![Joseph-Francois Dailly [fr] as Tartarin in an 1888 stage adaptation of Tartarin on the Alps Dailly dans Tartarin dans les Alpes (atelier Nadar).jpeg](http://upload.wikimedia.org/wikipedia/commons/thumb/d/d1/Dailly_dans_Tartarin_dans_les_Alpes_%28atelier_Nadar%29.jpeg/220px-Dailly_dans_Tartarin_dans_les_Alpes_%28atelier_Nadar%29.jpeg)
Tartarin is the main character in the French writer Alphonse Daudet's novels Tartarin of Tarascon (1872), Tartarin on the Alps (1885) and Port Tarascon (1890). He is a plump and gullible man who is spurred by the small-town dynamics of Tarascon in Provence to go on a series of misadventures abroad. The stories are written as parodies of heroic genres.
The Tartarin character originated with Alphonse Daudet's desire to use his experiences from colonial Algeria, which he visited in 1861–1862, in a work of fiction. A precursor to the Tartarin stories was Daudet's comedic short story "Chapatin le tueur de lions" (lit. 'Chapatin the Killer of Lions'). Daudet abandoned his original plan to write a realist novel about Algeria and instead focused on the humorous delusions of an adventurer in Africa. In the first Tartarin novel, Tartarin of Tarascon from 1872, the plump, middle-aged and gullible protagonist goes to Africa to hunt lions, spurred by the dynamics of his Provençal home town of Tarascon. The book became a commercial success, eventually prompting Daudet to write two sequels. The first sequel, Tartarin on the Alps from 1885, mocks the heroic tropes of mountaineering literature. The second, Port Tarascon from 1890, is a parody of the colonial novel. [1] [2] The mock-heroic character has been compared to Don Quixote. [3]
Georges Méliès made the first film about Tartarin, the lost Tartarin de Tarascon from 1908. The character was portrayed by Raimu in the 1934 film Tartarin of Tarascon [4] and by Francis Blanche in the 1962 film Tartarin of Tarascon . [5]
There are two German operas about the character, one composed by Friedrich Radermacher that premiered in Cologne in 1965 and one composed by Manfred Niehaus that premiered in Hamburg in 1977. [6] Glénat published a comic-book adaptation of Tartarin of Tarascon by Pierre Guilmard and Louisa Djouadi in 2010. [7]
There is a bronze sculpture of Tartarin in Tarascon. A museum devoted to the character existed in Tarascon from 1985 to 2008, after which the building became a private residence. [8]
Gustave Flaubert was a French novelist. He has been considered the leading exponent of literary realism in his country and abroad. According to the literary theorist Kornelije Kvas, "in Flaubert, realism strives for formal perfection, so the presentation of reality tends to be neutral, emphasizing the values and importance of style as an objective method of presenting reality". He is known especially for his debut novel Madame Bovary (1857), his Correspondence, and his scrupulous devotion to his style and aesthetics. The celebrated short story writer Guy de Maupassant was a protégé of Flaubert.
Provence is a geographical region and historical province of southeastern France, which stretches from the left bank of the lower Rhône to the west to the Italian border to the east; it is bordered by the Mediterranean Sea to the south. It largely corresponds with the modern administrative region of Provence-Alpes-Côte d'Azur and includes the departments of Var, Bouches-du-Rhône, Alpes-de-Haute-Provence, as well as parts of Alpes-Maritimes and Vaucluse. The largest city of the region and its modern-day capital is Marseille.
Tarascon, sometimes referred to as Tarascon-sur-Rhône, is a commune situated at the extreme west of the Bouches-du-Rhône department of France in the Provence-Alpes-Côte d'Azur region. Inhabitants are referred to as Tarasconnais or Tarasconnaises. The patron saint of the city is Martha of Bethany, whose motto is "Concordia Felix".
Tartarin of Tarascon is an 1872 novel written by the French author Alphonse Daudet.
Alphonse Daudet was a French novelist. He was the husband of Julia Daudet and father of Edmée, Léon and Lucien Daudet.
