Arthur Merric Bloomfield Boyd was a leading Australian painter of the middle to late 20th century. Boyd's work ranges from impressionist renderings of Australian landscape to starkly expressionist figuration, and many canvases feature both. Several famous works set Biblical stories against the Australian landscape, such as The Expulsion (1947–48), now at the Art Gallery of New South Wales. Having a strong social conscience, Boyd's work deals with humanitarian issues and universal themes of love, loss and shame.
The Lucky Country is a 1964 book by Donald Horne. The title has become a nickname for Australia and is generally used favourably, although the origin of the phrase was negative in the context of the book. Among other things, it has been used in reference to Australia's natural resources, weather, history, its early dependency of the British system, distance from problems elsewhere in the world, and other sorts of supposed prosperity.
Robin Gerard Penleigh Boyd was an Australian architect, writer, teacher and social commentator. He, along with Harry Seidler, stands as one of the foremost proponents for the International Modern Movement in Australian architecture. Boyd is the author of the influential book The Australian Ugliness (1960), a critique on Australian architecture, particularly the state of Australian suburbia and its lack of a uniform architectural goal.
Sir Roy Burman Grounds was an Australian architect. His early work included buildings influenced by the Moderne movement of the 1930s, and his later buildings of the 1950s and 1960s, such as the National Gallery of Victoria and the adjacent Victorian Arts Centre, cemented his legacy as a leader in Australian architecture.
Architecture of Australia has generally been consistent with architectural trends in the wider Western world, with some special adaptations to compensate for distinctive Australian climatic and cultural factors. Indigenous Australians produced a wide range of structures and places prior to colonisation. Contemporary Indigenous practitioners are active in a broad range of built environment fields. During Australia's early Western history, it was a collection of British colonies in which architectural styles were strongly influenced by British designs. However, the unique climate of Australia necessitated adaptations, and 20th-century trends reflected the increasing influence of American urban designs and a diversification of the cultural tastes and requirements of an increasingly multicultural Australian society.
Terry Smith is an Australian art historian, art critic and artist who currently lives and works in Pittsburgh, New York and Sydney.
Criticism of suburbia dates back to the boom of suburban development in the 1950s and critiques a culture of aspirational homeownership. In the English-speaking world, this discourse is prominent in the United States and Australia being prevalent both in popular culture and academia.
Neil Clerehan was an Australian architect and architectural writer.
Kevin Borland was an Australian post-war Architect. Over his career his works evolved from an International Modernist stance into a Regionalist aesthetic for which he became most recognized. Many of his significant works were composed of raw materials and considered ‘Brutalist’ typifying Borland’s renowned motto ‘architecture is not for the faint-hearted’. Borland died in 2000 leaving a legacy of work throughout Victoria, New South Wales and Tasmania.
Artificial Australia was the title of a series of lectures given by prominent Australian architect, Robin Boyd in 1967 on the Australian Broadcasting Commission.
Raymond Alfredo Daniel Jones was an Australian Modernist architect. His work includes many building types, including residential, ecclesiastical, educational, commercial, and prefabricated kit buildings.
Kerstin Thompson is an Australian architect, born in Melbourne in 1965. She is the principal of Kerstin Thompson Architects (KTA), a Melbourne-based architecture, landscape and urban design practice with projects in Australia and New Zealand. She is also Professor of Design at the School of Architecture at Victoria University of Wellington, New Zealand, and adjunct professor at RMIT University and Monash University.
The Walsh Street House, also known as the Boyd House II, is a family home in Walsh Street, South Yarra, Melbourne, Victoria, Australia, designed by Robin Boyd in 1958, which the Boyds moved into a year later. Robin Boyd was known not only as an architect but also an architectural writer, educator and commentator. Born in 1919, as a member of the Boyd family, he came from a creative family background of sculptors, painters and architects. He and his wife Patricia occupied the South Yarra home with their two daughters.
Featherston House is in Ivanhoe, Victoria. It was designed by leading Australian architect Robin Boyd of Romberg & Boyd in 1967. The house was completed in 1969.
Mark Strizic was a 20th-century German-born Australian photographer, teacher of photography, and artist. Best known for his architectural and industrial photography, he was also a portraitist of significant Australians, and fine art photographer and painter known for his multimedia mural work.
Ellis Andrew Stones was an Australian landscape architect of private and public gardens—many displaying naturalistic rockwork—and a conservationist whose work and ideas influenced approaches to public landscaping in Australia. Based in Melbourne, Australia, he was an early proponent of the use of Australian native plants and one of the founding fathers of the Australian landscaping style.
Karen Burns is an Australian architectural historian and theorist. She is currently a senior lecturer in architecture at the Melbourne School of Design, University of Melbourne.
Lyons House is a heritage-listed private residence at 733 Port Hacking Road, Dolans Bay, New South Wales, Australia. It was designed in 1967 by Robin Boyd; Marion Hall Best designed the window coverings; and Bruce Mackenzie designed the landscape.
David George Druce Yencken was a builder, businessman, academic and heritage practitioner in Australia.
Frank Cheshire (1896–1987) was an Australian bookseller and publisher. His bookshop in Little Collins Street, Melbourne was described as a "gathering place for all interested in books and literature" in the mid-twentieth century. His publishing firm, F. W. Cheshire Pty. Ltd. published school textbooks and dominated that market in the state of Victoria for many years. It "began a new era in publishing" when it published Australian text books for Australian schools instead of importing them from Britain. The firm also published a number of general trade bestsellers such as Alan Marshall's I Can Jump Puddles, Robin Boyd's The Australian Ugliness and Joan Lindsay's Picnic at Hanging Rock and "gave many Australian writers their first start".
