The Battle of Waterloo | |
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Artist | Jan Willem Pieneman |
Year | 1824 |
Type | Oil on canvas |
Dimensions | 567 cm× 823 cm(223 in× 324 in) |
Location | Rijksmuseum, Amsterdam |
The Battle of Waterloo (Dutch: De Slag bij Waterloo) is a large history painting by the Dutch artist Jan Willem Pieneman completed in 1824. It portrays the Battle of Waterloo on 18 June 1815 which marked the final defeat of Napoleon's French Empire and the end of the Napoleonic Wars. It focuses on the Allied commanders led by the Duke of Wellington. Following the success of his 1818 work The Prince of Orange at Quatre Bras the artist chose to depict another scene from the Hundred Days campaign. He traveled to London in February 1821 where he received assistance from the Duke of Wellingon who let him establish a temporary studio in Apsley House and posed for his own portrait. [1] He also arranged sittings with other senior figures present at Waterloo and in addition had his horse Copenhagen brought to London so that Pieneman could capture its likeness. After spending nearly nearly four months in London the artist returned to Amsterdam where he also painted the Prince of Orange in preparation for the work. [2]
The work itself took almost three years to complete. Measuring eighteen and a half by twenty seven feet it was a giant canvas. [3] It depicts the scene at the moment news reaches Wellington that Prussian forces under Blucher are arriving on the battlefield. [4] The focus is on the Allies, particularly the British, the Dutch and Belgians of the Netherlands and the King's German Legion of Hanover. Wellington is the central figure of the scene, mounted on Copenhagen. The Prince of Orange is in the bottom left hand corner of the painting, wounded and being carried on a stretcher. Other figures portrayed include Lord Uxbridge, Rowland Hill and Miguel Ricardo de Álava. Behind them the battle rages on. To the left a British cavalryman waves a captured French Eagle in the air (two were captured by British troops, one by the Scots Greys and the other by the 1st (or Royal) Regiment of Dragoons).
Although Wellington may have planned to acquire the painting to hang at his country estate Stratfield Saye, it was bought instead by the Prince of Orange for 40,000 guilders. The sum was actually paid by his father William I as a gift for his son and heir. As a condition of the sale, Pieneman insisted that he be allowed to exhibit the painting in London. [5] Wellington did manage to acquire thirteen of Pieneman's studies for the work (individual ones of Lord Uxbridge, Hill, da Álava, John Fremantle, William Thornhill, Colin Halkett, FitzRoy Somerset, James Shaw, John Elley, John Colborne, Edward Robert Somerset and George Cooke and a dual study of Frederick Cavendish Ponsonby and Colin Campbell), all now at Apsley House. [6]
Due to the painting's large size it was decided to construct a specially-built pavilion in Hyde Park. This opened in early May 1825 proved very popular with the British public who turned out in large numbers. The work was on display for around ten months in total including the tenth anniversary of the battle on 18 June 1825. [7] It was also exhibited in Brussels and Ghent. [8] It is now in the Rijksmuseum in Amsterdam, the largest work in the collection. [9] Smaller versions exist at Apsley House and Cirencester Park in Gloucestershire where a copy was given to Wellington's political ally Lord Bathurst. [10]
The Battle of Waterloo was fought on Sunday 18 June 1815, near Waterloo, marking the end of the Napoleonic Wars. A French army under the command of Napoleon was defeated by two armies of the Seventh Coalition. One of these was a British-led force with units from the United Kingdom, the Netherlands, Hanover, Brunswick, and Nassau, under the command of Arthur Wellesley, Duke of Wellington. The other comprised three corps of the Prussian army under Field Marshal Blücher; a fourth corps of this army fought at the Battle of Wavre on the same day. The battle was known contemporarily as the Battle of Mont Saint-Jean in France and La Belle Alliance in Prussia.
Field Marshal Arthur Wellesley, 1st Duke of Wellington, was an Anglo-Irish military officer and statesman who was one of the leading military and political figures in Britain during the late 18th and early 19th centuries, serving twice as Prime Minister of the United Kingdom. He is among the commanders who ended the Anglo-Mysore Wars when Tipu Sultan was killed in the fourth war in 1799 and among those who ended the Napoleonic Wars in a victory when the Seventh Coalition defeated Napoleon at the Battle of Waterloo in 1815.
Duke of Wellington is a title in the Peerage of the United Kingdom. The name derived from Wellington in Somerset. The title was created in 1814 for Arthur Wellesley, 1st Marquess of Wellington, the Anglo-Irish military commander who is best known for leading the decisive victory with Field Marshal von Blücher over Napoleon's forces at Waterloo in Brabant. Wellesley later served twice as British prime minister. In historical texts, unqualified use of the title typically refers to the 1st Duke.
Apsley House is the London townhouse of the Dukes of Wellington. It stands alone at Hyde Park Corner, on the south-east corner of Hyde Park, facing towards the large traffic roundabout in the centre of which stands the Wellington Arch. It is a Grade I listed building.
