Tara Rodgers is an American electronic musician, composer, and author. [1] She is a multi-instrumentalist and performs and releases work as Analog Tara. [2]
Rodgers graduated from Brown University in 1995, earning an AB with Honors in American Studies. [3] [4] She received an MFA in Electronic Music and Recording Media from Mills College in 2006 and earned a PhD in Communication Studies from McGill University in 2011.
Rodgers was visiting faculty in sound at the School of the Museum of Fine Arts, Boston from 2004 to 2005. She was a Canada-US Fulbright scholar in Montreal in 2006/2007. [5] From 2010 to 2013 she was an assistant professor of Women's studies and Distinguished Faculty Fellow in Digital Cultures and Creativity at the University of Maryland. In 2011 Rodgers established the Women's Studies Multimedia Studio at UMD. Rodgers also served on the faculty of Dartmouth College in 2013. [6]
Rodgers founded the website PinkNoises.com in 2000 to document the works of women in electronic music and to provide music production resources. [7] [8] The site was nominated for a Webby Award in the category of Best Music Web Site in 2003. [9] Her composition, "Butterfly Effects," was inspired by the behaviors of migrating butterflies. [10] Written in SuperCollider, it won the IAWM New Genre Prize in 2007. [11] [12] She authored the 2010 book Pink Noises: Women On Electronic Music And Sound, which is a collection of interviews spotlighting female electronic musicians, composers, producers, and DJs. [13] The book received the 2011 Pauline Alderman Award from the International Alliance for Women in Music (IAWM). [14]
Following the release of Pink Noises, Rodgers has published essays and lectured on the history of synthesized sound. She is currently working as a composer and performer in the Washington, D.C. area. [15] [16] [17]
In music, tape loops are loops of magnetic tape used to create repetitive, rhythmic musical patterns or dense layers of sound when played on a tape recorder. Originating in the 1940s with the work of Pierre Schaeffer, they were used among contemporary composers of 1950s and 1960s, such as Éliane Radigue, Steve Reich, Terry Riley, and Karlheinz Stockhausen, who used them to create phase patterns, rhythms, textures, and timbres. Popular music authors of 1960s and 1970s, particularly in psychedelic, progressive and ambient genres, used tape loops to accompany their music with innovative sound effects. In the 1980s, analog audio and tape loops with it gave way to digital audio and application of computers to generate and process sound.
Pauline Oliveros was an American composer, accordionist and a central figure in the development of post-war experimental and electronic music.
Laurie Spiegel is an American composer. She has worked at Bell Laboratories, in computer graphics, and is known primarily for her electronic-music compositions and her algorithmic composition software Music Mouse. She also plays the guitar and lute.
Annea Lockwood is a New Zealand-born American composer and academic musician. She taught electronic music at Vassar College. Her range is vast and often includes microtonal, electro-acoustic soundscapes and vocal music, as well as recordings of natural found sounds. She has also recorded Fluxus-inspired pieces involving burning or drowning pianos.
Richard Lowe Teitelbaum was an American composer, keyboardist, and improvisor. A student of Allen Forte, Mel Powell, and Luigi Nono, he was known for his live electronic music and synthesizer performances. He was a pioneer of brain-wave music. He was also involved with world music and used Japanese, Indian, and western classical instruments and notation in both composition and improvisational settings.
Chantal Francesca Passamonte, known professionally as Mira Calix, was a South African-born, British-based audio and visual artist and musician signed to Warp Records.
Blevin Blectum is an American electronic musician and multimedia composer. She is celebrated as an "icon of deviant and cerebral electronic music".
Ruth Anderson was an American composer, orchestrator, teacher, and flutist.
Modulations: Cinema for the Ear is 1998 documentary film on the history of electronic music, consisting of a documentary film, accompanied by a soundtrack album, and a 2000 book Modulations A History of Electronic Music by Peter Shapiro. The project was directed by Iara Lee, the maker of the documentary film Synthetic Pleasures.
Veronika Judita Krausas is a Canadian composer who lives and works in the United States.
Laura Anne Karpman is an American composer, whose work has included music for film, television, video games, theater, and the concert hall. She has won five Emmy Awards for her work. Karpman was trained at the Juilliard School, where she played jazz by day and honed her skills scatting in bars at night.
The International Alliance for Women in Music (IAWM) is an international membership organization of women and men dedicated to fostering and encouraging the activities of women in music, particularly in the areas of musical activity, such as composing, performing, and research, in which gender discrimination is a historic and ongoing concern. In the U.S. the organization operates as a 501(c)3 non-profit. The IAWM engages in efforts to increase the programming of music by female composers, to combat discrimination against female musicians, including as symphony orchestra members, and to include accounts of the contributions of women musicians in university music curricula and textbooks.
Beverly Grigsby was an American composer, musicologist and electronic/computer music pioneer.
Andrea Reinkemeyer is an American composer from Portland, Oregon. She graduated with a bachelor's degree from the University of Oregon and continued her studies in composition at the University of Michigan, graduating with a master's and doctoral degree. She was awarded a 2017 Virginia B. Toulmin Orchestral Commission, 2022-23 Edith Green Distinguished Professor and 2019 Julie Olds and Thomas Hellie Creative Achievement Award for Linfield Faculty; her Smoulder for Wind Ensemble was awarded the 2021 Alex Shapiro Prize in the 40th Annual Search for New Music by the International Alliance of Women in Music (IAWM) and named a 2020 finalist for the National Band Association William D. Revelli Composition Contest.
Elizabeth R. Austin is an American composer.
Laetitia Sonami, is a sound artist, performer, and composer of interactive electronic music who has been based in the San Francisco Bay area since 1978. She is known for her electronic compositions and performances with the ‘’Lady’s Glove’’, an instrument she developed for triggering and manipulating sound in live performance. Many of her compositions include live or sampled text. Sonami also creates sound installation work incorporating household objects embedded with mechanical and electronic components. Although some recordings of her works exist, Sonami generally eschews releasing recorded work.
Beth Coleman is an American female electronic music composer and academic in the field of new media studies. Her work has been featured in a variety of venues such as the Whitney Museum of American Art, MoMA PS1, Musée D'art Moderne Paris, and the Waag Society Amsterdam. From 2005 until 2011, she was a professor of Comparative Media Studies and Writing at Massachusetts Institute of Technology. Currently she is assistant professor, Department of English Language and Literature, University of Waterloo, Canada, and co-director of Waterloo's Critical Media Lab.
Jessica Rylan is a sound artist, electronic musician and engineer from Boston, Massachusetts. Most of Rylan's work is based on the design and construction of DIY modular synthesizers, which she then uses to create a variety of sounds combined with her own vocal performance. Her work has been described as "a set of weird hybrids - noise pop, folk noise", and "sometimes rough, sometimes playful, sometimes confessional." She describes herself as an "artist turned engineer," and has cited Merzbow as an influence upon her own work.
Georgia Rodgers is a composer and acoustician from the United Kingdom, currently based in London.
Williametta Spencer is an American composer, musicologist, and teacher who plays harpsichord, organ, and piano. She is best known for her award-winning choral work At the Round Earth’s Imagined Corners.