The Day the Earth Stood Still is a 1951 American science fiction film from 20th Century Fox, produced by Julian Blaustein and directed by Robert Wise. It stars Michael Rennie, Patricia Neal, Hugh Marlowe, Sam Jaffe, Billy Gray, Frances Bavier and Lock Martin. The screenplay was written by Edmund H. North, based on the 1940 science fiction short story "Farewell to the Master" by Harry Bates. The film score was composed by Bernard Herrmann.
Alien invasion or space invasion is a common feature in science fiction stories and film, in which extraterrestrial lifeforms invade the Earth to exterminate and supplant human life, enslave it, harvest people for food, steal the planet's resources, or destroy the planet altogether. It can be considered as a science-fiction subgenre of the invasion literature, expanded by H. G. Wells's seminal alien invasion novel The War of the Worlds.
Science fiction is a film genre that uses speculative, fictional science-based depictions of phenomena that are not fully accepted by mainstream science, such as extraterrestrial lifeforms, spacecraft, robots, cyborgs, dinosaurs, mutants, interstellar travel, time travel, or other technologies. Science fiction films have often been used to focus on political or social issues, and to explore philosophical issues like the human condition.
Amazing Stories is an American science fiction magazine launched in April 1926 by Hugo Gernsback's Experimenter Publishing. It was the first magazine devoted solely to science fiction. Science fiction stories had made regular appearances in other magazines, including some published by Gernsback, but Amazing helped define and launch a new genre of pulp fiction.
The Autons are an artificial life form from the British science fiction television series Doctor Who and adversaries of the Doctor. They were originally created by scriptwriter Robert Holmes for Jon Pertwee's first serial as the Doctor, Spearhead from Space (1970), and were the first monsters to be presented in colour on the series.
Robot Monster is a 1953 independently made American black-and-white 3D science fiction film, remembered in later decades as one of the worst movies ever made. It was produced and directed by Phil Tucker, written by Wyott Ordung, and stars George Nader, Claudia Barrett, and George Barrows. The production company was Three Dimensional Pictures, Inc. The film was distributed by Astor Pictures.
Paul Warren Fairman (1909–1977) was an editor and writer in a variety of genres under his own name and under pseudonyms. His detective story "Late Rain" was published in the February 1947 issue of Mammoth Detective. He published his story "No Teeth for the Tiger" in the February 1950 issue of Amazing Stories. Two years later, he was the founding editor of If, but only edited four issues. In 1955, he became the editor of Amazing Stories and Fantastic. He held that dual position until 1958. His science fiction short stories "Deadly City" and "The Cosmic Frame" were made into motion pictures.
The Invaders is an American science-fiction television series created by Larry Cohen that aired on ABC for two seasons, from 1967 to 1968. Roy Thinnes stars as David Vincent, who after stumbling across evidence of an in-progress invasion of aliens from outer space—the aliens disguising themselves as humans and gradually infiltrating human institutions—tries to thwart the invasion despite the disbelief of officials and the general public, and the undermining of his efforts by the aliens. The series was a Quinn Martin production.
I Was a Teenage Werewolf is a 1957 science fiction horror film starring Michael Landon as a troubled teenager, Yvonne Lime and Whit Bissell. It was co-written and produced by cult film producer Herman Cohen and was one of the most successful films released by American International Pictures (AIP).
Fantastic was an American digest-size fantasy and science fiction magazine, published from 1952 to 1980. It was founded by the publishing company Ziff Davis as a fantasy companion to Amazing Stories. Early sales were good, and the company quickly decided to switch Amazing from pulp format to digest, and to cease publication of their other science fiction pulp, Fantastic Adventures. Within a few years sales fell, and Howard Browne, the editor, was forced to switch the focus to science fiction rather than fantasy. Browne lost interest in the magazine as a result and the magazine generally ran poor-quality fiction in the mid-1950s, under Browne and his successor, Paul W. Fairman.
Against the Fall of Night is a science fiction novel by British writer Arthur C. Clarke. Originally appearing as a novella in the November 1948 issue of the magazine Startling Stories, it was revised and expanded in 1951 and published in book form in 1953 by Gnome Press. It was later expanded and revised again and published in 1956 as The City and the Stars. A later edition includes another of Clarke's early works and is titled The Lion of Comarre and Against the Fall of Night. In 1990, with Clarke's approval, Gregory Benford wrote a sequel titled Beyond the Fall of Night, which continues the story arc of the 1953 novel. It is generally printed with the original novel as a single volume.
Whitner Nutting Bissell was an American character actor.
It Came from Outer Space is a 1953 American science fiction horror film, the first in the 3D process from Universal-International. It was produced by William Alland and directed by Jack Arnold. The film stars Richard Carlson and Barbara Rush, and features Charles Drake, Joe Sawyer, and Russell Johnson. The script is based on Ray Bradbury's original film treatment "The Meteor" and not, as sometimes claimed, a published short story.
"The Christmas Invasion" is a 60-minute special episode of the British science fiction television series Doctor Who, which was first broadcast on BBC One on 25 December 2005. This episode features the first full-episode appearance of David Tennant as the Tenth Doctor and is also the first specially produced Doctor Who Christmas special in the programme's history.
Commander USA's Groovie Movies is an American movie showcase series that ran weekend afternoons on the USA Network.
I Was a Teenage Frankenstein is a film starring Whit Bissell, Phyllis Coates and Gary Conway, released by American International Pictures (AIP) in November 1957 as a double feature with Blood of Dracula. It is the follow-up to AIP's box office hit I Was a Teenage Werewolf, released less than five months earlier. Both films later received a sequel in the fictional crossover How to Make a Monster, released in July 1958. The film stars Whit Bissell, Phyllis Coates, Robert Burton, Gary Conway and George Lynn.
Frankenstein Meets the Space Monster is a 1965 science fiction film. It was directed by Robert Gaffney and starred Marilyn Hanold, James Karen and Lou Cutell. It was filmed in Florida and Puerto Rico in 1964.
Lost Continent is a 1951 American black-and-white science fiction film drama from Lippert Pictures, produced by Jack Leewood, Robert L. Lippert, and Sigmund Neufeld, directed by Sam Newfield, that stars Cesar Romero, Hillary Brooke, Whit Bissell, Sid Melton, Hugh Beaumont and John Hoyt.
Invaders from Mars is a 1986 American science fiction horror film, directed by Tobe Hooper from a screenplay by Dan O'Bannon and Don Jakoby. It is a remake of the 1953 film of the same name, and is a reworking of that film's screenplay by Richard Blake from an original story by John Tucker Battle. Its production was instigated by Wade Williams, millionaire exhibitor, science fiction film fan and sometime writer-producer-director, who had reissued the original film in 1978 after purchasing the copyright to the property. Elaborate creature and visual effects were supplied by Stan Winston and John Dykstra.
The War of the Worlds is a 1953 American science fiction horror film directed by Byron Haskin, produced by George Pal, and starring Gene Barry and Ann Robinson. It is the first of several feature film adaptations of H. G. Wells' 1898 novel of the same name. The setting is changed from Victorian era England to 1953 Southern California. In the film, Earth is suddenly invaded by Martians, and American scientist Clayton Forrester searches for any weakness to stop them. The War of the Worlds won an Academy Award for Best Visual Effects and went on to influence other science fiction films. In 2011, it was selected for preservation in the National Film Registry by the United States Library of Congress, who deemed it "culturally, historically, or aesthetically significant".
