Tanya Myshkin (born 21 August 1961) is an Australian printmaker, born in Adelaide, South Australia and based in Canberra. [1] She is a printmaker known for her drawing, wood engraving and etching. Much of her imagery is centred around the natural world. [2]
Her bookwork often responds to works of literature by writers such as Eugène Ionesco. She has produced a number of fine press artist books, in which her prints combine with letterpress text. [3] One such book, Le vierge, le vivace et le bel aujourd'hui (French: The virgin, the vivacious and the beautiful today) by Stéphane Mallarmé, illustrated by Myshkin's wood engravings, was produced in 2012 with letterpress printer Caren Florance (Ampersand Duck). It was collected by University of Melbourne Special Collections [4] and the Bibliothèque nationale de France [5] as well as private collections.
Her works have been shown in major galleries including the National Gallery of Australia, [6] and other of her livres d'artiste have been acquired by the British Library, Queensland State Library and the Australian National University Library. [7]
Myshkin attended the Canberra School of Art from 1989, studying under Gillian Mann and Jorg Schmeisser. [8] In 1996 she was an Artist in Residence in the ANU School of Art Edition and Artist Book Studio with Dianne Fogwell and Petr Herel. [9]
Printmaking is the process of creating artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand processed technique, rather than a photographic reproduction of a visual artwork which would be printed using an electronic machine ; however, there is some cross-over between traditional and digital printmaking, including risograph.
Intaglio is the family of printing and printmaking techniques in which the image is incised into a surface and the incised line or sunken area holds the ink. It is the direct opposite of a relief print where the parts of the matrix that make the image stand above the main surface.
The Grosvenor School of Modern Art was a private British art school and, in its shortened form, the name of a brief British-Australian art movement. It was founded in 1925 by the Scottish wood engraver Iain Macnab in his house at 33 Warwick Square in Pimlico, London. From 1925 to 1930 Claude Flight ran it with him, and also taught linocutting there; among his students were Sybil Andrews, Cyril Power, Lill Tschudi and William Greengrass.
Cressida Rosemary Campbell is an Australian artist.
Violet Helen Evangeline Teague was an Australian artist, noted for her painting and printmaking.
Diane Mantzaris is an Australian artist known for her pioneering application of digital imaging to printmaking and for her unconventional approach to image making, which is often both personal and political in content. Mantzaris pioneered the use of computers as a printmaking and art-making tool in the early to mid-1980s, exhibiting widely, nationally and throughout Asia in touring exhibitions, to considerable acclaim. Her practice now crosses into several fields associated with the visual arts, printmaking, drawing, photography, sculpture, performance and public art. She is represented in most state and public collections throughout Australia and significant private collections throughout Asia and Europe.
Finlay Press is the name of an independent private press founded by Ingeborg Hansen and Phil Day (artist). It began production in Goulburn, NSW, Australia in 1997. In 2001 the press moved to Braidwood, New South Wales, Australia, where it printed its final publication in 2009.
Richard John Spare is a British artist and Master Printmaker known primarily for his drypoints, etchings and oil paintings. He is based in London.
Rona Green is an Australian visual artist.
Udo Sellbach (1927–2006) was a German-Australian visual artist and educator whose work focused primarily around his printmaking practice.
Waratah Lahy is an artist and art teacher based in Canberra, Australia.
Wendy Murray, is a visual artist and arts educator, formerly known as Mini Graff. Under her former persona, Murray worked as an urban street-poster artist between 2003 and 2010, working in and around Sydney's urban fringe. Since 2014, Murray's art expanded into traditional forms of drawing and artist book design, whilst still engaging with social and political issues through poster-making. Murray's use of letraset transfers, accompanied with vibrant colours and fluorescent inks, references the work of studios from the 1960s through to the 1980s, including the community-based Earthworks Poster Collective and Redback Graphix. A 2018 collaboration with The Urban Crew, a 17-person collective of socially engaged geographers, planners, political scientists and sociologists, resulted in the Sydney – We Need to Talk! artist book, addressing issues of development, transport congestion, housing affordability and commercialisation of public space.
Yvonne Boag is an Australian painter and printmaker whose work reflects the many places where she has lived and worked.
Julia Church is an Australian artist and has works in painting, printmaking, poster art and graphic design. She is also an author having written multiple books and journal articles on Australian women's art and artistic culture. Her work is held in the collection of the National Gallery of Australia.
Ann Margaret (Stroman) Mikolowski was a twentieth-century American contemporary artist. She was a painter of portrait miniatures and waterscapes, as well as a printmaker and illustrator of printed matter. Mikolowski was part of Detroit's Cass Corridor artist movement and co-founder of The Alternative Press.
G. W. Bot is the signature name for the Australian artist Christine Grishin, nee Christine Falkland, who has been a full-time artist for more than 30 years. She is a printmaker, sculptor, painter and graphic artist who works with her own shapes and glyphs to represent the landscapes she loves. Since 1985 her primary work is linocut printing. She is known nationally and internationally from about 50 solo exhibitions, and more than 200 mixed, group exhibitions. Her work is held in more than 100 art collections including: the National Gallery of Australia; the British Museum; The Victoria and Albert Museum, London; the Bibliotheque National, Paris; The Museum of Modern Art, Osaka, Japan; and the Fogg Museum at Harvard University in Cambridge, Massachusetts.
Barbie Kjar is an Australian artist and educator, specialising in printmaking and drawing. Her work is included in the permanent collections of the National Gallery of Australia, the National Gallery of Victoria, Tasmanian Museum and Art Gallery, and the Gold Coast City Art Gallery.
Hertha Kluge-Pott is a German-born Australian printmaker based in Melbourne.
Jan Dunn born in Springvale, Victoria, Australia, was a potter, ceramicist and teacher.