Tavia Nyong'o

Last updated
Tavia Nyong'o
Tavia Nyong'o 03.jpg
Born1974 (age 4849)
OccupationAcademic
TitleProfessor of African American Studies, American Studies and Theater and Performance Studies
Relatives Lupita Nyong'o (cousin)
Academic background
Education Wesleyan University
Yale University

Nyong'o received his B.A. from Wesleyan University. He then received a Marshall Scholarship to study at the University of Birmingham (England). In 2003, he received his PhD in American studies from Yale, where he studied under the mentorship of Paul Gilroy and Joseph Roach. Nyong'o was the 2004 runner-up for the Ralph Henry Gabriel Dissertation Award given by the American Studies Association annually for the best doctoral dissertation written in the field of American studies.

Career

Nyong'o is professor of African American studies, American studies and theater and performance studies at Yale University [1] where he teaches courses on black diaspora performance, cultural studies, social and critical theory. Prior to his appointment at Yale, Nyong'o taught in the Department of Performance Studies at New York University. [1]

His book, The Amalgamation Waltz: Race, Performance, and the Ruses of Memory, is published by the University of Minnesota Press (2009), [2] [3] [4] [5] [6] [7] [8] [9] and won the Errol Hill Award. [10]

In addition, Nyong'o has published articles in The Nation , [11] n+1 , the Yale Journal of Criticism , Social Text , Theatre Journal , [12] and GLQ .[ citation needed ]

Personal life

He is a cousin of Academy Award winning actress Lupita Nyong'o. [13]

Related Research Articles

Black Yankee Rock is the third album by Chocolate Genius. It was produced by Craig Street and released on Commotion Records on October 22, 2005.

E. Patrick Johnson is the dean of the Northwestern University School of Communication. He is the Carlos Montezuma Professor of Performance Studies and professor of African-American studies at Northwestern University. He is also a visiting scholar at the Annenberg School for Communication at the University of Pennsylvania. Johnson is the founding director of the Black Arts Initiative at Northwestern. His scholarly and artistic contributions focus on performance studies, African-American studies and women, gender and sexuality studies.

The notion of postdramatic theatre was established by German theatre researcher Hans-Thies Lehmann in his book Postdramatic Theatre, summarising a number of tendencies and stylistic traits occurring in avant-garde theatre since the end of the 1960s. The theatre which Lehmann calls postdramatic is not primarily focused on the drama in itself, but evolves a performative aesthetic in which the text of the performance is put in a special relation to the material situation of the performance and the stage. The postdramatic theatre attempts to mimic the unassembled and unorganized literature that a playwright sketches in the novel.

<i>TDR</i> (journal) Academic journal

TDR: The Drama Review is an academic journal focusing on performances in their social, economic, aesthetic, and political contexts. The journal covers dance, theatre, music, performance art, visual art, popular entertainment, media, sports, rituals, and performance in politics and everyday life.

Brooks Barry McNamara (1937–2009) was an American theater historian, professor, and contributing editor of The Drama Review.

<span class="mw-page-title-main">Danai Gurira</span> American-Zimbabwean actress

Danai Jekesai Gurira is a Zimbabwean-American actress and playwright. She is best known for her starring roles as Michonne on the AMC horror drama series The Walking Dead and as Okoye in the Marvel Cinematic Universe superhero films, beginning with Black Panther (2018) and most recently appearing in its sequel Black Panther: Wakanda Forever (2022).

<span class="mw-page-title-main">Lupita Nyong'o</span> Kenyan-Mexican actress (born 1983)

Lupita Amondi Nyong'o is a Kenyan-Mexican actress. She is the recipient of several accolades, including an Academy Award, and nominations for two Primetime Emmy Awards and a Tony Award.

