Tarif-i Husain Shahi

Last updated
Tarif-i Husain Shahi
Husain Nizam Shah I on the Throne, Folio from manuscript Ta'rif-i Husain Shahi, Ahmadnagar, ca. 1565-69, Bharat Itihas Sanshodhak Mandal, Pune.jpg
Folio 20b, Sultan Husain Nizam Shah enthroned. The image of the queen has been scraped off, and she can only be seen as a silhouette
AuthorAftabi
Language Persian

Kitab-i Tarif-i Husain Shah Padshah-i Dakan (Chronicle of Husain Shah, King of the Deccan), generally known as Tarif-i Husain Shahi or Tarif-i Husain Shah is a 16th-century illustrated manuscript compiled in the Ahmadnagar Sultanate.

Contents

It is written in praise of the king Husain Nizam Shah and his queen consort, Khunza Humayun. The sultan's victory at the battle of Talikota is a prominent feature of both the text and the illustrations. It is located at the Bharat Itihas Sanshodhak Mandal. [1]

History

It is dated to the middle of the 16th-century. [1] [2] Stella Kramrisch suggested that the manuscript may not have been a royal commission, given the indigenous style of the paintings. However, modern scholars including Pushkar Sohoni and Mark Zebrowski agree that it was compiled with royal patronage. [3]

It is a matter of contention among scholars as to whether the manuscript was completed by the time of Husain Nizam Shah's death. Zebrowski points out that since his death is not mentioned, it must have been produced between the victory at Vijayanagara, in early 1565 and Husain Shah's death, later the same year. [3] [4] However, the fact that Khunza Humayun features so prominently in both the text and the illustrations suggests that it might have been completed during her regency. [5]

Text

It belongs to the mathnawi genre. [6]

Paintings

Folio 29a depicts the dohada theme. Tarif E Hussain Shahi I.tif
Folio 29a depicts the dohada theme.
Battle of Talikota Battle of Talikota (formatted).jpg
Battle of Talikota

It originally contained fourteen illustrations, of which 12 survive. All of the paintings are in a vertical format, and the size ranges from 18 by 12 cm to 18 by 15 cm. The paintings have little to do with the text. [7]

Five of the paintings illustrate courtly life, and six illustrate the campaign against Vijayanagara. Thus, eleven of the twelve paintings depict razm-o-bazm (feasting and fighting), which commonly features in Persian art. [3]

The folios 20b, 21b, 26b, 36a and 40b depict court life. In these, the queen Khunza Humayun was featured, in Indian poses, such as sitting on her husband's lap. Such poses were common in the representation of Hindu gods. These paintings were unorthodox for a work commissioned for the court of a Muslim kingdom. The images of the queen have been scraped off, probably during the reign of her son Murtaza I. [5] [8]

The folio 29a shows the dohada theme, where a tree blooms at the touch of a young woman. The young woman here is the queen Khunza Humayun, and the painting symbolizes the kingdom's prosperity during her reign. However, her image is not scraped off. Six women surround her, all being dressed in saris. [3] [8] [9]

The folios 34b, 43b, 44a, 45b, 46b and 47a depict the campaign against Vijayanagara. Husain Shah is seen in five of these paintings. [8]

Related Research Articles

<span class="mw-page-title-main">Deccan sultanates</span> Name for five former polities in India

The Deccan sultanates is a historiographical term referring to five late medieval to early modern Indian kingdoms on the Deccan Plateau between the Krishna River and the Vindhya Range that were created from the disintegration of the Bahmani Sultanate and ruled by Muslim dynasties: namely Ahmadnagar, Berar, Bidar, Bijapur, and Golconda. The five sultanates owed their existence to the declaration of independence of Ahmadnagar in 1490, which was followed by Bijapur and Berar in the same year. Bidar became independent in c. 1492, and Golconda in 1512.

<span class="mw-page-title-main">Daulatabad Fort</span> 12th-century fort in Maharashtra, India

Daulatabad Fort, originally Deogiri Fort, is a historic fortified citadel located in Daulatabad village near Chhatrapati Sambhaji Nagar, Maharashtra, India. It was the capital of the Yadavas, for a brief time the capital of the Delhi Sultanate (1327–1334), and later a secondary capital of the Ahmadnagar Sultanate (1499–1636).

