The Bayswater Omnibus is an 1895 oil painting by George William Joy. It has been part of the Museum of London's collection since 1966. The genre painting depicts a scene inside a horse-drawn omnibus of the London General Omnibus Company. Joy borrowed a bus from the company while he was working on his painting.
The early omnibus was a horse-drawn carriage that plied a set route, picking up and dropping off passengers as it went. It was introduced in London on 4 July 1829 and soon became a popular form of transport catering mainly to the middle classes - the working classes would rarely be able to afford the fare, and upper classes could afford their own vehicle or to hire a hackney carriage. The typical London omnibus was an enclosed and glazed carriage with four wheels, drawn by one or two horses. Passengers could sit on benches to either side inside, entering via a door at the rear, or climb up to exposed seats on the roof. A driver would ride at the front of the carriage, with a conductor taking fares and assisting passengers to climb aboard and depart.
The scene is painted as if viewed by a person on one bench inside the omnibus, looking across at passengers on the other side of the carriage. The painting depicts, from left to right, a relatively poor mother accompanied by a young girl (modelled by the artist's wife and daughter) and carrying a baby; the central figure is a fashionably well-dressed young woman, with a long-handled parasol and basket of flowers; she sits beside a city gentleman in top hat and frock coat reading his newspaper; and then closer to the door are two more women: a nurse seated in her starched uniform, and a milliner boarding the bus, holding a handrail with one hand and clasping a hatbox with the other.
The side of the carriage behind and above the passengers is covered with advertising posters, including Millais's Bubbles painting for Pears soap (Millais studied beside Joy). Visible through the window, a hansom cab passes on the road beyond.
The painting was exhibited at the Royal Academy in 1895 and at the Southport Spring Exhibition in 1900. [1] It was donated to the Museum of London by the artist's daughter Rosalind B. Joy in 1966. It measures 140 by 196 centimetres (55 in × 77 in).
A bus is a motor vehicle that carries significantly more passengers than an average car or van, but fewer than the average rail transport. It is most commonly used in public transport, but is also in use for charter purposes, or through private ownership. Although the average bus carries between 30 and 100 passengers, some buses have a capacity of up to 300 passengers. The most common type is the single-deck rigid bus, with double-decker and articulated buses carrying larger loads, and midibuses and minibuses carrying smaller loads. Coaches are used for longer-distance services. Many types of buses, such as city transit buses and inter-city coaches, charge a fare. Other types, such as elementary or secondary school buses or shuttle buses within a post-secondary education campus, are free. In many jurisdictions, bus drivers require a special large vehicle licence above and beyond a regular driving license.
A hackney or hackney carriage is a carriage or car for hire. A hackney of a more expensive or high class was called a remise. A symbol of London and Britain, the black taxi is a common sight on the streets of London. The hackney carriages carry a roof sign TAXI that can be illuminated to indicate their availability for passengers.
The hansom cab is a kind of horse-drawn carriage designed and patented in 1834 by Joseph Hansom, an architect from York. The vehicle was developed and tested by Hansom in Hinckley, Leicestershire, England. Originally called the Hansom safety cab, it was designed to combine speed with safety, with a low centre of gravity for safe cornering. Hansom's original design was modified by John Chapman and several others to improve its practicability, but retained Hansom's name.
The London General Omnibus Company or LGOC, was the principal bus operator in London between 1855 and 1933. It was also, for a short period between 1909 and 1912, a motor bus manufacturer.
George Shillibeer was an English coachbuilder.
The Liverpool Overhead Railway was an overhead railway in Liverpool that operated along the Liverpool Docks and opened in 1893 with lightweight electric multiple units. The railway had a number of world firsts: it was the first electric elevated railway, the first to use automatic signalling, electric colour light signals and electric multiple units, and was home to one of the first passenger escalators at a railway station. It was the second-oldest electric metro in the world, being preceded by the 1890 City and South London Railway.
A horsecar, horse-drawn tram, horse-drawn streetcar (U.S.), or horse-drawn railway (historical), is an animal-powered tram or streetcar.
