Georg Philipp Telemann was a German Baroque composer and multi-instrumentalist. He is one of the most prolific composers in history, at least in terms of surviving oeuvre. Telemann was considered by his contemporaries to be one of the leading German composers of the time, and he was compared favourably both to his friend Johann Sebastian Bach, who made Telemann the godfather and namesake of his son Carl Philipp Emanuel, and to George Frideric Handel, whom Telemann also knew personally.
Carl Philipp Emanuel Bach, also formerly spelled Karl Philipp Emmanuel Bach, and commonly abbreviated C. P. E. Bach, was a German Classical period composer and musician, the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach.
Hamburger Admiralitätsmusik TWV 24:1 is a secular oratorio for soloists, choir and orchestra composed by Georg Philipp Telemann to celebrate the 100th anniversary of Hamburg's admiralty. It was first performed on April 6, 1723, along with Telemann's Wassermusik at a banquet for the city's merchants, sea captains, and councillors that lasted until dawn. The work is on a nautical theme and set to verses by Michael Richey, a professor at the Johanneum school in Hamburg where Telemann also taught.
Between 1716 and 1767, Georg Philipp Telemann wrote a series of Passions, musical compositions reflecting on Christ's Passion – the physical, spiritual and mental suffering of Jesus from the hours prior to his trial through to his crucifixion. The works were written for performance in German churches in the days before Easter. A prolific composer, Telemann wrote over 40 Passions for the churches of Hamburg alone, of which 22 have survived according to the present state of research. He also wrote several Passion oratorios. Unlike the Passions intended for liturgical performance, they were not closely set to the literal text of the Gospels.
The Hamburgische Kapitänsmusik refers to a body of compositions by Georg Philipp Telemann. They comprise sacred oratorios and secular serenades. However, the oratorios were intended to be performed in a secular setting, the Hamburg Drillhaus, and their characters are almost exclusively allegorical. The Kapitänsmusik was written for the annual banquet of the Hamburg militia captains. The works span the period from 1723 to 1766, although many of the manuscripts have now been lost, and in several of those years no banquet was held. Although Telemann’s grandson Georg Michael Telemann inherited many autographs and manuscript copies of Telemann’s vocal works, the rest of his musical estate, including the Kapitänsmusik, was sold at an auction in Hamburg on September 6, 1769. Much of that material has since disappeared, and the auction catalogue has not survived. Of the 36 Kapitänsmusiken that Telemann wrote, only 10 oratorios plus a few separate pieces are extant today.
Georg Michael Telemann was a German composer and theologian.
The Hamburger Ratsmusik was the name, in German, for the Hamburg city government musical establishment of Hamburg during the baroque period. Ratsmusik was a generic term to distinguish from Hausmusik, domestic music making, during the Hanseatic period.
Don Quichotte auf der Hochzeit des Comacho, TVWV 21:32, is a one-act comic serenata by Georg Philipp Telemann. The libretto by the student poet Daniel Schiebeler is based on chapter 20 of volume 2 of Cervantes's novel Don Quixote. The opera premiered on 5 November 1761 in Hamburg. When first performed, it was given the title: Don Quichotte auf der Hochzeit des Comacho; later it was also known as Don Quixote der Löwenritter.
Gensericus oder Sieg der Schönheit TVWV 21:10 is a comic German-language opera in three acts by Georg Philipp Telemann. It was performed at the Oper am Gänsemarkt, while Keiser was director. Unlike Orpheus and Flavius Bertaridus, the opera contains no Italian-language set piece arias. The librettist was Christian Heinrich Postel.
The Brockes Passion, or Der für die Sünde der Welt gemarterte und sterbende Jesus, is a German oratorio libretto by Barthold Heinrich Brockes, first published in 1712 and going through 30 or so editions in the next 15 years.
The Paris quartets is a collective designation for two sets of Chamber music compositions, each consisting of six works for flute, violin, viola da gamba, and continuo, by Georg Philipp Telemann, first published in 1730 and 1738, respectively. Telemann called his two collections Quadri and Nouveaux Quatuors. The collective designation "Paris quartets" was only first bestowed upon them in the second half of the twentieth century by the editors of the Telemann Musikalische Werke, because of their association with Telemann's celebrity visit to Paris in 1737–38. They bear the numbers 43:D1, 43:D3, 43:e1, 43:e4, 43:G1, 43:G4, 43:g1, 43:A1, 43:A3, 43:a2, 43:h1, 43:h2 in the TWV.
Water Music, TWV 55:C3, is the common name of an orchestral suite by the German Baroque composer Georg Philipp Telemann, with the full title Hamburger Ebb' und Fluth.
The Telemann-Werke-Verzeichnis, abbreviated TWV, is the numbering system identifying compositions by Georg Philipp Telemann, published by musicologist Martin Ruhnke.
Georg Philipp Telemann's collection of Twelve Fantasias for Viola da Gamba Solo, TWV 40:26–37, was published in Hamburg in 1735, titled Fantaisies pour la Basse de Violle. The fantasias for viola da gamba were considered lost until an original print was found in a private collection in 2015. They were published by Edition Güntersberg in 2016, and first recorded and performed again by Thomas Fritzsch the same year.
Daniel Schiebeler was a German writer, poet, librettist and Protestant hymnwriter. He wrote librettos for operas and oratorios, set by composers such as Georg Philipp Telemann, Johann Adam Hiller and Carl Philipp Emanuel Bach.
The Composers Quarter Hamburg is a gathering of six museums in the Peterstraße in Hamburg-Neustadt, Germany. The associated museums have one or two classical composers as a theme who were born or have lived in the city of Hamburg.
The Carl Philipp Emanuel Bach Museum, also called the CPE Bach-Museum, is a museum in the Composers Quarter in Hamburg-Neustadt, Germany. It gives an impression of the work and life of the classical composer Carl Philipp Emanuel Bach. The museum was inaugurated on 18 March 2015 and is accessible for wheelchair users.
Gustav Fock was a German music historian, editor early music and organologist. He is considered the most important Schnitger researcher of his time.
The Oper am Brühl was the first opera house in Leipzig. It existed from 1693 to 1720 and was the second municipal music theatre in Germany, after the Oper am Gänsemarkt in Hamburg. It was initiated by Nicolaus Adam Strungk who saw a potential audience during the three annual trade fairs in Leipzig. An opera house was built, and opened on 8 May 1693. The house flourished when Georg Philipp Telemann directed the opera from 1703 to 1705. Among his operas for the house is Germanicus, premiered in 1704. A collection of 100 excerpts from the operas, Musicalische Rüstkammer, has been explored for background. The building was found in a dangerous state in 1719, was closed in 1720 and demolished in 1729.
