Author | John P. Marquand |
---|---|
Country | United States |
Language | English |
Series | Mr Moto |
Genre | Spy, Adventure novel |
Publisher | Little Brown & Co |
Publication date | 1936 |
Media type | |
Pages | 278 |
Preceded by | Your Turn, Mr. Moto |
Followed by | Think Fast, Mr. Moto |
Thank You, Mr. Moto, was originally published in serial form in the Saturday Evening Post from February 8 to March 14, 1936, this novel was first published in book form in 15 May 1936. [1]
It is the second of six Mr. Moto novels and can also be found in the omnibus Mr. Moto's Three Aces published in 1939. [2]
The Moto novels are spy fiction and adventure novels set in the Orient, which in the 1930s was still considered mysterious and exotic. Mr. Moto is an Imperial spy for the Japanese government and often has to deal with people who accidentally get involved in his work.
An expatriate American, Tom Nelson, has been living in Beiping (modern day Beijing) for some time and believes that he understands the Oriental mind. When he meets Eleanor Joyce he thinks that she is getting involved in matters way over her head when she agrees to meet with Major Jamison Best, a British ex-Army officer who sells stolen Chinese artifacts and art treasures.
After dinner with Best, Nelson tries to make sense of Best’s cryptic conversation concerning a Chinese bandit chief named Wu Lo Feng and the possibility of trouble brewing in the city. On leaving dinner, he runs into Joyce whom he tries to persuade to not get involved in any scheme Best has going. She doesn’t listen to him but later he finds her wandering around outside of Best’s house, distraught.
The next day Major Best is found dead, killed by a bolt from a Chinese crossbow. Mr. Moto is investigating the murder and he tells Nelson not to get involved. Nelson doesn’t listen to him and goes to warn Joyce since she was the last to see Best alive. Nelson soon discovers that Moto has made Best’s murder seem like a suicide.
When he returns home someone tries to kill Nelson with a Chinese crossbow. Moto arrives and Nelson thinks he is the murderer. Cool and calm despite having a gun pointed at him, Moto once again warns Nelson not to interfere and offers him a chance to escape Peking on the next steamer. When Moto leaves, Nelson discovers that Wu Lo Feng is there ready to kill him.
After escaping, Nelson goes to Joyce’s hotel to convince her to leave. She refuses and Nelson sees that she has an ancient Chinese scroll that Best mentioned and that a curio dealer, Pu had offered to him.
Nelson and Joyce take the scroll to Prince Tung, a friend of Nelson’s. Nelson discovers that Joyce is a museum buyer sent to Peking to buy a set of eight ancient scrolls. Tung is shocked to discover that someone has promised all eight scrolls to Joyce since seven of them are in his private vault. The situation becomes dire when Wu’s men arrive and kidnap Nelson, Joyce and Tung. Soon after they arrive at their prison, an abandoned temple, Mr. Moto is brought in as yet another prisoner. Moto explains the situation to them.
A rival military faction in Japan believes that their country is not advancing fast enough. These militant Japanese led by Mr. Takahara have hired Wu Lo Feng to cause a military disturbance in the city. Major Best was to raise money for the campaign by selling the eight scrolls that were stolen from Prince Tung. Best double-crossed Wu by selling information to Mr. Moto, and so was killed.
Wu Lo Feng arrives with Takahara to finalize their plans for the uprising. Nelson, Tung and Moto are certain to be killed but are philosophical about their plight. However, Joyce makes an unexpected move and grabs Wu’s gun. They all escape after tying up Takahara and Wu. Moto organizes the police to stop the uprising and they all retire to Nelson’s home. Tung admonishes Nelson for not killing Wu since he is sure to retaliate. When Moto arrives he admits that he liquidated both Takahara and Wu to guarantee everyone’s safety. They all profusely thank Mr. Moto.
Marquand’s Moto books are all generally about a clash of cultures between Asia and the West. In this novel, however, Nelson represents both the American and the Chinese way of thinking. Written in the first person from his point of view, Nelson admires the Chinese but is constantly reminded that he will never be part of their culture. Sometimes Nelson is praised by this Chinese friend Prince Tung for displaying the proper Chinese way of acting, and sometimes he is chastised for being too illogical, too Western. However, it was Eleanor Joyce’s highly illogical action of grabbing the bandit’s gun that ultimately saves their lives.
