The Teatro Alfieri was a major theatre and opera house in 18th and 19th century Florence, located at Via dell'Ulivo #6 corner Via Pietrapiana in the Florence, region of Tuscany, Italy.
The Teatro Alfieri was a major theatre and opera house in 18th and 19th century Florence, located at Via dell'Ulivo #6 corner Via Pietrapiana in the Florence, region of Tuscany, Italy.
It was constructed originally in 1740 by members of the Accademia dei Risoluti. At that time it was known as the Teatro di Santa Maria (the name of a nearby street) or the Teatro Risoluti. The theatre underwent extensive reconstruction and enlargement in 1828, supervised by the architect Vittorio Bellini (1798 - 1860). [1] It re-opened as the Teatro Alfieri, named in honour of the playwright Vittorio Alfieri.
In its heyday, the theatre interior decorations were elaborate, was used for both prose drama and operas. In the late 19th century and early 20th centuries, it also became known as a performance venue for plays written in the Florentine dialect. The theatre was demolished in 1928 when the Fascist government of Florence re-developed the Santa Croce district. [2]
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Scanderbeg is an opera in three acts composed by Antonio Vivaldi to an Italian libretto by Antonio Salvi. It was first performed at the Teatro della Pergola in Florence on 22 June 1718 to mark the re-opening of the theatre to public performances. While the libretto has been preserved, only fragments of the original score remain.
Carlo Baucardé or Boucardé (1825–1883) was an Italian operatic tenor who sang leading roles throughout Italy, as well as in London, Madrid, Paris, and New York. He is most remembered today for creating the role of Manrico in Verdi's opera Il trovatore and the title role in Donizetti's Poliuto.
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Erminia Frezzolini was an Italian operatic soprano. She excelled in the coloratura soprano repertoire, drawing particular acclaim in the bel canto operas of Gaetano Donizetti and Vincenzo Bellini. She was married to tenor Antonio Poggi from 1841 to 1846.
Antonio Poggi was an Italian operatic tenor who had an active international career from 1827–1848. He is best remembered for creating roles in the world premieres of operas by Gaetano Donizetti and Giuseppe Verdi. He was married to soprano Erminia Frezzolini from 1841–1846.
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Luigi Maria Viviani was an Italian composer, conductor and violinist of Florentine origin. He was primarily noted for his ballet scores, most of them composed for the choreographers Giovanni Galzerani and Antonio Cortesi. His 1851 score for Fausto was particularly praised for its obbligato written for the bimbonclaro.
Reno Andreini was an Italian operatic tenor who had an active international career from 1902 to 1924. A specialist in the Italian repertoire, he was frequently heard in the bel canto operas of Bellini, Donizetti, and Rossini, and in the verismo operas of Leoncavallo, Mascagni, and Puccini. He was notably the first singer to make a complete recording of the role of Rodolfo in Puccini's La boheme in 1917. He also recorded duets from La traviata with Maria Galvany and one duet from Massenet's Manon with Riccardo Tegani with the Gramophone Company.
Vincenzo Galli was an Italian opera singer and impresario. Considered an outstanding basso buffo singer, he created many roles on Italian stages, including in two of Donizetti's operas: Ivano in Otto mesi in due ore and Cesare Salzapariglia in Le convenienze ed inconvenienze teatrali. Luigi Ricci composed the role of Michelotto in his opera Chiara di Rosembergh specifically for Galli's voice.
The following is a timeline of the history of the city of Florence, Tuscany, Italy.
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Niccolò "Nicola" Matas was an Italian architect and professor. He is best known for being the architect of the 19th century Gothic Revival façade of the Basilica of Santa Croce in Florence, Italy. Matas was a professor at the Academy of Fine Arts, Florence. He is one of the important architects in the history of the city of Florence.
43°46′16″N11°15′46″E / 43.7712°N 11.2629°E
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