Henry William Paget, 1st Marquess of Anglesey, styled Lord Paget between 1784 and 1812 and known as the Earl of Uxbridge between 1812 and 1815, was a British Army officer and politician. After serving as a member of parliament for Carnarvon and then for Milborne Port, he took part in the Flanders Campaign and then commanded the cavalry for Sir John Moore's army in Spain during the Peninsular War; his cavalry showed distinct superiority over their French counterparts at the Battle of Sahagún and at the Battle of Benavente, where he defeated the elite chasseurs of the French Imperial Guard. During the Hundred Days he led the charge of the heavy cavalry against Comte d'Erlon's column at the Battle of Waterloo. At the end of the battle, he lost part of one leg to a cannonball. In later life, he served twice as Master-General of the Ordnance and twice as Lord Lieutenant of Ireland.
Henry Bathurst, 2nd Earl Bathurst, known as The Lord Apsley from 1771 to 1775, was a British lawyer and politician. He was Lord High Chancellor of Great Britain from 1771 to 1778.
Miguel Ricardo de Álava y Esquivel was a Spanish General and statesman who served as Prime Minister of Spain in 1835. He was born in the Basque Country, at Vitoria-Gasteiz, in 1770. Álava holds the distinction of having been present at both Trafalgar and Waterloo, fighting against the British at the former and with them at the latter.
Sharpe's Waterloo is a historical novel in the Richard Sharpe series by Bernard Cornwell. Originally published in 1990 under the title Waterloo, it is the eleventh novel of the Sharpe series and the twentieth novel in chronological order. Cornwell stated that he intended to end the series here, but later changed his mind.
Sharpe's Waterloo is a British television drama, the 14th part of a series that follows the career of Richard Sharpe, a fictional British soldier during the Napoleonic Wars. The adaptation is based on the 1990 novel of the same name by Bernard Cornwell.
The Duchess of Richmond's Ball was a ball hosted by Charlotte Lennox, Duchess of Richmond in Brussels on 15 June 1815, the night before the Battle of Quatre Bras. Charlotte's husband Charles Lennox, 4th Duke of Richmond, was in command of a reserve force in Brussels, which was protecting that city in case Napoleon Bonaparte invaded.
Lord Uxbridge's leg was shattered, probably by a piece of case shot, at the Battle of Waterloo and removed by a surgeon. The amputated right limb became a tourist attraction in the village of Waterloo, Belgium, where it had been removed and interred.
Jan Willem Pieneman was a Dutch painter.
Colonel Sir Felton Elwell Hervey-Bathurst, 1st Baronet,, was an officer in the British Army during the Napoleonic Wars.
The Chelsea Pensioners reading the Waterloo Dispatch, originally entitled Chelsea Pensioners Receiving the London Gazette Extraordinary of Thursday, June 22, 1815, Announcing the Battle of Waterloo, is an oil painting by David Wilkie, commissioned by Arthur Wellesley, 1st Duke of Wellington in August 1816.
The Wellington Collection is a large art and militaria collection housed at Apsley House in London. It mainly consists of paintings, including 83 formerly in the Spanish royal collection, given to Arthur Wellesley, 1st Duke of Wellington, who was prime minister as well as the general commanding the British forces to victory in the Napoleonic Wars. It also includes his collection of furniture, sculpture, porcelain, the silver centrepiece made for him in Portugal around 1815, and many other artworks and memorabilia relating to his career.
Portrait of the Duke of Wellington is a portrait painting by the English artist Thomas Lawrence of the Anglo-Irish soldier and politician the Duke of Wellington. It was begun in early 1815 following Wellington's success in the Peninsular War and shortly before his victory over Napoleon at the Battle of Waterloo and the subsequent allied occupation of France under Wellington's command. It is now in the collection of Apsley House, the Duke's London residence. Wellington is shown in military uniform displaying various honours including the Order of the Garter, the Order of the Golden Fleece and the Order of the Bath. He has been described as "impassive and aloof" in the painting. Lawrence's depiction of Wellington was used on the British five pound note between 1971 and 1991.
The Waterloo Banquet or The Waterloo Banquet 1836 is an 1836-1841 oil on canvas painting now in Apsley House. It is the main work by William Salter and shows an annual banquet organised by the Duke of Wellington on the anniversary of the attendees' victory at the Battle of Waterloo, a tradition that still continues today. It nominally shows the banquet in 1836 but does include some of those who had attended previous banquets but had died before 1836.
The Prince of Orange at Quatre Bras is an 1818 battle painting by the Dutch artist Jan Willem Pieneman. It depicts a scene from the Battle of Quatre Bras fought on 16 June 1815, two days before the decisive Battle of Waterloo. The young William, Prince of Orange, heir to the Dutch throne and a Lieutenant General in the British Army, had command of a corps of Allied troops. The Waterloo campaign took place in Belgium which had recently granted to the new United Kingdom of the Netherlands by the Congress of Vienna. William of Orange was the senior Dutch figure present at the battle, serving under the overall command of the Duke of Wellington.
The Triumvirate Assuming Power on Behalf of the Prince of Orange is an 1828 history painting by the Dutch artist Jan Willem Pieneman. It depicts a scene in The Hague on 20 November 1813 during a Dutch uprising against rule by Napoleon's French Empire. The Triumvirate of 1813 assumed power in the name of William, Prince of Orange.
William Thornhill was a British Army officer of the Peninsular War and the Waterloo Campaign. His nephew was the politician William Pole Thornhill.