William Charles Macready was an English stage actor.
Elizabeth O'Neill, also Eliza, was an Irish actress.
Hibernia Freed is a 1722 tragedy by the writer William Phillips. It is set during the ninth century during the Viking Invasion of Ireland. It was part of a growing Anglo-Irish interest in traditional Irish history, and part of a tendency to switch tragedy from Ancient Rome or Greece to more native settings.
The Rose of Arragon is an 1842 tragedy by the Irish-born writer James Sheridan Knowles. It premiered at the Theatre Royal, Haymarket in London on 4 June 1842. The cast included Ellen Kean as Olivia, Charles Kean as Alasco, Henry Howe as the King of Arragon, Samuel Phelps as Almargo and Frederick Vining as Velasquez. It was similar in style to Knowles' earlier work The Wife of Mantua. In 1849 William Creswick opened his actor-management of the Surrey Theatre by playing Alasco in a revival.
Caius Gracchus is a tragedy by the Irish playwright James Sheridan Knowles. It is based on the life of Gaius Gracchus, a politician in Ancient Rome. The play premiered at the Belfast Theatre in 1815 and enjoyed a good reception. It debuted in London's West End at the Theatre Royal, Drury Lane on 18 November 1823, following the success of the author's Virginius. The London cast included William Macready as Caius Gracchus, William Penley as Licinius, Alexander Pope as Drusus, Daniel Terry as Titus, Charles Mayne Young as Vettius, George Yarnold as Fulvius Flaccus, Thomas Archer as Opimius, Mrs. West as Licinia and Margaret Bunn as Cornelia.
Love is an 1839 play by the Irish writer James Sheridan Knowles. It premiered at the Theatre Royal, Covent Garden on 4 November 1839 with a cast that included Charles Selby as Prince Frederick, James Vining as Sir Rupert, Alfred Wigan as Sir Conrad, William Payne as Stephen, Ellen Tree as Countess, Emma Brougham as Empress and Lucia Elizabeth Vestris as Catherine. Knowles was paid six hundred pounds for the work by the management of Covent Garden. Mary Shelley praised the play for its "inspiring situations founded on sentiment and passion". It went on to enjoy success in the United States where it became part of the repertoire, being performed at the Broadway Theatre in New York many times in the 1850s. It was celebrated by abolitionists who cheered its anti-slavery theme of a serf falling in love with a countess despite her father's disapproval and the threat of execution.
The Bridal is an 1837 tragedy by the Irish writer James Sheridan Knowles. It premiered at the Theatre Royal, Haymarket in London's West End on 26 June 1837 with a cast that included William Macready as Melantius, Edward William Elton as Amintor, Charles Selby as Calianaz and Mary Huddart as Evadne. It is inspired by the Jacobean play The Maid's Tragedy by Francis Beaumont and John Fletcher. In 1843 it appeared at the Park Theatre in New York with Macready repising his role.
Fredolfo is an 1819 historical tragedy by the Irish writer Charles Maturin. It premiered at the Theatre Royal, Covent Garden in London on 12 May 1819. The original cast included William Macready as Wallenberg, Charles Mayne Young as Fredolfo, Charles Kemble as Aldemar, Frederick Henry Yates as Berthold, Charles Connor as Waldo and Elizabeth O'Neill as Urilda. Maturin dedicated the published version to the Duke of Leinster, which was published by Archibald Constable. The work was considered a failure which failed to recaptured the success of his earlier Bertram and Maturin turned back to writing novels.
Manuel is an 1817 tragedy by the Irish writer Charles Maturin. It premiered at the Theatre Royal, Drury Lane in London on 8 March 1817. The original cast included Edmund Kean as Manuel, Count Valdi, Alexander Rae as De Zelos, James William Wallack as Torrismond, Charles Holland as Mendizabel, Thomas Cooke as Almorad, John Powell as Guide and Margaret Somerville as Victoria. The published work is dedicated to the writer Walter Scott. It takes place in the wake of the Battle of Las Navas de Tolosa in Spain. It failed to recapture the success of his debut play Bertram of the previous year, despite both starring Kean.
Bertram; or The Castle of St. Aldobrand is an 1816 Gothic tragedy by the Irish writer Charles Maturin, his first and most successful play. It premiered at the Theatre Royal, Drury Lane in London on 9 May 1816. The original case included Edmund Kean as Bertram, Alexander Pope as St Aldobrand, Charles Holland as Prior of St Anslem, John Powell as Monk, Thomas Cooke as Robber, Margaret Somerville as Imogine and Susan Boyce as Clotilda. The prologue was written by John Hobhouse. The 1827 opera Il pirata composed by Vincenzo Bellini uses a libretto by Felice Romani inspired by Maturin's work.
Retribution is an 1818 British tragedy by the writer John Dillon. It premiered at the Theatre Royal, Covent Garden in London on 1 January 1818. The original London cast included Charles Mayne Young as Veranes, King of Persia, William Macready as Chosroo, Charles Kemble as Hamed, Daniel Egerton as Abdas, William Abbot as Hafiz, Daniel Terry as Suthes, Charles Connor as Sohrab and Elizabeth O'Neill as Zimra.
