 | A major contributor to this article appears to have a close connection with its subject.(May 2017) |
Tess Girard is a Canadian filmmaker and cinematographer.
| A major contributor to this article appears to have a close connection with its subject.(May 2017) |
Tess Girard is a Canadian filmmaker and cinematographer.
She is best known for her documentary A Simple Rhythm [1] a documentary exploring rhythm from the perspective of mathematics, music, biology, philosophy, and psychology, which included interviews with Charles Spearin (of Broken Social Scene, Do Make Say Think, The Happiness Project), and mathematician Steven Strogatz. The film played at the 2011 Hot Docs Canadian International Documentary Festival, [2] Vancouver International Film Festival 2010, [3] 2011 Rencontres internationales du documentaire de Montréal [4] and 2011 Buenos Aires International Festival of Independent Cinema. The outtakes of A Simple Rhythm were edited into the radio documentary The Heart of the Beat [5] for CBC's Ideas and included additional material with science writer Philip Ball.
Girard's other works include The Road to Webequie (co-directed with Ryan J Noth) which played at the 2016 Toronto International Film Festival [6] and was nominated for an Academy of Canadian Cinema and Television Award for Best Short Documentary at the 5th Canadian Screen Awards. [7] She is also known for her works Canada The Good? (Hot Docs 2016), [8] Old Growth (Toronto International Film Festival 2012, [9] Canada's Top Ten 2012 [10] ) and Benediction (Toronto International Film Festival 2012). [11]
Girard is currently making a feature film with the National Film Board of Canada called As The Crow Flies. [12] [13]
The Toronto International Film Festival is one of the largest publicly attended film festivals in the world, attracting over 480,000 people annually. Since its founding in 1976, TIFF has grown to become a permanent destination for film culture operating out of the TIFF Bell Lightbox, located in Downtown Toronto. TIFF's mission is "to transform the way people see the world through film".
Alanis Obomsawin, is an Abenaki American Canadian filmmaker, singer, artist, and activist primarily known for her documentary films. Born in New Hampshire, United States and raised primarily in Quebec, Canada, she has written and directed many National Film Board of Canada documentaries on First Nations issues. Obomsawin is a member of Film Fatales independent women filmmakers.
Ingrid Veninger is a Canadian actress, writer, director, producer, and film professor at York University. Veninger began her career in show business as a child actor in commercials and on television; as a teen, she was featured in the CBC series Airwaves (1986–1987) and the CBS series Friday the 13th: The Series (1987–1990). In the 1990s, she branched out into producing, and, in 2003, she founded her own production company, pUNK Films, through which she began to work on her own projects as a writer and director.
Michelle Latimer is a Canadian actress, director, writer, and filmmaker. She initially rose to prominence for her role as Trish Simkin on the television series Paradise Falls, shown nationally in Canada on Showcase Television (2001–2004). Since the early 2010s, she has directed several documentaries, including her feature film directorial debut, Alias (2013), and the Viceland series, Rise, which focuses on the 2016 Dakota Access Pipeline protests; the latter won a Canadian Screen Award at the 6th annual ceremony in 2018.
Charles Officer is a Jamaican-Canadian writer, actor, director and former professional hockey player.
Alan Zweig is a Canadian documentary filmmaker known for often using film to explore his own life.
Bear 71 is a 20-minute 2012 interactive National Film Board of Canada (NFB) web documentary by Leanne Allison and Jeremy Mendes about a female grizzly bear in Banff National Park named Bear 71, who had a tracking collar implanted at the age of three and was watched via trail cameras in the park from 2001 to 2009. The documentary follows the bear, exploring the connections between the human and animal world, and the far-ranging effects that human settlements, roads and railways have on wildlife.
Ora is a 2011 experimental 3D dance film filmed thermographically, capturing images of the dancers using only their body heat. The 15-minute short film was directed by Philippe Baylaucq as part of his two-year residency at the National Film Board of Canada (NFB) in Montreal. Ora was choreographed by José Navas, who had previously worked with Baylaucq on the NFB experimental dance film, Lodela.
Stories We Tell is a 2012 Canadian documentary film written and directed by Sarah Polley and produced by the National Film Board of Canada (NFB). The film explores her family's secrets—including one intimately related to Polley's own identity. Stories We Tell premiered August 29, 2012 at the 69th Venice International Film Festival, then played at the 39th Telluride Film Festival and the 37th Toronto International Film Festival. In 2015, it was added to the Toronto International Film Festival's list of the top 10 Canadian films of all time, at number 10. It was also named the 70th greatest film since 2000 in a 2016 critics' poll by BBC.
