Terzanelle

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A terzanelle is a poetic form combining aspects of the villanelle and the terza rima. [1] [2] It is nineteen lines total, with five triplets and a concluding quatrain. The middle line of each triplet stanza is repeated as the third line of the following stanza, and the first and third lines of the initial stanza are the second and final lines of the concluding quatrain; thus, seven of the lines are repeated in the poem. The rhyme scheme and stanzaic structure are as follows (a capitalized letter indicates a line repeated verbatim):

Poetry form of literature

Poetry is a form of literature that uses aesthetic and rhythmic qualities of language—such as phonaesthetics, sound symbolism, and metre—to evoke meanings in addition to, or in place of, the prosaic ostensible meaning.

Villanelle fixed verse form; nineteen-line poetic form consisting of five tercets followed by a quatrain

A villanelle is a nineteen-line poetic form consisting of five tercets followed by a quatrain. There are two refrains and two repeating rhymes, with the first and third line of the first tercet repeated alternately until the last stanza, which includes both repeated lines. The villanelle is an example of a fixed verse form. The word derives from Latin, then Italian, and is related to the initial subject of the form being the pastoral.

Terza rima is a rhyming verse stanza form that consists of an interlocking three-line rhyme scheme. It was first used by the Italian poet Dante Alighieri.

A1BA2
bCB
cDC
dED
eFE
fA1FA2

Or, for the alternate (couplet) ending, the final stanza is:

fFA1A2

Notable examples

Lewis Turco Poet, writer, teacher

Lewis P. Turco, is an American poet, teacher, and writer of fiction and non-fiction. Turco is an advocate for Formalist poetry in the United States.

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In poetry, metre (British) or meter is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody.

The pantoum is a poetic form derived from the pantun, a Malay verse form: specifically from the pantun berkait, a series of interwoven quatrains.

In poetry, a stanza is a grouped set of lines within a poem, usually set off from other stanzas by a blank line or indentation. Stanzas can have regular rhyme and metrical schemes, though stanzas are not strictly required to have either. Even though the term "stanza" is taken from Italian, in the Italian language the word "strofa" is more commonly used. There are many unique forms of stanzas. Some stanzaic forms are simple, such as four-line quatrains. Other forms are more complex, such as the Spenserian stanza. Fixed verse poems, such as sestinas, can be defined by the number and form of their stanzas. The term stanza is similar to strophe, though strophe sometimes refers to irregular set of lines, as opposed to regular, rhymed stanzas.

A sestina is a fixed verse form consisting of six stanzas of six lines each, normally followed by a three-line envoi. The words that end each line of the first stanza are used as line endings in each of the following stanzas, rotated in a set pattern.

A tercet is composed of three lines of poetry, forming a stanza or a complete poem.

A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other.

Rubaʿi

Rubāʿī is the term for a quatrain, a poem or a verse of a poem consisting of four lines. It refers specifically to a form of Persian poetry, or its derivative form in English and other languages

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Iambic pentameter is a type of metric line used in traditional English poetry and verse drama. The term describes the rhythm, or meter, established by the words in that line; rhythm is measured in small groups of syllables called "feet". "Iambic" refers to the type of foot used, here the iamb, which in English indicates an unstressed syllable followed by a stressed syllable. "Pentameter" indicates a line of five "feet".

A rondeau is a form of medieval and Renaissance French poetry, as well as the corresponding musical chanson form. Together with the ballade and the virelai it was considered one of the three formes fixes, and one of the verse forms in France most commonly set to music between the late 13th and the 15th centuries. It is structured around a fixed pattern of repetition of material involving a refrain. The rondeau is believed to have originated in dance songs involving alternating singing of the refrain elements by a group and of the other lines by a soloist. The term "Rondeau" is today used both in a wider sense, covering several older variants of the form – which are sometimes distinguished as the triolet and rondel – and in a narrower sense referring to a 15-line variant which developed from these forms in the 15th and 16th centuries. The rondeau is unrelated with the much later instrumental dance form that shares the same name in French baroque music, which is an instance of what is more commonly called the rondo form in classical music.

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A rondel is a verse form originating in French lyrical poetry of the 14th century. It was later used in the verse of other languages as well, such as English and Romanian. It is a variation of the rondeau consisting of two quatrains followed by a quintet or a sestet. It is not to be confused with the roundel, a similar verse form with repeating refrain.

The following outline is provided as an overview of and introduction to poetry:

Sonnet 125 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a member of the Fair Youth sequence, in which the poet expresses his love towards a young man.

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Decasyllabic quatrain is a term used for a poetic form in which each stanza consists of four lines of ten syllables each, usually with a rhyme scheme of AABB or ABAB. Examples of the decasyllabic quatrain in heroic couplets appear in some of the earliest texts in the English language, as Geoffrey Chaucer created the heroic couplet and used it in The Canterbury Tales. The alternating form came to prominence in late 16th-Century English poetry and became fashionable in the 17th Century when it appeared in heroic poems by William Davenant and John Dryden. In the 18th Century famous poets such as Thomas Gray continued to use the form in works such as "Elegy Written in a Country Churchyard". Shakespearean Sonnets, comprising 3 quatrains of iambic pentameter followed by a final couplet, as well as later poems in blank verse have displayed the various uses of the decasyllabic quatrain throughout the history of English Poetry.

Blood and the Moon

Blood and the Moon is a poem by Irish poet William Butler Yeats written in 1928 and published in the collection The Winding Stair in 1929 before being reprinted in The Winding Stair and Other Poems in 1933. Yeats composed the poem in response to the 1927 assassination of Kevin O'Higgins, the Vice-President of the Free State, whom Yeats had known personally. The poem contains many themes common in Yeats's poems from the 1920s including the "tower", a reference to Thoor Ballylee, which had been the title of a collection of works printed the year before "Blood and the Moon" was published, as well as the "gyre" which had been a major focus of his 1920 poem "The Second Coming".

Traum durch die Dämmerung poem by Otto Julius Bierbaum

"Traum durch die Dämmerung", is both a German poem by Otto Julius Bierbaum and a Lied by Richard Strauss, his Op. 29/1. The opening line is "Weite Wiesen im Dämmergrau". It is the first of three songs by Strauss based on love poems by Bierbaum, composed and published in Munich in 1895, and dedicated to Eugen Gura. The works were scored for medium voice and piano, and published by Universal Edition as 3 Lieder mit Klavierbegleitung, later with English versions and orchestral arrangements.

References

  1. Drury, John (2006). The poetry dictionary. Writer's Digest. p. 148. ISBN   978-1-58297-329-6.
  2. Eliopulos, Tina D.; Moffett, Todd Scott (2005). The Everything Writing Poetry Book: A Practical Guide To Style, Structure, Form, And Expression. Everything. p. 119. ISBN   978-1-59337-322-1.