Mary Ann Evans, known by her pen name George Eliot, was an English novelist, poet, journalist, translator and one of the leading writers of the Victorian era. She wrote seven novels: Adam Bede (1859), The Mill on the Floss (1860), Silas Marner (1861), Romola (1862–63), Felix Holt, the Radical (1866), Middlemarch (1871–72) and Daniel Deronda (1876). Like Charles Dickens and Thomas Hardy, she emerged from provincial England; most of her works are set there. Her works are known for their realism, psychological insight, sense of place and detailed depiction of the countryside.
Jane Austen was an English novelist known primarily for her six major novels, which interpret, critique, and comment upon the British landed gentry at the end of the 18th century. Austen's plots often explore the dependence of women on marriage in the pursuit of favourable social standing and economic security. Her works critique the novels of sensibility of the second half of the 18th century and are part of the transition to 19th-century literary realism. Her use of biting irony, along with her realism and social commentary, have earned her acclaim among critics and scholars.
Sense and Sensibility is a novel by Jane Austen, published in 1811. It was published anonymously; By A Lady appears on the title page where the author's name might have been. It tells the story of the Dashwood sisters, Elinor and Marianne as they come of age. They have an older half-brother, John, and a younger sister, Margaret.
Northanger Abbey is a coming-of-age novel and a satire of Gothic novels written by Jane Austen. Austen was also influenced by Charlotte Lennox's The Female Quixote (1752). Northanger Abbey was completed in 1803, the first of Austen's novels completed in full, but was published posthumously in 1817 with Persuasion. The story concerns Catherine Morland, the naïve young protagonist, and her journey to a better understanding of herself and of the world around her. How Catherine views the world has been distorted by her fondness for Gothic novels and an active imagination.
Middlemarch, A Study of Provincial Life is a novel by the English author Mary Anne Evans, who wrote as George Eliot. It first appeared in eight instalments (volumes) in 1871 and 1872. Set in Middlemarch, a fictional English Midland town, in 1829 to 1832, it follows distinct, intersecting stories with many characters. Issues include the status of women, the nature of marriage, idealism, self-interest, religion, hypocrisy, political reform, and education. Despite comic elements, Middlemarch uses realism to encompass historical events: the 1832 Reform Act, early railways, and the accession of King William IV. It looks at medicine of the time and reactionary views in a settled community facing unwelcome change. Eliot began writing the two pieces that formed the novel in 1869–1870 and completed it in 1871. Initial reviews were mixed, but it is now seen widely as her best work and one of the great English novels.
The English novel is an important part of English literature. This article mainly concerns novels, written in English, by novelists who were born or have spent a significant part of their lives in England, Scotland, Wales, or Northern Ireland. However, given the nature of the subject, this guideline has been applied with common sense, and reference is made to novels in other languages or novelists who are not primarily British, where appropriate.
American literature is literature written or produced in the United States of America and in the colonies that preceded it. The American literary tradition thus is part of the broader tradition of English-language literature, but also includes literature of other traditions produced in the United States and in other immigrant languages. Furthermore, a rich tradition of oral storytelling exists amongst Native American tribes.
Metafiction is a form of fiction which emphasises its own constructedness in a way that continually reminds the audience to be aware they are reading or viewing a fictional work. Metafiction is self-conscious about language, literary form, and story-telling, and works of metafiction directly or indirectly draw attention to their status as artifacts. Metafiction is frequently used as a form of parody or a tool to undermine literary conventions and explore the relationship between literature and reality, life, and art.
The Big Read was a survey on books carried out by the BBC in the United Kingdom in 2003, where over three-quarters of a million votes were received from the British public to find the nation's best-loved novel of all time. The year-long survey was the biggest single test of public reading taste to date, and culminated with several programmes hosted by celebrities, advocating their favourite books.
Postmodern literature is a form of literature that is characterized by the use of metafiction, unreliable narration, self-reflexivity, intertextuality, and which often thematizes both historical and political issues. This style of experimental literature emerged strongly in the United States in the 1960s through the writings of authors such as Kurt Vonnegut, Thomas Pynchon, William Gaddis, Philip K. Dick, Kathy Acker, and John Barth. Postmodernists often challenge authorities, which has been seen as a symptom of the fact that this style of literature first emerged in the context of political tendencies in the 1960s. This inspiration is, among other things, seen through how postmodern literature is highly self-reflexive about the political issues it speaks to.
Mansfield Park is the third published novel by Jane Austen, first published in 1814 by Thomas Egerton. A second edition was published in 1816 by John Murray, still within Austen's lifetime. The novel did not receive any public reviews until 1821.
The sentimental novel or the novel of sensibility is an 18th-century literary genre which celebrates the emotional and intellectual concepts of sentiment, sentimentalism, and sensibility. Sentimentalism, which is to be distinguished from sensibility, was a fashion in both poetry and prose fiction beginning in the eighteenth century in reaction to the rationalism of the Augustan Age.
The three-volume novel was a standard form of publishing for British fiction during the nineteenth century. It was a significant stage in the development of the modern novel as a form of popular literature in Western culture.
Experimental literature is a genre that is, according to Warren Motte in his essay "Experimental Writing, Experimental Reading", "difficult to define with any sort of precision." He says the "writing is often invoked in an "offhand manner" and the focus is on "form rather than content." It can be in written form of prose narrative or poetry, but the text may be set on the page in differing configurations than that of normal prose paragraphs or in the classical stanza form of verse. It may also be entwined with images of a real or abstract nature, with the use of art or photography. Furthermore, while experimental literature was traditionally handwritten on paper or vellum, the digital age has seen an exponential leaning to the use of digital computer technologies.
Reading Like a Writer is a writing guide by American writer Francine Prose, published in 2006.
The reception history of Jane Austen follows a path from modest fame to wild popularity. Jane Austen (1775–1817), the author of such works as Pride and Prejudice (1813) and Emma (1815), has become one of the best-known and most widely read novelists in the English language. Her novels are the subject of intense scholarly study and the centre of a diverse fan culture.
The Uncommon Reader is a novella by Alan Bennett. After appearing first in the London Review of Books, Vol. 29, No. 5, it was published later the same year in book form by Faber & Faber and Profile Books.
Jane Austen's (1775–1817) distinctive literary style relies on a combination of parody, burlesque, irony, free indirect speech and a degree of realism. She uses parody and burlesque for comic effect and to critique the portrayal of women in 18th-century sentimental and Gothic novels. Austen extends her critique by highlighting social hypocrisy through irony; she often creates an ironic tone through free indirect speech in which the thoughts and words of the characters mix with the voice of the narrator. The degree to which critics believe Austen's characters have psychological depth informs their views regarding her realism. While some scholars argue that Austen falls into a tradition of realism because of her finely executed portrayal of individual characters and her emphasis on "the everyday", others contend that her characters lack a depth of feeling compared with earlier works, and that this, combined with Austen's polemical tone, places her outside the realist tradition.
Impressions of Theophrastus Such is a work of fiction by George Eliot, first published in 1879. It was Eliot's last published writing and her most experimental, taking the form of a series of literary essays by an imaginary minor scholar whose eccentric character is revealed through his work. In a series of eighteen sometimes satirical character studies, Theophrastus Such focuses on various types of people he has observed in society. Usually, Theophrastus Such acts as a first-person narrator, but at several points, the voice of Theophrastus Such is lost or becomes confused with Eliot’s omniscient perspective. Some readers have identified biographical similarities between Eliot herself and the upbringing and temperament Theophrastus Such claims as his own. In her letters, George Eliot describes herself using many of the same terms.