This article contains information about the literary events and publications of 1872.
The Tarasque is a creature from French mythology. According to the Golden Legend, the beast had a lion-like head, a body protected by turtle-like carapace(s), six feet with bear-like claws, a serpent's tail, and could expel a poisonous breath.
Mock-heroic, mock-epic or heroi-comic works are typically satires or parodies that mock common Classical stereotypes of heroes and heroic literature. Typically, mock-heroic works either put a fool in the role of the hero or exaggerate the heroic qualities to such a point that they become absurd.
Marcel Paul Pagnol was a French novelist, playwright, and filmmaker. Regarded as an auteur, in 1946, he became the first filmmaker elected to the Académie française. Pagnol is generally regarded as one of France's greatest 20th-century writers and is notable for the fact that he excelled in almost every medium—memoir, novel, drama and film.
The Alpilles is a small range of low mountains in Provence, southern France, located about 20 km (12 mi) south of Avignon.
Michaël Benayoun, known professionally as Michaël Youn, is a French actor, singer, comedian and television personality.
Richard I of England has been depicted many times in romantic fiction and popular culture.
A parody is a creative work designed to imitate, comment on, and/or mock its subject by means of satirical or ironic imitation. Often its subject is an original work or some aspect of it, but a parody can also be about a real-life person, event, or movement. Literary scholar Professor Simon Dentith defines parody as "any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice". The literary theorist Linda Hutcheon said "parody ... is imitation, not always at the expense of the parodied text." Parody may be found in art or culture, including literature, music, theater, television and film, animation, and gaming.
Sapho was a 1900 American play by Clyde Fitch, based on an 1884 French novel of the same name by Alphonse Daudet and an 1885 play by Daudet and Adolphe Belot. It was at the center of a sensational New York City indecency trial involving the play's star and producer/director, Olga Nethersole. The play was not an exceptional success but the incident is considered a notable step in the transformation of American society's attitudes regarding gender roles and public depictions of sex in the 20th century.
Robert Charles Henri Le Roux (1860–1925), known by the pen name Hugues Le Roux, was a French writer and journalist. He wrote primarily about the French colonies and travel.
Louis Marc Adolphe Belot was a French playwright and novelist. He was born on 6 November 1829 in Pointe-à-Pitre, and died on 18 December 1890 in Paris.
This is a list of Italian television related events of 1960.
Tartarin of Tarascon is a 1934 French comedy film directed by Raymond Bernard and starring Raimu, Fernand Charpin and Jean Sinoël. It is based on the 1872 novel of the same title by Alphonse Daudet. It was shot at the Joinville Studios in Paris and on location around Beaucaire and Tarascon in Southern France and Bou Saâda in French Algeria. The film's sets were designed by the art directors Lucien Carré and Jean Perrier. It was remade as a 1962 film of the same name directed by and starring Francis Blanche.
Tartarin of Tarascon is a 1962 French-Moroccan comedy film directed by and starring Francis Blanche alongside Alfred Adam, Jacqueline Maillan and Michel Galabru. It is based on the 1872 novel Tartarin of Tarascon by Alphonse Daudet, which had previously been made into a 1934 film of the same title. It was shot at the Billancourt Studios in Paris and on location around Casablanca and Taroudant in Morocco. The film's sets were designed by the art director Louis Le Barbenchon.
French anti-Southern sentiment during the Third Republic manifested as a form of hatred directed towards the French from the South of France. This phenomenon was particularly prevalent at the end of the 19th century and the beginning of the 20th century. This sentiment originated from a multitude of factors, including linguistic, economic, cultural, and historical interpretations of the country and the process of constructing ethnotypes. In this context, the populations of the South were perceived as talkative, vain, and indolent, largely due to the assumption that their lives were easier due to the sunny climate and that they were governed by passions rather than reason. Those with anti-Southern sentiments attributed the preponderance of the South in society to the Roman conquest, the actions of Joan of Arc, and the French Revolution.
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