The Battle of Waterloo | |
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Directed by | Charles Weston |
Produced by |
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Starring | George Foley |
Release date |
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Running time | 86 minutes |
Country | United Kingdom |
Language | Silent |
Budget | £1,800 |
The Battle of Waterloo is a 1913 feature film created by British and Colonial Films to dramatize the eponymous battle ahead of its centenary. The Battle of Waterloo was much longer and more costly than contemporary films but went on to great commercial and critical success. Though the film was shown in theaters around the world, all copies were thought lost until 2002, when about 22 minutes of the hour-and-a-half production were rediscovered at the British Film Institute archives. Since then, two reels and a fragment have been compiled, representing about half the completed film.
The first two decades after the invention of the film camera were marked by a progression toward larger and more elaborate productions. From short vignettes of a single subject, films evolved to include multiple scenes, locations and actors. In 1910, Barker Motion Photography released Henry VIII, a 30-minute recreation of the Shakespearean play. [1] The success of this movie, (the first lengthy production by a British film studio) and similar foreign productions encouraged British and Colonial Films to produce its own feature film. The company, based in East Finchley, London, had already created several short films and documentaries, but The Battle of Waterloo was its longest production to date.
To direct the film, British and Colonial Films hired American director Charles Weston. To raise money for the production, John Benjamin McDowell, one of the founders of British and Colonial, remortgaged the company for £ 1,800. Weston chose to film the production in Irthlingborough, Northamptonshire, a place the Duke of Wellington reportedly said reminded him of the terrain around Waterloo, Belgium. [2] Hundreds of local residents were used as extras. Some were paid, while others volunteered. There were so many volunteers that two shoe factories in the town had to close for lack of workers. [2] [3] Subsequent advertisements indicated the movie contained 2,000 soldiers, 116 scenes, 1,000 horses and 50 cannons. [4]
'C' Squadron of the 12th Lancers cavalry regiment was loaned to the production from its base at Weedon Barracks. More than 100 horses came from the London stables of Thomas Tilling, which at the time was the biggest supplier of horsepower in London. The regimental historian recorded, "An accommodating American made the rounds of all the pubs at night to pay for drinks. The fact that Napoleon could not ride and that a sergeant in the regiment appropriated Wellington's boots nearly prevented the film being made and 'C' Sqn from taking part in the most exciting, best paid and least painful battle of the regiment's long history." [4]
Despite the complexities of the production, filming was completed in just five days, and the resulting edited film encompassed about 5,000 feet (1,500 m) of film over five reels. [5]
Commercially, the film returned John Benjamin McDowell's investment many times over. British display rights alone were sold for £ 5,000, and international display rights earned the company even more. [5] It was the feature shown at the opening of the Alcazar in Edmonton, London. [6] Critically, the film received mixed reviews. Bioscope, a British film journal, praised British and Colonial's effort to preserve a portion of British history with a British production. It tempered this praise by noting that the film recreated scenes from the battle "from the point of view of an ordinary soldier in the thick of the battle," but there was almost no dramatic or human interest. [7]
The film was popular enough that a parody, Pimple's Battle of Waterloo, was hurriedly put into production and released later that year. [8]
After the success of The Battle of Waterloo, British and Colonial continued to produce longer films. After the start of World War I, many of the same filmmakers who produced Waterloo were put to work on propaganda films, the most famous of which is The Battle of the Somme.
The original prints of The Battle of Waterloo were struck on nitrate film and have been lost. Only fragments survive in the British Film Institute's archive. The entire film was thought lost until 2002, when 22 minutes were rediscovered in the archive. Additional fragments have been compiled, the equivalent of about two and a half reels of film. [2]
The Battle of Waterloo was fought on Sunday 18 June 1815, near Waterloo, marking the end of the Napoleonic Wars. A French army under the command of Napoleon was defeated by two armies of the Seventh Coalition. One of these was a British-led force with units from the United Kingdom, the Netherlands, Hanover, Brunswick, and Nassau, under the command of the Duke of Wellington. The other comprised three corps of the Prussian army under Field Marshal Blücher; a fourth corps of this army fought at the Battle of Wavre on the same day. The battle was known contemporarily as the Battle of Mont Saint-Jean in France and La Belle Alliance in Prussia.
Field Marshal Arthur Wellesley, 1st Duke of Wellington, was an Anglo-Irish military officer and statesman who was one of the leading military and political figures in Britain during the late 18th and early 19th centuries, serving twice as British prime minister. He is among the commanders who ended the Anglo-Mysore Wars when Tipu Sultan was killed in the fourth one in 1799 and among those who ended the Napoleonic Wars in a victory when the Seventh Coalition defeated Napoleon at the Battle of Waterloo in 1815.
Waterloo is a 1970 English-language epic historical war film about the Battle of Waterloo. A co-production between Italy and the Soviet Union, it was directed by Sergei Bondarchuk and produced by Dino De Laurentiis. It stars Rod Steiger as Napoleon Bonaparte and Christopher Plummer as the Duke of Wellington with a cameo by Orson Welles as Louis XVIII of France. Other stars include Jack Hawkins as General Sir Thomas Picton, Virginia McKenna as the Duchess of Richmond and Dan O'Herlihy as Marshal Ney.
The Hundred Days, also known as the War of the Seventh Coalition, marked the period between Napoleon's return from eleven months of exile on the island of Elba to Paris on 20 March 1815 and the second restoration of King Louis XVIII on 8 July 1815. This period saw the War of the Seventh Coalition, and includes the Waterloo Campaign and the Neapolitan War as well as several other minor campaigns. The phrase les Cent Jours was first used by the prefect of Paris, Gaspard, comte de Chabrol, in his speech welcoming the king back to Paris on 8 July.