<i>Americanah</i> 2013 novel by Chimamanda Ngozi Adichie

Americanah is a 2013 novel by the Nigerian author Chimamanda Ngozi Adichie, for which Adichie won the 2013 U.S. National Book Critics Circle Award for fiction. Americanah tells the story of a young Nigerian woman, Ifemelu, who immigrates to the United States to attend university. The novel traces Ifemelu's life in both countries, threaded by her love story with high school classmate Obinze. It was Adichie's third novel, published on May 14, 2013, by Alfred A. Knopf. A television miniseries, starring and produced by Lupita Nyong'o, was in development for HBO Max, but then was later dropped.

<span class="mw-page-title-main">Isis Nyong'o</span> Kenyan-American businesswoman

Isis Nyong’o Madison is a Kenyan-American media and technology entrepreneur. Currently the principal at strategic advisory firm Asphalt & Ink, she has also previously worked with InMobi, Google and MTV Africa. The Senior Advisor at Albright Stonebridge Group. is also the founder of Mum's Village, an online platform transforming the mother-child experience in Kenya.

Nyong'o is a surname and may refer to:

<i>Queen of Katwe</i> 2016 film by Mira Nair

Queen of Katwe is a 2016 American biographical sports drama film directed by Mira Nair and written by William Wheeler. Starring David Oyelowo, Lupita Nyong'o, and Madina Nalwanga, the film depicts the life of Phiona Mutesi, a girl living in Katwe, a slum of Kampala, the capital of Uganda. She learns to play chess and becomes a Woman Candidate Master after her victories at World Chess Olympiads.

<span class="mw-page-title-main">Kandia Crazy Horse</span> American singer-songwriter

Kandia Crazy Horse is an American country musician, rock critic and writer. She has written for The Village Voice, is the editor of Rip It Up: The Black Experience in Rock 'n' Roll, and also writes for Creative Loafing, and The Guardian. Her country music debut, Stampede, was released in 2013. Crazy Horse is based in New York.

Kathy Rosalyn O'Dell is an art historian, theorist, curator, arts advocate, author, and special assistant to the Dean for Arts Partnerships at the University of Maryland Baltimore County. She is known for art theories, especially for contextualizing violence in performance art within social contracts and psychoanalytic theories.

Eclipsed is a play written by Danai Gurira. It takes place in 2003 and tells the story of five Liberian women and their tale of survival near the end of the Second Liberian Civil War. It became the first play with an all-black and female creative cast and team to premiere on Broadway.

<span class="mw-page-title-main">Ann Pellegrini</span> Gender, sexuality and performance studies scholar

Ann Pellegrini is Professor of Performance Studies and Social and Cultural Analysis at NYU and the director of NYU's Center for the Study of Gender and Sexuality. In 1998, she founded the Sexual Cultures book series at NYU Press with José Muñoz; she now co-edits the series with Joshua Takano Chambers-Letson and Tavia Nyong'o. Her book You Can Tell Just By Looking, co-authored with Michael Bronski and Michael Amico, was a finalist for the 2014 Lambda Literary Award for Best LGBT Non-Fiction.

Lisa Duggan is Professor of Social and Cultural Analysis at New York University. Duggan was president of the American Studies Association from 2014 to 2015, presiding over the annual conference on the theme of "The Fun and the Fury: New Dialectics of Pleasure and Pain in the Post-American Century."

<span class="mw-page-title-main">Aliza Shvarts</span>

Aliza Shvarts is an artist and writer who works in performance, video, and installation. Her art and writing explore queer and feminist understandings of reproduction and duration, and use these themes to affirm abjection, failure, and "decreation". Simone Weil's idea of decreation has been described as "a mystical passage from the created to the uncreated" and "a spiritual exercise of mystical passage: across a threshold, from created to uncreated".

<span class="mw-page-title-main">Ayanna Thompson</span> Professor of English

Ayanna Thompson is Regents Professor of English at Arizona State University and Director of the Arizona Center for Medieval & Renaissance Studies (ACMRS). She was the 2018–19 president of the Shakespeare Association of America. She specializes in Renaissance drama and issues of race in performance.

