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Editor | Anthony Doerr and Heidi Pitlor |
---|---|
Language | English |
Series | The Best American Short Stories |
Published | 2019 |
Publisher | Houghton Mifflin Harcourt |
Media type | Print (hardback & paperback) |
ISBN | 9781328465825 (hardback) |
Preceded by | The Best American Short Stories 2018 |
Followed by | The Best American Short Stories 2020 |
The Best American Short Stories 2019 is a volume in the annual Best American Short Stories anthology. It was edited by the series editor, Heidi Pitlor, and guest editor and Pulitzer Prize winner, Anthony Doerr. [1]
Author | Title | First published |
---|---|---|
Nana Kwame Adjei-Brenyah | "The Era" | Guernica (April 2, 2018) |
Kathleen Alcott | "Natural Light" | Zoetrope: All-Story (vol.22, no.1) |
Wendell Berry | "The Great Interruption: A Story of a Famous Story of Old Port William and How It Ceased to Be Told (1935–1978)" | Threepenny Review (no.155) |
Jamel Brinkley | "No More Than a Bubble" | LitMag(no.2) |
Deborah Eisenberg | "The Third Tower" | Ploughshares (vol.44, no.1) |
Julia Elliott | "Hellion" | The Georgia Review (vol.72, no.2) |
Jeffrey Eugenides | "Bronze" | The New Yorker (February 5, 2018) |
Ella Martinsen Gorham | "Protozoa" | New England Review (vol.39, no.4) |
Nicole Krauss | "Seeing Ershadi" | The New Yorker(March 5, 2018) |
Ursula K. Le Guin | "Pity and Shame" | Tin House (vol.19, no.4) |
Manuel Muñoz | "Anyone Can Do It" | ZYZZYVA (no.113) |
Sigrid Nunez | "The Plan" | LitMag(no.2) |
Maria Reva | "Letter of Apology" | Granta (no.145) |
Karen Russell | "Black Corfu" | Zoetrope(vol.22, no.2) |
Saïd Sayrafiezadeh | "Audition" | The New Yorker(September 10, 2018) |
Alexis Schaitkin | "Natural Disasters" | Ecotone(no.24) |
Jim Shepard | "Our Day of Grace" | Zoetrope(Vol.22, no.1) |
Mona Simpson | "Wrong Object" | Harper's Magazine (November 2018) |
Jenn Alandy Trahan | "They Told Us Not to Say This" | Harper's Magazine(September 2018) |
Weike Wang | "Omakase" | The New Yorker(July 18, 2018) |
In a review of The Best American Short Stories 2019 in the New York Journal of Books, Anjanette Delgado stated that the collection's stories are "unabashedly political, aware of their context, of the times we live, and understand their role in this particular time and age". [2] She wrote that over the years critics have commented on each guest editor in the series, and their sometimes "controversial choices", but in this selection, Delgado said "the quality of the writing is never in dispute." [2]
Writing in AudioFile magazine, Leslie B. Fine remarked that the stories in this collection "provides glimpses of worlds, minds, and dreams that are tragic, wistful, disturbing, and thought-provoking." [3] She said that the authors exploit the short form to the fullest, and Fine called their characters "outstanding" in the way they bring each story to life. [3] Kirkus Reviews described the book as "[a] fine celebration of the many guises a short story can take while still doing its essential work". It called Adjei-Brenyah's story,"The Era" the highlight of the collection. [4]
The Best American Short Stories yearly anthology is a part of The Best American Series published by Houghton Mifflin Harcourt. Since 1915, the BASS anthology has striven to contain the best short stories by some of the best-known writers in contemporary American literature.
The Best American Short Stories 2007, a volume in The Best American Short Stories series, was edited by Heidi Pitlor and by guest editor Stephen King.
The Best American Short Stories 2006, a volume in The Best American Short Stories series, was edited by Katrina Kenison and by guest editor Ann Patchett. This edition is notable in that it was the last edition edited by Katrina Kenison, who was succeeded by Heidi Pitlor the following year. Also, Patchett chose to present the stories in reverse-alphabetical order.
The Best American Short Stories 2009, a volume in The Best American Short Stories series, was edited by Heidi Pitlor and by guest editor Alice Sebold.
The Best American Short Stories 2010, a volume in The Best American Short Stories series, was edited by Heidi Pitlor and by guest editor Richard Russo.
The Best American Short Stories 2011, a volume in the Best American Short Stories series, was edited by Heidi Pitlor and by guest editor Geraldine Brooks.
The Best American Short Stories 2012, a volume in the Best American Short Stories series, was edited by Heidi Pitlor and by guest editor Tom Perotta.
Sharon Solwitz is a fiction writer and professor based in Chicago, Illinois. She is the author of the short story collection Blood and Milk and the novels Bloody Mary and Once, in Lourdes. Tom Perotta and Heidi Pitlor selected her story "Alive" for inclusion in The Best American Short Stories 2012, and her story "Gifted" was chosen for the 2016 collection. She earned a Ph.D. from the University of Illinois at Chicago in 1991, and teaches creative writing at Purdue University.
All the Light We Cannot See is a 2014 war novel by American author Anthony Doerr. The novel is set during World War II. It revolves around the characters Marie-Laure LeBlanc, a blind French girl who takes refuge in her great-uncle's house in Saint-Malo after Paris is invaded by Nazi Germany, and Werner Pfennig, a bright German boy who is accepted into a military school because of his skills in radio technology. The book alternates between paralleling chapters depicting Marie-Laure and Werner, framed with a nonlinear structure. The novel has a lyrical writing style, with critics noting extensive sensory details. The story has ethical themes, portraying the destructive nature of war and Doerr's fascination with science and nature.
The Best American Short Stories 2013, a volume in the Best American Short Stories series, was edited by Heidi Pitlor and by guest editor Elizabeth Strout.
Weike Wang is a Chinese-American author of the novel Chemistry, which won the 2018 PEN/Hemingway Award.
Kathleen Alcott is an American novelist, short story writer, and essayist from Northern California. She has taught Creative Writing and Literature at Columbia University and Bennington College. Her work has been translated into Dutch, Italian, Korean, French, Turkish, and Chinese.
The Best American Short Stories 2014, a volume in the Best American Short Stories series, was edited by Heidi Pitlor and by guest editor Jennifer Egan.
The Best American Short Stories 2015, a volume in the Best American Short Stories series, was edited by Heidi Pitlor and by guest editor T. C. Boyle.
The Best American Short Stories 2016, a volume in the Best American Short Stories series, was edited by Heidi Pitlor and by guest editor Junot Díaz.
The Best American Short Stories 2017, a volume in the Best American Short Stories series, was edited by Heidi Pitlor and by guest editor Meg Wolitzer.
The Best American Short Stories 2018, a volume in the Best American Short Stories series, was edited by Heidi Pitlor and by guest editor Roxane Gay.
The Best American Short Stories 2020 is a volume in the annual Best American Short Stories anthology. It was edited by the series editor, Heidi Pitlor, and guest editor Curtis Sittenfeld.
The Best American Short Stories 2021 is a volume in the annual Best American Short Stories anthology. It was edited by the series editor, Heidi Pitlor, and guest editor and two-time National Book Award winner, Jesmyn Ward.
The Best American Short Stories 2023 is a volume in the annual Best American Short Stories anthology. It was edited by the series editor, Heidi Pitlor, and guest editor and National Book Award finalist, Min Jin Lee.