Ryan Mullins is a Canadian film director, cinematographer and editor. He is part of the Montreal-based Canadian film production company, EyeSteelFilm. His directing credits include the documentary short Volta, and the feature documentary The Frog Princes. The film won a Golden Sheaf at the 2012 Yorkton Film Festival, and was also awarded the NFB Kathleen Shannon Award for a documentary film that "allows people outside the dominant culture to speak for themselves". At the 2015 Hot Docs film festival in Toronto, Mullins won the Emerging Canadian Filmmaker Award for Chameleon.
The Boxing Girls of Kabul is a 2012 Canadian documentary film directed by Ariel Nasr. The film follows young women boxers and their coach Sabir Sharifi at Afghanistan’s female boxing academy, as these athletes face harassment and threats in their efforts to represent their country in international competition and attempt to qualify for the 2012 Olympic Games.
Larry Weinstein is a Canadian film director of theatrical and television documentaries, performance films, and dramas. The majority of his films centre on musical subjects and the depiction of the creative process, while his other subjects range from the horrors of war to the pleasures of football.
Angry Inuk is a 2016 Canadian Inuit-themed feature-length documentary film written and directed by Alethea Arnaquq-Baril that defends the Inuit seal hunt, as the hunt is a vital means for Inuit to sustain themselves. Subjects in Angry Inuk include Arnaquq-Baril herself as well as Aaju Peter, an Inuit seal hunt advocate, lawyer and seal fur clothing designer who depends on the sealskins for her livelihood. Partially shot in the filmmaker's home community of Iqaluit, as well as Kimmirut and Pangnirtung, where seal hunting is essential for survival, the film follows Peter and other Inuit to Europe in an effort to have the EU Ban on Seal Products overturned. The film also criticizes NGOs such as Greenpeace and the International Fund for Animal Welfare for ignoring the needs of vulnerable northern communities who depend on hunt for their livelihoods by drawing a false distinction between subsistence-driven Inuit hunters and profit-driven commercial hunters.
Ed Barreveld is a Canadian documentary film producer based in Toronto who co-founded Storyline Entertainment in 2000 with Daniel Sekulich and Michael Kot. Since 2004 he has been the company's sole principal.
Tasha Hubbard is a Canadian First Nations/Cree filmmaker and educator based in Saskatoon, Saskatchewan. Hubbard's credits include three National Film Board of Canada documentaries exploring Indigenous rights in Canada: Two Worlds Colliding, a 2004 Canada Award-winning short film about the Saskatoon freezing deaths, Birth of a Family, a 2017 feature-length documentary about four siblings separated during Canada's Sixties Scoop, and nîpawistamâsowin: We Will Stand Up, a 2019 Hot Docs and DOXA Documentary award-winning documentary which examines the death of Colten Boushie, a young Cree man, and the subsequent trial and acquittal of the man who shot him.
The Weatherman and the Shadowboxer is a 2014 Canadian short film directed by Randall Okita. Mixing live action with animation, the film depicts two brothers whose shared childhood traumas have led them in very different directions as adults: one, the "weatherman", has become a cautious, careful man who tries to protect himself by obsessively predicting the future, while the other, the "shadowboxer", has become an aggressive, violent man who is constantly fighting the past.
Unarmed Verses is a Canadian documentary film, directed by Charles Officer and released in 2017. The film centres on the predominantly Black Canadian former residents of Villaways, a Toronto Community Housing project which is undergoing demolition and revitalization.
The Road to Webequie is a Canadian short documentary film, directed by Tess Girard and Ryan Noth and released in 2016. The film profiles the Webequie First Nation, a remote Nishnawbe Aski community in Northern Ontario, and the potential impacts both positive and negative of the Ontario provincial government's plan to build the community's first all-weather road access as part of the Northern Ontario Ring of Fire mining development.
Aisling Chin-Yee is a Canadian film director, writer, and producer, who works primarily in Montreal and Los Angeles. In addition to her work as a producer, Chin-Yee directed the films The Rest of Us (2019) and No Ordinary Man (2020).
Ngardy Conteh George is a Sierra Leonean-Canadian award-winning film director, film editor, film producer.