<span class="mw-page-title-main">Salar Jung Museum</span> Art Museum in Hyderabad, Telangana, India

The Salar Jung Museum is an art museum located at Dar-ul-Shifa, on the southern bank of the Musi River in the city of Hyderabad, Telangana, India. It is one of the notable National Museums of India. Originally a private art collection of the Salar Jung family, it was endowed to the nation after the death of Salar Jung III. It was inaugurated on 16 December 1951.

<span class="mw-page-title-main">Sultanate of Bijapur</span> Indian kingdom in the Deccan (1490–1686)

The Sultanate of Bijapur was an early modern kingdom in the western Deccan and South India, ruled by the Adil Shahi dynasty. Bijapur had been a taraf (province) of the Bahmani Kingdom prior to its independence in 1490 and before the kingdom's political decline in the last quarter of the 15th century. It was one of the Deccan sultanates, the collective name of the kingdom's five successor states. The Sultanate of Bijapur was one of the most powerful states on the Indian Subcontinent at its peak, second to the Mughal Empire which conquered it in 1686 under Aurangzeb.

<span class="mw-page-title-main">Battle of Talikota</span> 1565 battle in India

The Battle of Talikota, also known as that of Rakkasagi–Tangadagi, was a watershed battle fought between the Vijayanagara Empire and an alliance of the Deccan sultanates. The battle resulted in the defeat and death of Rama Raya, the de facto ruler of the Vijayanagara Empire, which led to the immediate collapse of the Vijayanagara polity and reconfigured South Indian and Deccan politics.

<span class="mw-page-title-main">Malik Ambar</span> Military leader of the Ahmadnagar Sultanate (1548–1626)

Malik Ambar was a military leader and statesman who served as the Peshwa of the Ahmadnagar Sultanate and its de facto ruler from 1600 until his death in 1626.

The Berar sultanate was an early modern Indian kingdom in the Deccan, ruled by the Imad Shahi dynasty. It was one of the Deccan sultanates, and was established in 1490 following the disintegration of the Bahmani Sultanate by Fathullah Imad-ul-Mulk. It was annexed by the Ahmadnagar Sultanate in 1574 following an invasion.

<span class="mw-page-title-main">Ahmadnagar Sultanate</span> Deccan Indian kingdom (1490–1636)

The Sultanate of Ahmednagar was a late medieval Indian Marathi kingdom located in the northwestern Deccan, between the sultanates of Gujarat and Bijapur, ruled by the Nizam Shahi dynasty. It was established when Malik Ahmed, the Bahmani governor of Junnar, after defeating the Bahmani army led by general Jhangir Khan on 28 May 1490, declared independence and established the Ahmadnagar Sultanate.

<span class="mw-page-title-main">Lakhuji Jadhav</span> Jadurai Dakkhani

Lakhuji Jadhav Rao, also known as Lakhuji Jadhav was a Maratha statesman and Mansabdar who initially served the Ahmadnagar Sultanate and later joined the Mughals. He was a prominent figure in the politics of Deccan. Lakhuji was a well-known member of Jadhav Rao clan descendants of the Yadavas of Devagiri. He was also a Jagirdar of Sindkhed Raja. He was father of Jijabai, and grandfather of Shivaji, who was founder of the Maratha Empire.

Hyderabad is the capital of the Indian state of Telangana. It is a historic city noted for its many monuments, temples, mosques and bazaars. A multitude of influences have shaped the character of the city in the last 400 years.

<span class="mw-page-title-main">Architecture of the Deccan sultanates</span> Islamic architecture of the Deccan Plateau, India

The Deccan sultanates were five early modern kingdoms, namely Bijapur, Golkonda, Ahmadnagar, Bidar, and Berar, which ruled the Deccan Plateau for part of the 15th, and the majority of the 16th–17th centuries. Their architecture was a regional variant of Indo-Islamic architecture, and influenced by the styles of the Delhi Sultanate and later Mughal architecture, but sometimes also influenced from Persia and Central Asia. Hindu temple architecture in the same areas had very different styles.

<span class="mw-page-title-main">Hussain Nizam Shah I</span> 3rd Sultan of Ahmadnagar

Hussain Nizam Shah I was the preeminent ruler of the Ahmadnagar Sultanate and the leading figure of the coalition of the Deccan Sultanates during the Battle of Talikota. Notably, Hussain Nizam Shah was responsible for taking prisoner and beheading Rama Raya of Vijayanagara after the Battle of Talikota.