La Haye Sainte is a walled farmhouse compound at the foot of an escarpment near Waterloo, Belgium, on the N5 road connecting Brussels and Charleroi. It has changed very little since it played a crucial part in the Battle of Waterloo on 18 June 1815.
The Battle of the Somme, is a 1916 British documentary and propaganda war film, shot by two official cinematographers, Geoffrey Malins and John McDowell. The film depicts the British Expeditionary Force during the preliminaries and early days of the Battle of the Somme. The film premièred in London on 10 August 1916 and was released generally on 21 August. The film shows trench warfare, marching infantry, artillery firing on German positions, British troops waiting to attack on 1 July, the treatment of wounded British and German soldiers, British and German dead and captured German equipment and positions. A scene during which British troops crouch in a ditch then "go over the top" was staged for the camera behind the lines.
Château d'Hougoumont is a walled manorial compound, situated at the bottom of an escarpment near the Nivelles road in the Braine-l'Alleud municipality, near Waterloo, Belgium. The site served as one of the advanced defensible positions of the Anglo-allied army under the Duke of Wellington, that faced Napoleon's Army at the Battle of Waterloo on 18 June 1815.
The Battle of Quatre Bras was fought on 16 June 1815, as a preliminary engagement to the decisive Battle of Waterloo that occurred two days later. The battle took place near the strategic crossroads of Quatre Bras and was contested between elements of the Duke of Wellington's Anglo-allied army and the left wing of Napoleon Bonaparte's French Armée du Nord under Marshal Michel Ney. The battle was a tactical victory for Wellington, but because Ney prevented him going to the aid of Blucher's Prussians who were fighting a larger French army under the command of Napoleon Bonaparte at Ligny it was a strategic victory for the French.
The French Imperial Eagle refers to the figure of an eagle on a staff carried into battle as a standard by the Grande Armée of Napoleon I during the Napoleonic Wars.
The Waterloo campaign was fought between the French Army of the North and two Seventh Coalition armies, an Anglo-allied army and a Prussian army. Initially the French army had been commanded by Napoleon Bonaparte, but he left for Paris after the French defeat at the Battle of Waterloo. Command then rested on Marshals Soult and Grouchy, who were in turn replaced by Marshal Davout, who took command at the request of the French Provisional Government. The Anglo-allied army was commanded by the Duke of Wellington and the Prussian army by Field Marshall Graf von Blücher.
This is the complete order of battle for the four major battles of the Waterloo campaign.
Robert Alexander Hillingford was an English painter. He specialized in historical pictures, often battle scenes.
The Duchess of Richmond's Ball was a ball hosted by Charlotte Lennox, Duchess of Richmond in Brussels on 15 June 1815, the night before the Battle of Quatre Bras. Charlotte's husband Charles Lennox, 4th Duke of Richmond, was in command of a reserve force in Brussels, which was protecting that city in case Napoleon Bonaparte invaded.
The 52nd (Oxfordshire) Regiment of Foot was a light infantry regiment of the British Army throughout much of the 18th and 19th centuries. The regiment first saw active service during the American War of Independence, and were posted to India during the Anglo-Mysore Wars. During the Napoleonic Wars, the 52nd were part of the Light Division, and were present at most major battles of the Peninsula campaign, becoming one of the most celebrated regiments, described by Sir William Napier as "a regiment never surpassed in arms since arms were first borne by men". They had the largest British battalion at Waterloo, 1815, where they formed part of the final charge against Napoleon's Imperial Guard. They were also involved in various campaigns in India.
James Graham was an Irish non-commissioned officer (NCO) in the British Army during the Napoleonic Wars, recognised as the "bravest man in the army" by the Duke of Wellington. Serving in the Coldstream Guards, he was commended for his gallantry during the defence of Hougoumont, at Waterloo. Graham saved the life of an officer, and his own brother, and was among the small group responsible for closing the North Gate at Hougoumont after a French attack – an act which won the Duke of Wellington's encomium. He was rewarded with a specially cast gallantry medal and an annuity. After later serving in the 12th Royal Lancers, Graham was discharged in 1830 for ill health, and died at the Royal Hospital Kilmainham in 1845.
British and Colonial Films was a British company making predominantly silent films in London between 1908 and 1924. It was also known by the abbreviation B & C.
Frederick William Evans was a British music hall and silent film comedian, who became famous around the time of the First World War for portraying his character Pimple in more than 200 short movies. He was described as "second only in popularity to Chaplin in Britain at the height of his career," and as displaying "a proto-Pythonesque humour of the absurd." Critic Barry Anthony wrote that "in many ways the topical skits of Pimple have more in common with The Crazy Gang, Benny Hill, the Goons, Monty Python or topical sketch shows like French and Saunders and The Fast Show than with the classic Hollywood silent comedies."
Arthur Wellesley, 1st Duke of Wellington,, was one of the leading British military and political figures of the 19th century. Often referred to solely as "The Duke of Wellington", he led a successful military career in the Indian subcontinent during the Fourth Anglo-Mysore War (1798–99) and the Second Anglo-Maratha War (1803–1805), and in Europe during the Napoleonic Wars (1803–1815).
Arthur Wellesley, 1st Duke of Wellington, was an Anglo-Irish soldier and Tory statesman who was one of the leading military and political figures of 19th-century Britain, commanding the British Army during the Napoleonic Wars and serving twice as prime minister. He has frequently been depicted in various cultural media.