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| Ted Seko | |
|---|---|
| Born | Ted Seko |
| Nationality | American |
| Area(s) | Writer Penciller Inker |
Notable works | Monster Monolith Fusionman The Devil Has A Funny Laugh Giants Rising Manga Muerto (co-creator) |
Ted Seko is an independent American comic-book artist best known for making imaginative comics with B-Movie-like storylines. His works are known for their fast-paced action without narration overpowering or convoluting the story. [1] Seko has received great acclaim for having a unique style that is unequaled to most comic-books written within his genre. [2] He is currently working with creator Javier Hernandez on their shared imprint, Xomix Comix. [3] [4]
Alternative comics cover a range of American comics that have appeared since the 1980s, following the underground comix movement of the late 1960s and early 1970s. Alternative comics present an alternative to mainstream superhero comics which in the past have dominated the American comic book industry. Alternative comic books span a wide range of genres, artistic styles, and subjects.

Javier Hernandez is an American artist, comic book creator, and radio host from Whittier, California. Perhaps best known for creating the popular series, El Muerto: The Aztec Zombie, the majority of his works are published through his privately owned imprint, Los Comex.
Comic books aside, Seko also works as a story-board artist for Nickelodeon's under-sea cartoon, SpongeBob SquarePants . [5]
SpongeBob SquarePants is an American animated television series created by marine science educator and animator Stephen Hillenburg for Nickelodeon. The series chronicles the adventures and endeavors of the title character and his various friends in the fictional underwater city of Bikini Bottom. The series' popularity has made it a media franchise, as well as the highest rated series to ever air on Nickelodeon, and the most distributed property of MTV Networks. As of late 2017, the media franchise has generated $13 billion in merchandising revenue for Nickelodeon.
| Year | Title | Role | Notes |
|---|---|---|---|
| 1997-1999 | Hey Arnold! | storyboard artist | |
| 2002–present | SpongeBob SquarePants | storyboard artist | |
| 2005 | Family Guy | storyboard revisionist | Episode: "Brian the Bachelor" Episode: "Fast Times at Buddy Cianci Jr. High" |
| 2015 | Pig Goat Banana Cricket | storyboard revisionist | 3 episodes |
| Year | Title | Notes |
|---|---|---|
| 2002 | Hey Arnold!: The Movie | storyboard artist |
| 2004 | The SpongeBob SquarePants Movie | storyboard revisionist |
| 2005 | Stewie Griffin: The Untold Story | storyboard revisionist |
| 2015 | The SpongeBob Movie: Sponge Out of Water | character layout artist |
Underground comix are small press or self-published comic books which are often socially relevant or satirical in nature. They differ from mainstream comics in depicting content forbidden to mainstream publications by the Comics Code Authority, including explicit drug use, sexuality, and violence. They were most popular in the United States between 1968 and 1975, and in the United Kingdom between 1973 and 1974.
Melinda Gebbie is an American comics artist and writer, known for her participation in the underground comix movement. She is also known for creating the controversial work Fresca Zizis and her contributions to Wimmen's Comix, as well as her work with her husband Alan Moore on the three-volume graphic novel Lost Girls and the Tomorrow Stories anthology series.
American Splendor is a series of autobiographical comic books written by Harvey Pekar and drawn by a variety of artists. The first issue was published in 1976 and the most recent in September 2008, with publication occurring at irregular intervals. Publishers have been, at various times, Harvey Pekar himself, Dark Horse Comics, and DC Comics.
A minicomic is a creator-published comic book, often photocopied and stapled or with a handmade binding. In the United Kingdom and Europe the term small press comic is equivalent with minicomic, reserved for those publications measuring A6 or less.
Furrlough is a furry comic book originally published by Antarctic Press and continued by Radio Comix. It is edited by Elin Winkler and is nicknamed (dubbed) "Your Funny Animal Anthology".
Paul Mavrides is an American artist, best known for his critique-laden comics, cartoons, paintings, graphics, performances and writings that encompass a disturbing yet humorous catalog of the social ills and shortcomings of human civilization. Mavrides worked with underground comix pioneer Gilbert Shelton on The Fabulous Furry Freak Brothers from 1978– 1992.

Kitchen Sink Press was a comic book publishing company founded by Denis Kitchen in 1970. Kitchen Sink Press was a pioneering publisher of underground comics, and was also responsible for numerous republications of classic comic strips in hardcover and softcover volumes. One of their best-known products was the first full reprint of Will Eisner's The Spirit—first in magazine format, then in standard comic book format. The company closed in 1999.
Tom Veitch is an American writer known for this work in the comic book industry. He is also a novelist and a poet.
Trina Robbins is an American cartoonist. She was an early and influential participant in the underground comix movement, and one of the first few female artists in that movement. Both as a cartoonist and historian, Robbins has long been involved in creating outlets for and promoting female comics artists. In the 1980s, Robbins became the first woman to draw Wonder Woman comics. She is a member of the Will Eisner Hall of Fame.
Bobby London is an American underground comix and mainstream comics artist. His style evokes the work of early American cartoonists like George Herriman and Elzie Crisler Segar.

Dave Sheridan was an American cartoonist and underground comix artist. He was the creator of Dealer McDope and Tales from the Leather Nun and collaborated with Gilbert Shelton and Paul Mavrides on The Fabulous Furry Freak Brothers.
Richard Eugene "Grass" Green was an African American cartoonist notable for being the first black participant in both the 1960s fan art movement and the 1970s underground comics movement. In the 1960s, Green's Harvey Kurtzman-like zany, action-packed, humorous comics parodies appeared in numerous fanzines. His "outrageous" 1970s and 1980s underground work used searing humor to expose America's racism and bigotry.
Lawrence Welz, better known as Larry Welz, is an American cartoonist, who created Cherry Poptart. He was an early contributor to the underground comix movement in the San Francisco area during the late 1960s and early 1970s.
Roger Brand was an American cartoonist who created stories for both mainstream and underground comic books. His work showed a fascination with horror and eroticism, often combining the two.
Although traditionally female comics artists have long been a minority in the industry, they have made notable impact since its very beginning, and more and more female artists gain recognition, along with the maturing of the medium.
It Ain't Me Babe Comix is a one-shot underground comic book published in 1970. It is the first comic book produced entirely by women. It was co-produced by Trina Robbins and Barbara "Willy" Mendes, and published by Last Gasp. Robbins and other staff members from a feminist newspaper in Berkeley, California, also called It Ain't Me, Babe, contributed. Many of the creators from the It Ain't Me Babe comic went on to contribute to the long-running series Wimmen's Comix.
William "Willy" Murphy (1936–1976) was an American underground cartoonist and editor. Murphy's humor focused on hippies and the counterculture. His signature character was Arnold Peck the Human Wreck, "a mid-30s beanpole with wry observations about his own life and the community around him." Murphy's solo title was called Flamed-Out Funnies; in addition, he contributed to such seminal underground anthologies as Arcade, Bijou Funnies, and San Francisco Comic Book, as well as the National Lampoon.
Zavier Leslie Cabarga, popularly known as Leslie Cabarga, is an American author, illustrator, cartoonist, animator, font designer, and publication designer. A participant in the underground comix movement in the early 1970s, he has since gone on to write and/or edit over 40 books. His art style evokes images from the 1920s and 1930s, and over the years Cabarga has created many products associated with Betty Boop. His book The Fleischer Story in the Golden Age of Animation, originally published in 1976, has become the authoritative history of the Fleischer Studios.
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