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Hans Eworth was a Flemish painter active in England in the mid-16th century. Along with other exiled Flemings, he made a career in Tudor London, painting allegorical images as well as portraits of the gentry and nobility. About 40 paintings are now attributed to Eworth, among them portraits of Mary I and Elizabeth I. Eworth also executed decorative commissions for Elizabeth's Office of the Revels in the early 1570s.
The National Portrait Gallery (NPG) is an art gallery in London that houses a collection of portraits of historically important and famous British people. When it opened in 1856, it was arguably the first national public gallery in the world that was dedicated to portraits.
The Chandos portrait is the most famous of the portraits that are believed to depict William Shakespeare (1564–1616). Painted between 1600 and 1610, it may have served as the basis for the engraved portrait of Shakespeare used in the First Folio in 1623. It is named after the 3rd Duke of Chandos, who formerly owned the painting. The portrait was given to the National Portrait Gallery, London, on its foundation in 1856, and it is listed as the first work in its collection.
Sir Roy Colin Strong, is an English art historian, museum curator, writer, broadcaster and landscape designer. He has served as director of both the National Portrait Gallery and the Victoria and Albert Museum in London. Strong was knighted in 1982.
Levina Teerlinc was a Flemish Renaissance miniaturist who served as a painter to the English court of Henry VIII, Edward VI, Mary I and Elizabeth I. She was the most important miniaturist at the English court between Hans Holbein the Younger and Nicholas Hilliard. Her father, Simon Bening, was a renowned book illuminator and miniature painter of the Ghent-Bruges school and probably trained her as a manuscript painter. She may have worked in her father's workshop before her marriage.
Cornelius Johnson or Cornelis Janssens van Ceulen was an English painter of portraits of Dutch or Flemish parentage. He was active in England, from at least 1618 to 1643, when he moved to Middelburg in the Netherlands to escape the English Civil War. Between 1646 and 1652 he lived in Amsterdam, before settling in Utrecht, where he died.
Eileen Cooper is a British artist, known primarily as a painter and printmaker.
George Gower was an English portrait painter who became Serjeant Painter to Queen Elizabeth I in 1581.
The Armada Portrait of Elizabeth I of England is the name of any of three surviving versions of an allegorical panel painting depicting the Tudor queen surrounded by symbols of royal majesty against a backdrop representing the defeat of the Spanish Armada in 1588.
Steven van der Meulen was a Flemish artist active c. 1543–1563. He gained prominence in England in the first decade of the reign of Elizabeth I as one of many Flemish artists active at the Tudor court.
The Cobbe portrait is an early Jacobean panel painting of a gentleman which has been argued to be a life portrait of William Shakespeare. It is displayed at Hatchlands Park in Surrey, a National Trust property, and the portrait is so-called because of its ownership by Charles Cobbe, Church of Ireland (Anglican) Archbishop of Dublin (1686–1765). There are numerous early copies of the painting, most of which were once identified as Shakespeare.
The "Streatham" portrait is an oil painting on panel from the 1590s believed to be a later copy of a woodcut of the English noblewoman Lady Jane Grey from 1580. It shows a three-quarter-length depiction of a young woman in Tudor-period dress holding a prayer book, with the faded inscription "Lady Jayne" or "Lady Iayne" in the upper-left corner. It is in poor condition and damaged, as if it has been attacked. As of January 2015 the portrait is in Room 3 of the National Portrait Gallery in London.
Sir Thomas More and Family is a lost painting by Hans Holbein the Younger, painted circa 1527 and known from a number of surviving copies.
Ralph Symons was an English mason and architect known for his work at the University of Cambridge in the reign of Elizabeth I.
Judith Emilie Egerton was an Australian-born British art historian and curator. She specialised in eighteenth-century British art and, particularly, the work of George Stubbs.
Meynnart Wewyck or Maynard Vewicke was a Netherlandish painter, active ca. 1502–1525 in England and Scotland, where he was known as "Maynard" and "Mynours". Wewyck was employed as an artist at the court of Henry VII of England and, after his death, by his son Henry VIII. He also spent a brief period at the court of James IV of Scotland. Surviving documentation associates Wewyck with portraits of several members of the royal family, and with drawings for the tomb of Lady Margaret Beaufort, mother of Henry VII, at Westminster Abbey. New research published in 2019 has identified a portrait of Lady Margaret Beaufort in the Master's Lodge at St John's College, Cambridge as by Wewyck, and also attributes a painting of Henry VII at the Society of Antiquaries of London to his hand. In follow-on work, a group of researchers suggests that four surviving portraits of Henry VIII and two of his mother, Elizabeth of York, should also be attributed to Wewyck.
Charlotte Bolland is senior curator for sixteenth century collections at the National Portrait Gallery, London.
Karen Hearn is a British art historian and curator. She has Master's degrees from the University of Cambridge and the University of London. She is an Honorary Professor in the Department of English Language and Literature at the University College London. From 1992 to 2012 Hearn was the Curator of 16th & 17th Century British Art at the Tate where she curated major exhibitions on Tudor and Jacobean paintings, Anthony van Dyck, and Rubens. She was co-curator of Royalist Refugees at The Rubenshuis in Antwerp. She has also curated recent exhibitions at The National Portrait Gallery in London, The Harley Gallery, and The Foundling Museum. She was elected as a Fellow of the Society of Antiquaries of London on 1 January 2005.
Elizabeth Mongan was an art historian and curator, an authority on prints. She assembled the Rosenwald collection of prints and joined the National Gallery of Art as a curator when the collection moved there. She authored numerous exhibition catalogs, including the seminal The First Century of Printmaking, 1400 to 1500 and the catalogue raisonné of the prints of Paul Gauguin.
References
- 1 2 "Dr Tarnya Cooper to join National Trust as Curatorial & Collections Director". National Trust. Retrieved 19 July 2020.
- 1 2 National Portrait Gallery Website
- ↑ The Art Newspaper
- ↑ Citizen Portrait, Acknowledgements
- ↑ Interview
- ↑ Society of Antiquaries Archived 5 December 2012 at the Wayback Machine
- ↑ Amazon
- ↑ NPG
- ↑ NPG events
- ↑ BBC News
- ↑ National Portrait Gallery
- ↑ "Painting in Britain 1500 - 1630" . Retrieved 10 July 2017.
