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In European academic traditions, fine art is made primarily for aesthetics or creative expression, distinguishing it from popular art, decorative art or applied art, which also either serve some practical function or is generally of limited artistic quality in order to appeal to the masses. In the aesthetic theories developed in the Italian Renaissance, the highest art was that which allowed the full expression and display of the artist's imagination, unrestricted by any of the practical considerations involved in, say, making and decorating a teapot. It was also considered important that making the artwork did not involve dividing the work between different individuals with specialized skills, as might be necessary with a piece of furniture, for example. Even within the fine arts, there was a hierarchy of genres based on the amount of creative imagination required, with history painting placed higher than still life.
John Walker is an English painter and printmaker. He has been called "one of the standout abstract painters of the last 50 years."
San Francisco Art Institute (SFAI) was a private college of contemporary art in San Francisco, California. Founded in 1871, SFAI was one of the oldest art schools in the United States and the oldest west of the Mississippi River. Approximately 220 undergraduates and 112 graduate students were enrolled in 2021. The institution was accredited by the Western Association of Schools and Colleges (WASC) and the National Association of Schools of Art and Design (NASAD), and was a member of the Association of Independent Colleges of Art and Design (AICAD). The school closed permanently in July 2022.
Chelsea College of Arts is a constituent college of the University of the Arts London, a public art and design university in London, England.
The Minneapolis College of Art and Design (MCAD) is a private college specializing in the visual arts and located in Minneapolis, Minnesota. MCAD currently enrolls approximately 800 students. MCAD is one of just a few major art schools to offer a major in comic art.
Wolf Kahn was a German-born American painter.
John Marin was an early American modernist artist. He is known for his abstract landscapes and watercolors.
Richard Howard Hunt was an American sculptor. In the second half of the 20th century, he became "the foremost African-American abstract sculptor and artist of public sculpture." Hunt, the descendant of enslaved people brought from West Africa through the Port of Savannah, studied at the School of the Art Institute of Chicago in the 1950s. While there he received multiple prizes for his work. In 1971, he was the first African-American sculptor to have a retrospective at Museum of Modern Art. Hunt has created over 160 public sculpture commissions, more than any other sculptor in prominent locations in 24 states across the United States.
Wendell Castle was an American sculptor and furniture maker and an important figure in late 20th century American craft. He has been referred to as the "father of the art furniture movement" and included in the "Big 4" of modern woodworking with Wharton Esherick, George Nakashima, and Sam Maloof.
Nathan Oliveira was an American painter, printmaker, and sculptor, born in Oakland, California to immigrant Portuguese parents. Since the late 1950s, Oliveira has been the subject of nearly one hundred solo exhibitions, in addition to having been included in hundreds of group exhibitions in important museums and galleries worldwide. He taught studio art for several decades in California, beginning in the early 1950s, when he taught at the California College of Arts and Crafts in Oakland. After serving as a Visiting Artist at several universities, he became a Professor of Studio Art at Stanford University.
Jack Hamilton Bush was a Canadian abstract painter. A member of Painters Eleven, his paintings are associated with the Color Field movement and Post-painterly Abstraction. Inspired by Henri Matisse and American abstract expressionist painters such as Helen Frankenthaler and Morris Louis, Bush encapsulated joyful yet emotional feelings in his vibrant paintings, comparing them to jazz music. Clement Greenberg described him as a "supreme colorist", along with Kenneth Noland in 1984. Bush explained that capturing the feeling of a subject rather than its likeness was
a hard step for the art loving public to take, not to have the red look like a side of a barn but to let it be the red for its own sake and how it exists in the environment of that canvas.
Patrick McCay is an Irish-born, Scottish/American painter currently residing in the U.S. state of New Hampshire. He is currently Chair of the Visual Arts Department at the New Hampshire Institute of Art.
Emerson Seville Woelffer, was an American artist and arts educator. He was known as a prominent abstract expressionist artist and painter and taught art at some of the most prestigious colleges and universities. Woelffer was one of the important people in bringing modernism to Los Angeles, when he taught at Chouinard Art Institute.
Mildred Jean Thompson was an American artist who worked in painting, drawing, printmaking, sculpture and photography. Critics have related her art to West African textiles and Islamic architecture; they have also cited German Expressionism, music and Thompson's readings in astronomy, spiritualism and metaphysics as important artistic influences. She also wrote and was an associate editor for the magazine Art Papers.
Karl Stanley Benjamin was an American painter of vibrant geometric abstractions, who rose to fame in 1959 as one of four Los Angeles–based Abstract Classicists and subsequently produced a critically acclaimed body of work that explores a vast array of color relationships. Working quietly at his home in Claremont, California, he developed a rich vocabulary of colors and hard-edge shapes in masterful compositions of tightly balanced repose or high-spirited energy. At once intuitive and systematic, the artist was, in the words of critic Christopher Knight, "a colorist of great wit and inventiveness."
Ray K. Metzker was an American photographer known chiefly for his stark, experimental Black and White cityscapes and for his large assemblages of printed film strips and single frames, known as Composites.
Balcomb Greene (1904–1990) was an American artist and teacher. He and his wife, artist Gertrude Glass Greene, were heavily involved in political activism to promote mainstream acceptance of abstract art and were founding members of the American Abstract Artists organization. His early style was completely non-objective. Juan Gris and Piet Mondrian as well as Pablo Picasso and Henri Matisse influenced his early style. From the 1940s his work "opened out to the light and space of natural form." He painted landscapes and figure. "He discerned the pain of a man, and hewed to it integrally from beginning to end…. In his study of the figure he did not stress anatomical shape but rather its intuitive, often conflicting spirit."
Walter Kuhlman (1918–2009) was a 20th-century American painter and printmaker. In the late 1940s and 1950s, he was a core member of the San Francisco School of Abstract Expressionism. He later worked in a representational style related to American Figurative Expressionism.
Jack Roth (1927–2004), also known as "Rodney Jack Roth", was an American painter who developed a style as an Abstract Expressionist, and as a Color Field painter.
Abbott Lawrence Pattison was an American sculptor and abstract artist.