Aimee Meredith Cox is an American cultural anthropologist, former dancer, and choreographer.

<span class="mw-page-title-main">Disability in horror films</span>

Horror films have frequently featured disability, dating to the genre's earliest origins in the 1930s. Various disabilities have been used in the genre to create or augment horror in audiences, which has attracted commentary from some critics and disability activists.

References

  1. 1 2 "Tavia Nyong'o | Theater and Performance Studies". theaterstudies.yale.edu. Retrieved 2020-12-25.
  2. Dagbovie, Sika Alaine (2011-03-22). "Tavia Nyong'o. The Amalgamation Waltz: Race, Performance, and the Ruses of Memory". African American Review. 44 (1–2): 317–320. doi:10.1353/afa.2011.0017. S2CID   161805360.
  3. Paulin, Diana R. (2012-03-01). "Amalgamation waltz: Race, performance, and the ruses of memory, by Tavia Nyong". Women & Performance: A Journal of Feminist Theory. 22 (1): 151–154. doi:10.1080/0740770X.2012.685400. ISSN   0740-770X. S2CID   194095457.
  4. JONES, DOUGLAS A. (2011). "Review of THE AMALGAMATION WALTZ: RACE, PERFORMANCE, AND THE RUSES OF MEMORY". Theatre Journal. 63 (1): 136–138. doi:10.1353/tj.2011.0003. ISSN   0192-2882. JSTOR   41307521. S2CID   194946360.
  5. Colbert, Soyica D. (2012-02-24). "The Scene of Harlem Cabaret: Race, Sexuality, Performance, and: The Amalgamation Waltz: Race, Performance, and the Ruses of Memory (review)". TDR: The Drama Review. 56 (1): 158–160. doi:10.1162/DRAM_r_00151. ISSN   1531-4715.
  6. Zack, Naomi (2010-06-01). "The Amalgamation Waltz: Race, Performance, and the Ruses of Memory". American Nineteenth Century History. 11 (2): 269–270. doi:10.1080/14664658.2010.481885. ISSN   1466-4658. S2CID   145226817.
  7. Byrne, Kevin (November 2011). "The Amalgamation Waltz: Race, Performance, and the Ruses of Memory. By Tavia Nyong'o. Minneapolis: University of Minnesota Press, 2009; pg. 248". Theatre Survey. 52 (2): 348–351. doi:10.1017/S0040557411000482. ISSN   1475-4533.
  8. Raimondo, Meredith (2010-01-01). "Review: The Amalgamation Waltz: Race, Performance, And The Ruses Of Memory". Contemporary Theatre Review. doi:10.1080/10486801003684290. S2CID   218547674.
  9. Colbert, Soyica D. (2012-02-13). "The Scene of Harlem Cabaret: Race, Sexuality, Performance. By Shane Vogel. Chicago: University of Chicago Press, 2009; 257 pp. $60.00 cloth, $17.00 paper. The Amalgamation Waltz: Race, Performance, and the Ruses of Memory. By Tavia Nyong'o. Minneapolis: University of Minnesota Press, 2009; 230 pp. $67.50 cloth, $17.82 paper". TDR/The Drama Review. 56 (1): 158–160. doi:10.1162/DRAM_r_00151. ISSN   1054-2043.
  10. "Errol Hill Awards". ASTR. Retrieved 2019-02-28.
  11. Nyong'o, Tavia (2008-01-03). "Kenya's Rigged Election". The Nation. Retrieved 2022-09-18.
  12. Nyong'o, Tavia (2005). "Black Theatre's Closet Drama". Theatre Journal. 57 (4): 590–92. Retrieved 2022-11-24.
  13. Cowles, Charlotte; Holmes, Sally (2013-10-18). "A Primer: Lupita Nyong'o, Gorgeous Rising Star". The Cut. New York Magazine. Retrieved 2020-12-25.