Established | March 2009 [1] |
---|---|
Dissolved | June 2020 |
Location | 2000 Avenue of the Stars Ste 10, Century City, Los Angeles, CA 90067-4718 [1] |
Coordinates | 34°02′52″N118°25′14″W / 34.0478861°N 118.4204968°W |
Type | Exhibition space, past exhibits remain online |
Director | Katie Hollander [2] [3] |
Website | www |
The Annenberg Space for Photography (2009 - 2020) was an exhibition space in the Century City neighborhood of Los Angeles' Westside. Founded in March 2009, it was dedicated to displaying photographic works, ranging from artistic to journalistic, using both traditional photographic prints and modern digital techniques. [4]
The goal, according to project creator Wallis Annenberg was to encourage visitors to see the world in a new way and gain understanding of the human condition through the eyes of gifted photographers. [5]
As part of the Walls: Defend, Divide, and the Divine [6] exhibition running from October 5, 2019, to December 29, 2019, was Light the Barricades, an interactive public art installation by Candy Chang and James A. Reeves. [7] The goal of the installation was to encourage viewers to contemplate the inner obstructions that are preventing them from reaching their goals and being their authentic selves. Compound of three walls, as described by Chang herself, each one “shines a light on a particular emotional barrier—resentment, judgement, doubt. On one side of the wall there was a fable that illuminates that topic…on the other side of the wall were three stools where people can sit down and contemplate a particular question related to the topic.”[ citation needed ] The installation consisted of three 8’ x 27’ solar-powered walls illuminated from within (similar to a photographer’s lightbox). [8] [9]
On April 25, 2019, to celebrate its 10th anniversary The Annenberg Space for Photography hosted a celebration featuring the opening of two separate photography exhibitions, Contact High: A Visual History Of Hip Hop in conjunction with the west coast debut of Photoville, NYC's largest photography festival. [10] [11]
On June 8, 2020, founder Wallis Annenberg announced that The Annenberg Space for Photography would not reopen following its temporary closure as a result of the COVID-19 emergency. Exhibits posted on the website would continue to be available. [12] Over the past 10 years, the space has staged 31 exhibitions visited by almost 1 million people. [13] The exhibition space donated more than 900 high quality prints of 329 contemporary photographers to the Library of Congress, where they could be accessed online. [14]
The Los Angeles County Museum of Art (LACMA) is an art museum located on Wilshire Boulevard in the Miracle Mile vicinity of Los Angeles. LACMA is on Museum Row, adjacent to the La Brea Tar Pits.
The Museum of Contemporary Art, Los Angeles (MOCA) is a contemporary art museum with two locations in greater Los Angeles, California. The main branch is located on Grand Avenue in Downtown Los Angeles, near the Walt Disney Concert Hall. MOCA's original space, initially intended as a temporary exhibit space while the main facility was built, is now known as the Geffen Contemporary, in the Little Tokyo district of downtown Los Angeles. Between 2000 and 2019, it operated a satellite facility at the Pacific Design Center facility in West Hollywood.
Uta Barth is a contemporary German-American photographer whose work addresses themes such as perception, optical illusion and non-place. Her early work emerged in the late 1980s and 1990s, "inverting the notion of background and foreground" in photography and bringing awareness to a viewer's attention to visual information with in the photographic frame. Her work is as much about vision and perception as it is about the failure to see, the faith humans place in the mechanics of perception, and the precarious nature of perceptual habits. Barth's says this about her art practice: “The question for me always is how can I make you aware of your own looking, instead of losing your attention to thoughts about what it is that you are looking at." She has been honored with two National Endowments of the Arts fellowships, was a recipient of the John Simon Guggenheim Fellowship in 2004‑05, and was a 2012 MacArthur Fellow. Barth lives and works in Los Angeles, California.
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The Annenberg Foundation is a family foundation that provides funding and support to non-profit organizations in the United States and around the world. Some of the Foundation's core initiatives are the Annenberg/Corporation for Public Broadcasting (CPB) project, which funds many educational television shows broadcast on Public Broadcasting Service (PBS) public television in the United States as well as The Annenberg Community Beach House, The Annenberg Space for Photography, Metabolic Studio, explore.org, Wallis Annenberg PetSpace and the Wallis Annenberg Center for Performing Arts.
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Deborah Willis is a contemporary African-American artist, photographer, curator of photography, photographic historian, author, and educator. Among her awards and honors, she is a 2000 MacArthur Fellow. She is currently Professor and Chair of the Department of Photography and Imaging at Tisch School of the Arts of New York University.
Stephen Wilkes is an American photographer, photojournalist, director and fine artist. In 2009 he began work on the project, Day to Night. Featuring epic cityscapes and landscapes portrayed from a fixed camera angle for up to 30 hours, the work was designed to capture fleeting moments of humanity over the course of a full day. Day to Night was featured on CBS Sunday Morning as well as several other prominent media outlets and earned Wilkes a grant from the National Geographic Society, to extend the project to include America’s National Parks in celebration of their centennial anniversary and Bird Migration for the 2018 Year of the Bird. This was followed by an additional grant from the National Geographic Society allowing Wilkes to extend the series yet again with Day to Night of Canadian Iconic Species and Habitats at Risk in collaboration with The Royal Canadian Geographic Society. Day to Night: In the Field with Stephen Wilkes, a solo exhibition was exhibited at The National Geographic Museum in 2018. Day to Night was published by TASCHEN as a monograph in 2019.
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The Wallis Annenberg Center for the Performing Arts is a community arts center in Beverly Hills, California, named for philanthropist Wallis Annenberg in recognition for The Annenberg Foundation's major gift to fund the campus. It is colloquially known as The Wallis.
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The old Beverly Hills Main Post Office is a Renaissance Revival building at the Beverly Hills Civic Center in Beverly Hills, California. The building has carried the addresses 469 North Crescent Drive and 470 North Canon Drive. It was built as the main post office in the 1930s, remaining a post office until the 1990s, and in the 2010s became the Paula Kent Meehan Historic Building of the Wallis Annenberg Center for the Performing Arts.
Genevieve Gaignard, born in Orange, Massachusetts in 1981, is best known for work exploring issues of race, class, and gender. As a self-identified mixed-race woman, Gaignard utilizes photography, videography, and installation to explore the overlap of black and white America through staged environments and character performances. She received an AAS in Baking & Pastry Arts from Johnson & Wales University, her BA in photography from the Massachusetts College of Art and Design in 2007, and an MFA from Yale University in 2014. Gaignard's work is represented by Susanne Vielmetter Los Angeles Projects, and has been shown at Shulamit Nazarian, The Cabin, The FLAG Art Foundation, The California African American Museum, The Foley Gallery, and at two residentially-owned art spaces in Los Angeles, CA. She was also included in the fourth iteration of the triennial Prospect New Orleans, in 2018, with an installation at the Ace Hotel New Orleans. Her work has been featured in The New York Times and The Los Angeles Times. Gaignard's photographic series draw inspiration from Carrie Mae Weems, Diane Arbus, Cindy Sherman, and Nikki S. Lee, remixed with the references to the selfie and Instagram culture.
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Contact High: A Visual History of Hip-Hop is a 2018 photography book created and written by Vikki Tobak and ongoing exhibition series. The volume features contact prints from analog photography sessions of hip hop artists during roughly forty-years, from the beginnings of the genre in the late 1970s until the late 2000s.
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