, and literature that a society consider representative of their culture.
Popularly called the "Gateway to the South India", the culture of Chennai is distinct from that of any other Indian city. Being a cosmopolitan hub, the city's culture reflects its diverse population that has resulted in a unique blend. Though a modern metropolis, Chennai continues to be traditional and conventional in certain ways. Traditional music, dance and all other art forms of Tamil Nadu are very popular in the city. One can find a peculiar cultural blend in city, from traditional foods to fast foods, from ancient temple architecture to modern high-rises, and from classical music and dance to the growing nightlife.
Koothu or Therukoothu (jwalith)(Tamil: கூத்து), is an ancient art, where artists play songs with dance and music in storytelling the epics, performed in Tamil; it is a folk art originated from the early Tamil country. More precisely Koothu refers to either Terukuttu (Tamil:தெருக்கூத்து) or Kattaikkuttu. The terms Terukkuttu and Kattaikkuttu are often used interchangeably in modern times; however, historically, the two terms appear to have distinguished, at least in certain villages, between two different kinds of performance: while Terukkuttu referred to mobile performances in a procession, Kattaikkuttu denotes overnight, narrative performances at a fixed performance space. Koothu as a form of entertainment reached its peak hundreds of years ago in Tamil Nadu, as mentioned in the Sangam texts about the development of iyal (literature), isai (music) and natagam (drama). Going beyond just a means of entertainment, koothu educates the rural people about religion and their history.
The culture of Sri Lanka mixes modern elements with traditional aspects and is known for its regional diversity. Sri Lankan culture has long been influenced by the heritage of Theravada Buddhism passed on from India, and the religion's legacy is particularly strong in Sri Lanka's southern and central regions. South Indian cultural influences are especially pronounced in the northernmost reaches of the country. The history of colonial occupation has also left a mark on Sri Lanka's identity, with Portuguese, Dutch, and British elements having intermingled with various traditional facets of Sri Lankan culture. Additionally, Indonesian culture has also influenced certain aspects of Sri Lankan culture. Culturally, Sri Lanka possesses strong links to both India and Southeast Asia.
The culture of Kerala has developed over the past millennia, influences from other parts of India and abroad. It is defined by its antiquity and the organic continuity sustained by the Malayali people. Modern Kerala society took shape owing to migrations from different parts of India and abroad throughout Classical Antiquity.
DakshinaChitra is a living-history museum in the Indian state of Tamil Nadu, dedicated to South Indian heritage and culture. It is located 25 kilometres (16 mi) to the south of Chennai. Opened to the public on 14 December 1996, the museum was founded and is being managed by the Madras Craft Foundation (MCF). The MCF was established in 1984. Deborah Thiagarajan, an Indian art historian of American origin, governs the museum. The museum is built on 10 acres (4.0 ha) of land taken on a 33-year lease from the Government of Tamil Nadu. Located at Muttukadu, on the East Coast Road connecting Chennai and Pondicherry, the site overlooks Bay of Bengal.
The culture of West Bengal is an Indian culture which has its roots in the Bengali literature, music, fine arts, drama and cinema. Different geographic regions of West Bengal have subtle as well as more pronounced variations between each other, with Darjeeling Himalayan hill region and Duars showing particularly different socio-cultural aspects.
Arts in the Philippines refer to all the various forms of the arts that have developed and accumulated in the Philippines from the beginning of civilization in the country up to the present era. They reflect the range of artistic influences on the country's culture, including indigenous forms of the arts, and how these influences have honed the country's arts. These arts are divided into two distinct branches, namely, traditional arts and non-traditional arts. Each branch is further divided into various categories with subcategories.
Vijayalakshmi Navaneethakrishnan is a Tamil folk singer and composer and a renowned exponent of Tamil folk art. She has recently been honored with fourth highest civilian award in India Padmashri by the Government of India. Together with her husband M. Navaneethakrishnan, she has conducted several years of research and study on Tamil folk music and dances and devoted a lifetime to research, collection, revival, and documentation of ancient Tamil folk songs and dances, many of which are fast becoming obsolete. The Government of India has announced Padma Shri, the nation's fourth highest civilian award, for the year 2018 to the singer for her extraordinary contribution in her field.
Chennai Sangamam is a large annual open Tamil cultural festival held in the city of Chennai. The festival is organized by the Tamil Maiyam and Department of Tourism and Culture of the Government of Tamil Nadu with the intention of rejuvenating the old village festivals, art and artists. The festival is centered on the occasion of Tamil harvest festival of Pongal, and takes place for a week-long period. The festival is conceived to be the longest and biggest open Festival in India.
Tamil culture is the culture of the Tamil people. Tamil culture is rooted in the arts and ways of life of Tamils in India, Sri Lanka, Malaysia, Singapore and across the globe. Tamil culture is expressed in language, literature, music, dance, theatre, folk arts, martial arts, painting, sculpture, architecture, sports, media, comedy, cuisine, costumes, celebrations, philosophy, religions, traditions, rituals, organizations, science, and technology.
The Indian state of Odisha has a rich cultural and artistic heritage. Due to the reign of many different rulers in the past, arts and crafts in Odisha underwent many changes giving an artistic diversity today in the forms of traditional handicrafts, painting and carving, dance and music.
Isai Mandram is a music association started to promote pure form of ancient Tamil music popularly known as the tamizh Isai throughout Tamil Nadu. The current president of the association is Judge P.R.Gopalakrishnan. The main premises are located in Chennai city.
The crafts of India are diverse, rich in history, culture and religion. The craft of each state in India reflect the influence of different empires. Throughout centuries, crafts have been embedded as a culture and tradition within rural communities.
The South-Central Zone Cultural, Nagpur or SCZCC one of the seven Zonal Cultural Centres in India was established in 1986 with its headquarters at Nagpur. It comprises the linguistically different states of Andhra Pradesh, Karnataka, Madhya Pradesh, Telangana, Chhattisgarh, Goa and Maharashtra. Each of these States has rich traditions of folk, tribal, fine arts and crafts. The Centre strives through its various activities to enrich, promote and strengthen these traditions. The centre is working under the control of Ministry of Culture, Government of India. The Governor of Maharashtra is the Chairman of this centre.
Folk and traditional arts are rooted in and reflective of the cultural life of a community. They encompass the body of expressive culture associated with the fields of folklore and cultural heritage. Tangible folk art includes objects which historically are crafted and used within a traditional community. Intangible folk arts include such forms as music, dance and narrative structures. Each of these arts, both tangible and intangible, was originally developed to address a real need. Once this practical purpose has been lost or forgotten, there is no reason for further transmission unless the object or action has been imbued with meaning beyond its initial practicality. These vital and constantly reinvigorated artistic traditions are shaped by values and standards of excellence that are passed from generation to generation, most often within family and community, through demonstration, conversation, and practice.
Karaikudi Sambasiva Iyer Subramanian is a veena player in the Karaikudi Veena Tradition. He is the grandson of Karaikudi Subbarama Iyer and adoptive son of Karaikudi Sambasiva Iyer.