Nelson and Joyce's budding romance and the Chinese scrolls are just minor complications set against the larger backdrop of Sino-Japanese relations. Moto as a conservative member of the Japanese Government is there to see that Japan advances at a slow and reasonable rate. Takahara represents the more militant Japanese who do not mind leaving chaos in their wake.
But, the ever-polite Moto wants to maintain a balance between the old and the new. In one scene Prince Tung, representing China’s past and Mr. Moto, representing its future, politely share a cup of tea. Nelson, the Western outsider, watches from a distance but doesn't participate.
Americans at the time may have been uncertain about the Japanese expansion into China but Marquand gives Moto the opportunity to defend the actions of his country:
A disturbance happens, anywhere in China, and my nation is always blamed for it. It is hard; very, very hard. Did not your own great country seize a large part of Mexico in the past century, Mr. Nelson? And what of Britain's colonizing efforts? The British Empire has always held out a helping hand to distressed and backward nations. Yet if my own poor country tries in the most altruistic way to settle even the smallest Chinese difficulty, there are notes of protest and inflammatory passages in the press.
Ultimately, however, Mr. Moto is a decent man who goes out of his way to make sure the Americans remain safe.
The historian Michael Schneider observed that Mr. Moto novels show Japanese expansionism in a light that might appeal to many Americans and Mr. Moto as a “moderate” in the spectrum of Japanese politics. Chinese culture is shown as ancient and exotic, but Schneider concludes that it is "difficult to see the novels as doing anything more than buttressing prevailing racial and ethnic stereotypes." [3]
The novel was praised for its "vitality and vividness" [4] and "swift action". [5]
This novel was used as the basis for the movie Thank You, Mr. Moto starring Peter Lorre and produced in 1937 by 20th Century Fox. The film is only loosely based on the novel, retaining only a few character names and very little of the overall plot.
John Phillips Marquand was an American writer. Originally best known for his Mr. Moto spy stories, he achieved popular success and critical respect for his satirical novels, winning a Pulitzer Prize for The Late George Apley in 1938. One of his abiding themes was the confining nature of life in America's upper class and among those who aspired to join it. Marquand treated those whose lives were bound by these unwritten codes with a characteristic mix of respect and satire.
Mr. Moto is a fictional Japanese secret agent created by the American author John P. Marquand. He appeared in six novels by Marquand published between 1935 and 1957. Marquand initially created the character for the Saturday Evening Post, which was seeking stories with an Asian hero after the death of Charlie Chan's creator Earl Derr Biggers.
Peking Opera Blues is a 1986 Hong Kong film directed by Tsui Hark. The movie combines comedy, Hong Kong action, and serious drama with scenes involving Peking Opera. Director Tsui Hark described the film as a satire on the "Chinese ignorance of democracy." The film was nominated for six awards at the Hong Kong Film Awards including Best Actress.
Philip Ahn was an American actor and activist of Korean descent. With over 180 film and television credits between 1935 and 1978, he was one of the most recognizable and prolific Asian-American character actors of his time. He is widely regarded as the first Korean American film actor in Hollywood.
Lo Wei was a Hong Kong film director and film actor best known for launching the martial arts film careers of both Bruce Lee, in The Big Boss and Fist of Fury, and Jackie Chan, in New Fist of Fury.
The Water Margin, also known Outlaws of the Marsh and Seven Blows Of The Dragon, is a 1972 Hong Kong film adapted from the Chinese classical 14th-century novel Water Margin. It was produced by the Shaw Brothers Studio and directed by Chang Cheh.
Yongdingmen, literally meaning “Gate of Perpetual Peace”, was the former front gate of the outer city of Beijing's old city wall. Originally built in 1553 during Ming Dynasty, it was torn down in the 1950s to make way for the new road system in Beijing. In 2005, the Yongdingmen was reconstructed at the site of the old city gate. This new gate is disconnected from the original road leading towards the gate and into the city.
