The Love Bug is a 1969 American sports adventure comedy film directed by Robert Stevenson from a screenplay by Bill Walsh and Don DaGradi, based on the story "Car, Boy, Girl" by Gordon Buford. The film is the first installment in the Herbie film series.
Scary Movie 4 is a 2006 American parody film directed by David Zucker, written by Jim Abrahams, Craig Mazin, and Pat Proft, and produced by Mazin and Robert K. Weiss. It is the sequel to Scary Movie 3 and the fourth installment in the Scary Movie film series, as well as the first film in the franchise to be released by The Weinstein Company following the purchase of Dimension Films from Miramax Films.
Walk, Don't Run is a 1966 American romantic comedy film directed by Charles Walters, and starring Cary Grant, Samantha Eggar, and Jim Hutton. The film is set during the 1964 Summer Olympics in Tokyo and is a remake of the 1943 film The More the Merrier. The title stems from the basic rule of racewalking: that competitors must not run at any point.
The Opposite Sex is a 1956 American musical romantic comedy film shot in Metrocolor and CinemaScope. The film was directed by David Miller and stars June Allyson, Joan Collins, Dolores Gray, Ann Sheridan, and Ann Miller, with Leslie Nielsen, Jeff Richards, Agnes Moorehead, Charlotte Greenwood, Joan Blondell, and Sam Levene.
How to Make a Monster is a 1958 American horror film drama that is notable for its inclusion of props and studios that created actual sci-fi horror movies.
Knock on Any Door is a 1949 American courtroom trial film noir directed by Nicholas Ray and starring Humphrey Bogart. The movie was based on the 1947 novel of the same name by Willard Motley. The picture gave actor John Derek his breakthrough role as young hoodlum Nick Romano, whose motto was, "live fast, die young, and have a good looking corpse."
Career is a 1959 American drama film directed by Joseph Anthony and starring Dean Martin, Tony Franciosa, and Shirley MacLaine.
One Potato, Two Potato is a 1964 black-and-white American drama film directed by Larry Peerce and starring Barbara Barrie and Bernie Hamilton. The film centers on an interracial romance and was produced and released at a time which such were very rarely openly conducted in the United States, and violated the prevailing social norms of the time.
Wonder Bar is a 1934 American pre-Code film adaptation of a Broadway musical of the same name directed by Lloyd Bacon with musical numbers created by Busby Berkeley.
Underworld U.S.A. is a 1961 American neo-noir crime film produced, written, and directed by Samuel Fuller. It tells the story of a 14-year-old boy who goes to enormous lengths to get revenge against the mobsters who beat his father to death. It stars Cliff Robertson, Dolores Dorn, and Beatrice Kay.
Ron Ormond was an American author, showman, screenwriter, film producer, and film director of Western, musical, and exploitation films. Following his survival of a 1968 plane crash, Ormond began making Christian films.
Cult of the Cobra is a 1955 American black-and-white horror film from Universal-International Pictures, produced by Howard Pine, directed by Francis D. Lyon, that stars Faith Domergue, Richard Long, Kathleen Hughes, Marshall Thompson, Jack Kelly, William Reynolds, and David Janssen. The film was released as a double feature with Revenge of the Creature.
The Nashville A-Team was a nickname given to a group of session musicians in Nashville, Tennessee, USA, who earned wide acclaim in the 1950s, 1960s, and early 1970s. They backed dozens of popular singers, including Elvis Presley, Eddy Arnold, Patsy Cline, Jim Reeves, Bob Dylan, Moon Mullican, Jerry Lee Lewis, Brenda Lee, and others.
Clambake is the sixteenth soundtrack album by American singer and musician Elvis Presley, released by RCA Victor in mono and stereo, LPM/LSP 3893, in October 1967. It is the soundtrack to the 1967 film of the same name starring Presley. He entered RCA Studio B in Nashville, Tennessee on February 21, 1967, for recording sessions for his twenty-fifth film. Supplemental material sessions took place on September 10 and 11, 1967. It peaked at number 40 on the Billboard 200.
Phantom of the Rue Morgue is a 1954 American mystery horror film directed by Roy Del Ruth and starring Karl Malden, Claude Dauphin and Patricia Medina. The film is an adaptation of Edgar Allan Poe's 1841 short story The Murders in the Rue Morgue.
Curse of the Undead is a 1959 American Horror Western film directed by Edward Dein and starring Eric Fleming, Michael Pate and Kathleen Crowley.
The Strip is a 1951 American crime film noir directed by László Kardos and starring Mickey Rooney, Sally Forrest and William Demarest. Much of the picture was shot on location in and around the Sunset Strip. Interiors were shot at the popular nightclubs Mocambo and Ciro's and at the restaurants Little Hungary and Stripps. A large part of the film's running time consists of musical performances by the "house band," which includes Louis Armstrong, Jack Teagarden, and Earl "Fatha" Hines. and by performers at other clubs, such as Vic Damone.
Henry Earl Sinks, known professionally as Earl Sinks, was an American rock and roll singer-songwriter and actor. Sinks had a successful musical and acting career from the 1950s to the 1990s before retiring. He was best known for his long music career, including his brief tenure as a member and occasional lead singer of the Crickets from 1958 to 1960, and for his acting roles in numerous low-budget movies and TV shows in the 60s.
Once You Kiss a Stranger is a 1969 American thriller film directed by Robert Sparr and written by Norman Katkov and Frank Tarloff. The film stars Paul Burke, Carol Lynley, Martha Hyer, Peter Lind Hayes, Philip Carey, Stephen McNally and Whit Bissell. The film is a loose remake of Strangers on a Train and was released by Warner Bros.-Seven Arts on November 12, 1969.
The Sea Hornet is a 1951 American adventure film directed by Joseph Kane and written by Gerald Drayson Adams. The film stars Rod Cameron, Adele Mara, Lorna Gray, Chill Wills, Jim Davis and Richard Jaeckel. The film was released on November 6, 1951, by Republic Pictures.