<span class="mw-page-title-main">Deccanis</span> Ethnoreligious community in India

The Deccanis or Deccani people are an Indo-Aryan ethno-religious community of Deccani-speaking Muslims who inhabit or are from the Deccan region of India. The community traces its origins to the shifting of the Delhi Sultanate's capital from Delhi to Daulatabad in 1327 during the reign of Muhammad bin Tughluq. Further ancestry can also be traced from immigrant Muslims referred to as Afaqis, also known as Pardesis who came from Central Asia, Iraq and Iran and had settled in the Deccan region during the Bahmani Sultanate (1347). The migration of Muslim Hindavi-speaking people to the Deccan and intermarriage with the local Hindus who converted to Islam, led to the creation of a new community of Hindustani-speaking Muslims, known as the Deccani, who would come to play an important role in the politics of the Deccan. Their language, Deccani, emerged as a language of linguistic prestige and culture during the Bahmani Sultanate, further evolving in the Deccan Sultanates.

<span class="mw-page-title-main">Deccan painting</span> Form of miniature painting

Deccan painting or Deccani painting is the form of Indian miniature painting produced in the Deccan region of Central India, in the various Muslim capitals of the Deccan sultanates that emerged from the break-up of the Bahmani Sultanate by 1520. These were Bijapur, Golkonda, Ahmadnagar, Bidar, and Berar. The main period was between the late 16th century and the mid-17th, with something of a revival in the mid-18th century, by then centred on Hyderabad.

Pushkar Sohoni is an architect, and an architectural and cultural historian. He is an associate professor in the department of Humanities and Social Sciences at the Indian Institute of Science Education and Research, Pune. He was Chair of the department from 2019 to 2024.

Sabaji Koli was the commander-in-chief of the army of Ahmednagar Sultanate. Sultan Burhan Nizam Shah of Ahmednagar conferred the title of Parvat Rai on Sabaji Koli. After the Sultan's death, Koli fought against the Vijayanagara Empire during the reign of the new Sultan Husain Nizam Shah. Burhan Nizam Shah also used to call Sabaji Koli Prataparaja, Parashurampratap and Narasimha Pratap.

<i>The Architecture of a Deccan Sultanate</i> Book by Pushkar Sohoni

The Architecture of a Deccan Sultanate: Courtly Practice and Royal Authority in Late Medieval India is a book by the architectural and art historian Pushkar Sohoni, published in 2018 by I.B. Tauris. It is one of the most comprehensive works on the architecture and urban settlements of the Nizam Shahs of Ahmadnagar, who ruled in the sixteenth century.

<span class="mw-page-title-main">Damri Masjid</span> Mosque in Ahmednagar, Maharashtra, India

Damri Masjid, sometimes spelt Damdi Masjid, is a mosque in Ahmednagar, in the Indian state of Maharashtra. It was built during the reign of the Ahmednagar Sultanate in 1568. It is designated as a monument of national importance.

<span class="mw-page-title-main">Golconda painting</span> School of Indian miniature painting

Golconda painting refers to the school of miniature painting developed during the reign of the Golconda Sultanate. It is itself a type of Deccan painting, and closely related to other Deccan schools, such as Bijapur and Ahmednagar.

<i>Pem Nem</i>

Pem Nem is a 16th-century manuscript commissioned at the court of the Bijapur Sultanate. It belongs to the Prem Marg genre of Sufi literature, where a love story forms a metaphor representing the quest for the union with God. Written in an early form of Dakhni, it is a mathnawi, a long narrative poem written in rhyming couplets.

References

  1. 1 2 Michell, George; Zebrowski, Mark (1999-06-10). Architecture and Art of the Deccan Sultanates (PDF). Cambridge University Press. pp. 145–147.
  2. Sohoni 2018, p. 46.
  3. 1 2 3 4 Sohoni 2018, p. 42.
  4. Zebrowski 1983, pp. 17.
  5. 1 2 Sohoni 2018, p. 44.
  6. Sohoni 2018, p. 41.
  7. Sohoni 2018, pp. 41–42, 45.
  8. 1 2 3 Zebrowski 1983, pp. 18.
  9. Museum, Salar Jung; Khandalavala, Karl J.; Khan, Rahmat Ali (1986). Gulshan-e-muṣawwari: Seven Illustrated Manuscripts from the Salar Jung Museum, Hyderabad. Salar Jung Museum.

Bibliography