The Inner Mongolian campaign in the period from 1933 to 1936 were part of the ongoing invasion of northern China by the Empire of Japan prior to the official start of hostilities in the Second Sino-Japanese War. In 1931, the invasion of Manchuria secured the creation of the puppet state of Manchukuo and in 1933, Operation Nekka detached the province of Jehol from the Republic of China. Blocked from further advance south by the Tanggu Truce, the Imperial Japanese Army turned its attention west, towards the Inner Mongolian provinces of Chahar and Suiyuan, with the goal of establishing a northern China buffer state. In order to avoid overt violation of the Truce, the Japanese government used proxy armies in these campaigns while Chinese resistance was at first only provided by Anti-Japanese resistance movement forces in Chahar. The former included in the Inner Mongolian Army, the Manchukuo Imperial Army, and the Grand Han Righteous Army. Chinese government forces were overtly hostile to the anti-Japanese resistance and resisted Japanese aggression only in Suiyuan in 1936.
Victor Wong was an American actor. While Wong appeared in numerous films through the 1930s and 1940s, they were largely small uncredited parts. His biggest role was as Charlie the Cook in the movie King Kong (1933) and Son of Kong (1933). Wong's most memorable scene came in King Kong when he finds evidence that natives from Skull Island have been aboard the ship Venture, resulting in the kidnapping of heroine Ann Darrow. As Charlie the Cook, Wong yells, "All hands on deck! Everybody on deck!" This causes panic aboard ship which begins the quest for Ann's whereabouts and the discovery of King Kong. The Charlie character in the sequel Son of Kong was more prominent to the story and included significantly more screen time for Wong.
2 Champions of Shaolin is a 1980 Shaw Brothers film directed by Chang Cheh. Starring the Venoms, it continues the then-popular theme of feuds between Shaolin and Wu tang. The film was digitally manipulated by Joseph Kahn for the Chemical Brothers' music video "Get Yourself High".
Think Fast, Mr. Moto is a 1937 film directed by Norman Foster and featuring a mysterious Japanese detective named Mr. Moto. It is the first of eight films in the Mr. Moto series, all based on the character Mr. Moto created by John P. Marquand. The film stars Peter Lorre as the title character, Virginia Field, Thomas Beck and Sig Ruman. Mr. Moto works to stop a secret smuggling operation.
Thank You, Mr. Moto is a 1937 film directed by Norman Foster. It is the second in a series of eight films starring Peter Lorre as Mr. Moto. It was based on the novel of the same name by the detective's creator, John P. Marquand. Mr. Moto battles murderous treasure hunters for priceless ancient scrolls which reveal the location of the long-lost tomb of Genghis Khan.
Mysterious Mr. Moto, produced in 1938 by Twentieth Century Fox, is the fifth in a series of eight films starring Peter Lorre as Mr. Moto.
Mr. Moto Is So Sorry was originally published in serial form in the Saturday Evening Post from July 2 to August 13, 1938, and was first published in book form in 1938. It is the fourth of six Mr. Moto novels and can also be found in the omnibus Mr. Moto's Three Aces published in 1939.
Mr. Moto Takes a Chance is the fourth in a series of eight films starring Peter Lorre as Mr. Moto, although it was the second one actually filmed, following Think Fast, Mr. Moto. Its release was delayed until after production of Thank You, Mr. Moto and Mr Moto's Gamble.
Dick Wei is a Taiwanese actor, director and writer who specializes in martial arts and action films.
Nelson Ikon Wu was a Chinese and American writer and professor of Asian art history.
The Gansu Braves or Gansu Army was a unit of 10,000 Chinese Muslim troops from the northwestern province of Kansu (Gansu) in the last decades of the Qing dynasty (1644–1912). Loyal to the Qing, the Braves were recruited in 1895 to suppress a Muslim revolt in Gansu. Under the command of General Dong Fuxiang (1839–1908), they were transferred to the Beijing metropolitan area in 1898, where they officially became the Rear Division of the Wuwei Corps, a modern army that protected the imperial capital. The Gansu Army included Hui Muslims, Salar Muslims, Dongxiang Muslims, and Bonan Muslims.
Rape of the Sword is a 1967 Hong Kong wuxia film directed by Yueh Feng and produced by the Shaw Brothers Studio, starring Li Li-hua, Lee Ching, Chan Hung-lit, Kiu Chong and Tien Feng.
Blade of Fury (一刀傾城), also known as China's First Swordsman (神州第一刀), is a 1993 Chinese-Hong Kong historical martial arts drama film directed by Sammo Hung. It was released theatrically on 15 July 1993. The main character, Chinese hero Wang Wu, has been the subject of multiple films and television series.