Tan Crone (born 's-Hertogenbosch, Netherlands, 2 March 1930; died Wassenaar, Netherlands, 17 January 2009) was a Dutch classical pianist. She performed and recorded both as a soloist and an accompanist.
She studied at the Amsterdam Conservatory, then with Nadia Boulanger in Paris, and finally in the United States at the New England Conservatory and Tanglewood.
She taught at the New England Conservatory, the Conservatorium Maastricht, and the Royal Conservatory of The Hague.
Crone often served as an accompanist for art songs, and worked with the singers Roberta Alexander, Benita Valente, Dorothy Dorow, Carolyn Watkinson, Rachel Ann Morgan, Yvonne Kenny, John Bröcheler, Maxim Karolik, and Sandra Schwarzhaupt. Her recording with John Bröcheler in 1979 won the "Preis der deutschen Schallplattenkritik". Crone has released 16 recordings, mostly as an accompanist.
She died in Wassenaar, Netherlands, on 17 January 2009.
Nicolas Slonimsky, born Nikolai Leonidovich Slonimskiy, was a Russian-born American musicologist, conductor, pianist, and composer. Best known for his writing and musical reference work, he wrote the Thesaurus of Scales and Melodic Patterns and the Lexicon of Musical Invective, and edited Baker's Biographical Dictionary of Musicians.
Dietrich Fischer-Dieskau was a German lyric baritone and conductor of classical music. One of the most famous Lieder performers of the post-war period, he is best known as a singer of Franz Schubert's Lieder, particularly "Winterreise" of which his recordings with accompanists Gerald Moore and Jörg Demus are still critically acclaimed half a century after their release.
Carolyn Watkinson is an English mezzo-soprano, specialising in baroque music. Her voice is alternately characterized as mezzo-soprano and contralto.
Dame Janet Abbott Baker is an English mezzo-soprano best known as an opera, concert, and lieder singer.
Jessye Mae Norman was an American opera singer and recitalist. She was able to perform dramatic soprano roles, but did not limit herself to that voice type. A commanding presence on operatic, concert and recital stages, Norman was associated with roles including Beethoven's Leonore, Wagner's Sieglinde and Kundry, Berlioz's Cassandre and Didon, and Bartók's Judith. The New York Times music critic Edward Rothstein described her voice as a "grand mansion of sound", and wrote that "it has enormous dimensions, reaching backward and upward. It opens onto unexpected vistas. It contains sunlit rooms, narrow passageways, cavernous halls."
Anne Sofie von Otter is a Swedish mezzo-soprano. Her repertoire encompasses lieder, operas, oratorios and also rock and pop songs.
Charlotte "Lotte" Pauline Sophie Lehmann was a German-American lyric soprano noted for her successful performances with international opera houses, on the recital stage and in teaching.She gave memorable appearances in the operas of Richard Strauss, Richard Wagner, Ludwig van Beethoven, Puccini, Mozart, and Massenet. The Marschallin in Der Rosenkavalier, Sieglinde in Die Walküre and the title-role in Fidelio are considered her greatest roles. During her long career, Lehmann also made almost five hundred recordings in both opera and art song.
Dame Felicity Ann Emwhyla Lott, is an English soprano.
Lois Catherine Marshall, CC was a Canadian soprano. Her husband, Weldon Kilburn, had been her early coach and piano accompanist.
Rudolf Jansen was a Dutch pianist who focused on Lied accompaniment and chamber music, touring the world. He accompanied singers including Elly Ameling, Barbara Bonney, Peter Schreier and Dietrich Fischer-Dieskau. Jansen taught at the Sweelinck Conservatory of Amsterdam and the Musikhochschule Nürnberg, and gave masterclasses worldwide.
Judith Mok is a Dutch soprano, author and poet, who lives in Ireland and has released novels and many articles in English.
Elena Gerhardt was a German mezzo-soprano singer associated with the singing of German classical lieder, of which she was considered one of the great interpreters. She emigrated to London in October 1934.
Bertha Frensel Wegener-Koopman was a Dutch composer and music educator.
Helen Strassburger Boatwright was an American soprano who specialized in the performance of American song, recorded the first full-length album of songs by composer Charles Ives and had a career that spanned more than five decades.
Lambertus Reiner "Reinbert" de Leeuw was a Dutch conductor, pianist and composer.
Dorothy Dorow was an English soprano, mostly active in the contemporary vocal music field.
Roberta Alexander is an American operatic soprano. She began her career as a lyric soprano in 1975 and spent the next three decades performing principal roles with opera houses internationally. Particularly celebrated for her performances of Mozart heroines, she was a leading soprano at the Metropolitan Opera from 1983 to 1991. In addition to principal Mozart roles like Countess Almaviva, Elettra, Fiordiligi, and Donna Elvira, she had particular success with the parts of Mimì in Puccini's La bohème and the title role in Janáček's Jenůfa. More recently she has performed secondary character roles on stage, including performances at the Grand Théâtre de Provence in 2013, La Scala in 2014, and La Monnaie in 2015. She performed the Fifth Maid in Strauss's Elektra at the Met in 2016 and Curra in Verdi's La forza del destino at the Royal Opera House, Covent Garden, in 2019.
Joseph Middleton is a British classical pianist and lied accompanist.
Hertha Klust was a German pianist.
"Hymn: Largo cantabile", S. 84/1, sometimes also referred to as "Largo cantabile: Hymn" and often shortened as "Hymn", is a composition by American composer Charles Ives written in 1904. Grouped in the suite A Set of Three Short Pieces, it is published and commonly performed as a standalone work.