![]() Vicki Vola portrayed Stacy McGill, assistant to Christopher Wells. | |
Genre | Crime drama |
---|---|
Running time | 30 minutes |
Country of origin | United States |
Language(s) | English |
Syndicates | CBS |
Original release | September 28, 1947 – June 22, 1948 |
The Adventures of Christopher Wells is a 30-minute radio crime drama broadcast on CBS from September 28, 1947, to June 22, 1948. [1]
It debuted at 10 p.m. Eastern Time on Sunday [2] and remained there through January 1948. Beginning on February 3, 1948, it aired on Tuesdays at 9:30 p.m. E. T. The move was part of a CBS "mood programming" strategy, which put dramatic programs on Tuesday evenings, comedy shows on Friday nights, and musical offerings on Sunday afternoons. [3] The shift to Tuesday was fatal, as it placed the drama opposite Fibber McGee and Molly on NBC. [4]
Sponsored by DeSoto-Plymouth, the program was created and directed by Ed Byron, who also created the more successful Mr. District Attorney . [5]
Myron McCormick had the title role of globe-trotting journalist Wells, and Charlotte Lawrence portrayed Stacy McGill, Wells' assistant. Les Damon and Vicki Vola took over those lead roles in February 1948. Edward A. Byron was producer-director. Peter Van Streeden furnished the background music. [6]
Robert Shaw's scripts usually placed Wells in a different country each week. For Newsweek, Byron offered a back story on Wells, noting that he was born September 28, 1912, sold newspapers and worked as a $16-a-week cub reported on a New York daily newspaper before becoming a featured columnist with traits of Nellie Bly, Richard Harding Davis and Walter Winchell. [4]
In its original time slot, the show's competition included Take It or Leave It . [5]
A review in the trade publication Variety said that the premiere episode had "an unbelievable situation" in which "All the old cliches and pat quips were yanked out and strung together." [5] The review found fault with McCormick's acting as well as with the scripts and said that Byron's direction did not match the quality of his work on Mr. District Attorney. [5]
Jack Gould wrote in a review in The New York Times that the premiere episode "was produced with Mr. Byron's usual eclat and assurance". [7] He complimented McCormick's performance and predicted that the program should fare well in ratings. [7]
A review in the trade publication Billboard called the program "straight escapist stuff" with "no attempt to adhere to realism". [8] It said that the show succeeded in "building considerable tension" and complimented the dialog, the production, and the acting. [8]