Fazio is a tragedy by the British writer Henry Hart Milman. It was first published in 1815. An unauthorised adaptation was performed at the Surrey Theatre under the title The Italian Wife. Another unauthorised version was performed at the Theatre Royal, Bath. In 1818 Milman granted permission for the Theatre Royal, Covent Garden to stage the play. It premiered there on 5 February 1818. It starred Charles Kemble as Giraldi Fazio, Elizabeth O'Neill as Bianca, Daniel Egerton as the Duke of Florence, Charles Mathews as Gonsalvo, William Blanchard as Bartolo, Harriet Faucit as Aldabella and Charles Connor as Falsetto. A first Dublin performance took place at the Crow Street Theatre on 6 April 1818. Fanny Kemble later played Bianca in Britain and America, where she appeared at the Park Theatre in 1832. It was revived on both sides of the Atlantic over the following decades.
The Conquest of Taranto is an 1817 musical drama written by William Dimond with music composed by Michael Kelly. It appeared at the Theatre Royal, Covent Garden on 15 April 1817. The original cast featured Junius Brutus Booth as Rinaldo, William Macready as Valencia, Charles Mayne Young as Aben Hamet, Daniel Egerton as Gonzales, Sarah Booth as Oriana and Kitty Stephens as Rosalind. Macready was reportedly dissatisfied with his role, coveting that of Rinaldo, and unsuccessfully offered thirty pounds the Covent Garden manager Thomas Harris to release him during rehearsals. The first Dublin performance was at the Crow Street Theatre on 5 August 1817. It also appeared at the Federal Street Theatre in Boston and other American venues.
Foscari is an 1826 historical tragedy by the British writer Mary Russell Mitford. The plot revolves around Francesco Foscari, the son of the Doge of Venice, who is wrongly accused of murder and has to go into exile. It premiered at the Theatre Royal, Covent Garden on 4 November 1826. The original cast included Charles Mayne Young as Foscari, Doge of Venice, Charles Kemble as Francesco Foscari, James Prescott Warde as Count Erizzo, and Daniel Egerton as Donato.
Rienzi is an 1828 historical tragedy by the British writer Mary Russell Mitford. It is based on the fourteenth century Italian political leader Cola di Rienzo. It premiered at the Theatre Royal, Drury Lane on 9 October 1828. The original cast included Charles Mayne Young as Cola di Rienzi, John Cooper as Angelo Colonna, George Yarnold as Paolo, and Harriet Faucit as Lady Colonna. It was Mitford's most successful play and for 34 nights from October to December 1828, and then appeared frequently in the United States.
Charles the First is a historical tragedy by the British writer Mary Russell Mitford. It depicts the imprisonment and trial of Charles I before his execution in 1649 following his defeat in the English Civil Wars. It was first written in 1825 and originally intended to be performed at Covent Garden. Mitford wrote the play with the encouragement of William Macready and Charles Kemble, the two leading performers at Covent Garden. However, the politically controversial top of regicide led to it being refused a licence by the Lord Chamberlain, the Duke of Montrose.
Damon and Pythias is an 1821 tragedy by the Irish writers John Banim and Richard Lalor Sheil. It is based on the Greek legend of Damon and Pythias. It premiered at the Theatre Royal, Covent Garden in London on 28 May 1821. The original cast included William Macready as Damon, Charles Kemble as Pythias, William Abbot as Dionysius, Daniel Egerton as Damocles, William Chapman as Nicias, Thomas Comer as Procles, Charles Connor as Lucullus and Maria Foote as Hermion. It was widely performed in Ireland and the United States including at the Chestnut Street Theatre in Philadelphia.
Evadne is an 1819 historical tragedy by the Irish writer Richard Lalor Sheil. It premiered at the Theatre Royal, Covent Garden in London on 10 February 1819. The original cast included Elizabeth O'Neill as Evadne,William Macready as Ludovico, William Abbot as the King of Naples, Charles Mayne Young as Colonna, Charles Kemble as Vicentio, Charles Connor as Spalatro and Harriet Faucit as Olivia. Sheil dedicated the published play to his fellow Irish writer Thomas Moore.
Bellamira is an 1818 historical tragedy by the Irish writer Richard Lalor Sheil. It premiered at the Theatre Royal, Covent Garden in London on 22 April 1818. The original cast included Elizabeth O'Neill as Bellamira, William Macready as Amurath, Charles Kemble as Manfredi, Charles Mayne Young as Montalto, Daniel Terry as Salerno, Charles Connor as Kaled, and Thomas Comer as Gonzaga. Sheil dedicated the play to the Whig politician Lord Holland.
Adelaide is an 1814 tragedy by the Irish writer Richard Lalor Sheil. It premiered at the Crow Street Theatre in Dublin on 19 February 1814. The Dublin cast included Elizabeth O'Neill in the title role and Charles Connor as Count Luneburg. On 23 May 1816 it appeared for the first time in London's West End at the Theatre Royal, Covent Garden. The first London cast featured Elizabeth O'Neill reprising her Dublin role as Adelaide, Charles Mayne Young as Count St. Evermont, Charles Kemble as Count Lunenburg, William Abbot as Albert, Charles Murray as Godfrey, Daniel Egerton as Colbert, Sarah Egerton as Madame St. Evermont and Maria Foote as Julia. It takes place in Germany amidst emigres who have fled from the French Revolution.