A brougham is a 19th century four-wheeled carriage drawn by a single horse. It was named after the politician and jurist Lord Brougham, who had this type of carriage built to his specification by London coachbuilder Robinson & Cook in 1838.
Paris is the centre of a national, and with air travel, international, complex transport system. The modern system has been superimposed on a complex map of streets and wide boulevards that were set in their current routes in the 19th century. On a national level, it is the centre of a web of road and railway, and at a more local level, it is covered with a dense mesh of bus, tram and metro service networks.
A horse-drawn vehicle is a piece of equipment pulled by one or more horses. These vehicles typically have two or four wheels and were used to carry passengers or a load. They were once common worldwide, but they have mostly been replaced by automobiles and other forms of self-propelled transport but are still in use today.
The Brisbane tramway network served the city of Brisbane, Australia, between 1885 and 1969. It ran on standard gauge track. The electric system was originally energised to 500 volts, and subsequently increased to 600 volts. All tramcars built in Brisbane up to 1938 had an open design. This proved so popular, especially on hot summer nights, that the trams were used as fundraisers and often chartered right up until the last service by social groups.
George William Joy was an Irish painter in London.
A steam bus is a bus powered by a steam engine. Early steam-powered vehicles designed for carrying passengers were more usually known as steam carriages, although this term was sometimes used to describe other early experimental vehicles too.
A coach is a large, closed, four-wheeled, passenger-carrying vehicle or carriage usually drawn by two or more horses controlled by a coachman, a postilion, or both. A coach has doors in its sides and a front and a back seat inside. The driver has a raised seat in front of the carriage to allow better vision. It is often called a box, box seat, or coach box. There are many types of coaches depending on the vehicle's purpose.
A droshky or drosky is a term used for a four-wheeled open carriage used especially in Russia. The vehicle has a long bench on which the driver or passengers sit as if on a saddle, either astride or sideways. From droga, the pole that connects the front and rear axles.
A cabriolet is a light horse-drawn vehicle, with two wheels and a single horse. The carriage has a folding hood that can cover its two occupants, one of whom is the driver. It has a large rigid apron, upward-curving shafts, and usually a rear platform between the C springs for a groom. The design was developed in France in the eighteenth century and quickly replaced the heavier hackney carriage as the vehicle for hire of choice in Paris and London.
The Horseshoe Barn and Horseshoe Barn Annex are two exhibit buildings located at Shelburne Museum in Shelburne, Vermont. Both buildings exhibit a variety of horse-drawn vehicles, including carriages, trade wagons, stagecoaches, and sleighs.
A horse-bus or horse-drawn omnibus was a large, enclosed, and sprung horse-drawn vehicle used for passenger transport before the introduction of motor vehicles. It was mainly used in the late 19th century in both the United States and Europe, and was one of the most common means of transportation in cities. In a typical arrangement, two wooden benches along the sides of the passenger cabin held several sitting passengers facing each other. The driver sat on a separate, front-facing bench, typically in an elevated position outside the passengers' enclosed cabin. In the main age of horse buses, many of them were double-decker buses. On the upper deck, which was uncovered, the longitudinal benches were arranged back to back.
The Third-Class Carriage is the name of at least three oil paintings entitled made by the French painter Honoré Daumier. In a realistic manner, Daumier depicts the poverty and fortitude of working class travellers in a third class railway carriage. One oil-on canvas version, dated to c. 1862–1864 but left unfinished, is in the collection of the Metropolitan Museum of Art in New York, and a similar but completed painting dated to c. 1863–1865 is in the National Gallery of Canada in Ottawa. A third oil-on-panel version, dated to c. 1856–1858, with a different arrangement of the main three figures, is held by the Fine Arts Museums of San Francisco.
Omnibus Life in London is an 1859 oil-on-canvas painting by British artist William Maw Egley. The work depicts the interior of a packed omnibus carriage. It is held by the Tate Gallery, in London.