The Beatification of the Area Boy

Last updated
The Beatification of the Area Boy
Beatification of Area boy.jpg
Author wole soyinka
LanguageEnglish
Genrefiction
PublisherA&C Black Pod
Publication date
January 1, 1995
Publication placeNigeria, England
ISBN 0-413-68680-9

The Beatification of the Area Boy a play by Wole Soyinka first published in Great Britain in 1995 and later in Nigeria in 1999, the play explores the absurdity sitted in Nigerian society, particularly under military rule, and by extension within any African nation where regressive systems remain unchallenged due to lack of balance and check. [1] [2]

Contents

Plot

The play is set in a shopping plaza in Lagos and revolves around the actions of Sanda, who commands a group of area boys. A prestigious wedding between two prominent families is about to take place in the plaza, but tensions arise when the bride, Miseyi, challenges traditional customs by presenting herself to Sanda instead of her intended groom. This sparks conflict between the families and the military governor, leading to chaos.

Sanda manipulates the situation to his advantage, orchestrating schemes involving his associates to divert attention and exploit opportunities for financial gain. Through a network of characters including Judge, Barber, Trader, Mama Put, Boyko, Cyclist, Minstrel, and Miseyi, the play explores themes of power, corruption, and societal hierarchy in Lagosian society. [3]

Sanda emerges as the central figure, cunningly orchestrating events to benefit himself while navigating the complexities of Lagosian life. The play critiques military dictatorship, societal inequalities, and moral decay, highlighting the consequences of corruption and exploitation on both individuals and society as a whole. [4]

Characters

Major cast

Minor cast

Setting

The primary setting of the play is the shopping plaza a symbol of wealth and extravagance amidst the sprawling urban landscape of Lagos. It serves as a part of Nigerian society, attracting a diverse array of characters from divers society, each with their own aspirations and motivations. The luxury and everyday life within the plaza reflects the inequalities that define Lagosian society.

The reference to Good Time Bar in Ikorodu, a suburb of Lagos, highlights the sprawling nature of the city and the interconnectedness of its various neighborhoods. Ikorodu, with its distinct culture and identity, adds depth to the play's portrayal of Lagos, showcasing the city's rich tapestry of communities and traditions. [7]

Overall, Lagos serves as more than just a backdrop for the events of "The Beatification Of Area Boy"; it becomes a character in its own right, imbued with its own complexities, contradictions, and vibrant energy. Through its vivid portrayal of Lagosian life, the play captures the essence of Nigeria's largest city and offers a nuanced exploration of its social, political, and cultural landscape. [8]

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References

  1. "Wole Soyinka's The Beatification of Area Boy | Centre for African Studies (LUCAS)". lucas.leeds.ac.uk. Retrieved 2024-05-03.
  2. Soyinka, Wole (1995-01-01). The beatification of Area Boy: A Lagosian kaleidoscope. London: A&C Black Pod. ISBN   978-0-413-68680-0.
  3. Soyinka, Wole (1995). The Beatification of Area Boy: A Lagosian Kaleidoscope. Methuen Drama. ISBN   978-0-413-68680-0.
  4. "Wole Soyinka's The Beatification of Area Boy | Centre for African Studies (LUCAS)". lucas.leeds.ac.uk. Retrieved 2024-05-03.
  5. Ihesiulo, Grace (3 May 2024). "Soyinka gives Lagos the beatification area boy". daily times . Retrieved May 3, 2024.
  6. "Art and Politics in Wole Soyinka's The Beautification of the Area Boy By and Ola Rotimi's Our Husbands Have Gone Mad Again". Matrix Project. 2017-09-13. Retrieved 2024-05-03.
  7. "The Beautification of Area Boy: A Lagosian Kaleidoscope. - Document - Gale Ebooks". go.gale.com. Retrieved 2024-05-03.
  8. "BBC World Service - The Art House, Wole Soyinka's "The Beatification of Area Boy"". BBC. 1995-11-10. Retrieved 2024-05-03.