The Big Lie was a 1951 anti-communist propaganda film produced by the US Army.
It aimed to portray the Soviet Union as an aggressive totalitarian empire much like the recently-defeated Nazi Germany, and indeed begins with a quote by Adolf Hitler: "The great masses will more easily fall victim to a big lie than to a small one".
The film links the communist and Nazi ideologies by showing scenes of forced labor, sham elections, kangaroo courts and parades held by the armed forces or by regime-controlled youth organizations: in each case a swastika-shaped wipe introduces an example from Nazi Germany, followed by a hammer-and-sickle-shaped wipe to introduce an equivalent example from the Soviet Union.
As the Iron Curtain falls, the peoples of Eastern Europe, China and North Korea are "sold out" to Kremlin-controlled puppet regimes. In common with other American propaganda of the time, the People's Republic of China is described as a Soviet satellite state, although it never actually was. Footage of marching is shown for each of the satellite states to symbolize how these countries fell under the Soviet yoke. Only Yugoslavia under Josip Tito escaped the Kremlin's grasp and regained its independence.
The final part of the film attacks the Soviet-front World Peace Council, contrasting their rhetoric of peace – repeated to film footage of Soviet armaments factories and military parades in Red Square – with the realities of Communist warmongering in Greece, Indochina, Korea and China.
The film concludes with the exhortation to "Beware the Big Lie! Beware the Dove that goes BOOM", as Pablo Picasso's La Colombe ("The Dove", which the World Peace Council was using as its symbol) is replaced by the cartoon La colombe qui fait BOUM, originally produced by the French anti-communist group Paix et Liberté . In this cartoon the dove is metamorphosing into a Soviet tank – its wings have become tank treads, and its head is a tank turret. [1] [2]
Triumph of the Will is a 1935 German Nazi propaganda film directed, produced, edited and co-written by Leni Riefenstahl. Adolf Hitler commissioned the film and served as an unofficial executive producer; his name appears in the opening titles. It chronicles the 1934 Nazi Party Congress in Nuremberg, which was attended by more than 700,000 Nazi supporters. The film contains excerpts of speeches given by Nazi leaders at the Congress, including Hitler, Rudolf Hess and Julius Streicher, interspersed with footage of massed Sturmabteilung (SA) and Schutzstaffel (SS) troops and public reaction. Its overriding theme is the return of Germany as a great power with Hitler as its leader. The film was produced after the Night of the Long Knives, and many formerly prominent SA members are absent.
Totalitarianism is a political system and a form of government that prohibits opposition political parties, disregards and outlaws the political claims of individual and group opposition to the state, and controls the public sphere and the private sphere of society. In the field of political science, totalitarianism is the extreme form of authoritarianism, wherein all socio-political power is held by a dictator, who also controls the national politics and the peoples of the nation with continual propaganda campaigns that are broadcast by state-controlled and by friendly private mass communications media.
The Cold War was a period of global geopolitical tension and struggle for ideological and economic influence between the United States and the Soviet Union (USSR) and their respective allies, the Western Bloc and the Eastern Bloc, that started in 1947, two years after the end of World War II, and lasted until the fall of the Soviet Union in 1991. The term cold war is used because there was no direct fighting between the two superpowers, though each supported opposing sides in major regional conflicts known as proxy wars. Aside from the nuclear arms race starting in 1949 and conventional military deployment, the struggle for dominance was expressed indirectly via psychological warfare, propaganda campaigns, espionage, far-reaching embargoes, sports diplomacy, and technological competitions such as the Space Race.
Soviet anti-Zionism is an anti-Zionist and pro-Arab doctrine promulgated in the Soviet Union during the Cold War. While the Soviet Union initially pursued a pro-Zionist policy after World War II due to its perception that the Jewish state would be socialist and pro-Soviet, its outlook on the Arab–Israeli conflict changed as Israel began to develop a close relationship with the United States and aligned itself with the Western Bloc.
In political science, rollback is the strategy of forcing a change in the major policies of a state, usually by replacing its ruling regime. It contrasts with containment, which means preventing the expansion of that state; and with détente, which means developing a working relationship with that state. Most of the discussions of rollback in the scholarly literature deal with United States foreign policy toward communist countries during the Cold War. The rollback strategy was tried and was not successful in Korea in 1950 and in Cuba in 1961, but it was successful in Grenada in 1983. The United States discussed the use of rollback during the East German uprising of 1953 and the Hungarian Revolution of 1956, which were ultimately crushed by the Soviet Army, but decided against it to avoid the risk of a major war.
The World Peace Council (WPC) is an international organization created in 1949 by the Cominform and propped up by the Soviet Union. Throughout the Cold War, WPC engaged in propaganda efforts on behalf of the Soviet Union, whereby it criticized the United States and its allies while defending the Soviet Union's involvement in numerous conflicts.
Mission to Moscow is a 1943 propaganda film directed by Michael Curtiz, based on the 1941 book by the former U.S. ambassador to the Soviet Union, Joseph E. Davies.
Communist propaganda is the artistic and social promotion of the ideology of communism, communist worldview, communist society, and interests of the communist movement. While it tends to carry a negative connotation in the Western world, the term propaganda broadly refers to any publication or campaign aimed at promoting a cause and is/was used for official purposes by most communist-oriented governments. The term may also refer to political parties' opponents' campaign. Rooted in Marxist thought, the propaganda of communism is viewed by its proponents as the vehicle for spreading their idea of enlightenment of working class people and pulling them away from the propaganda of who they view to be their oppressors, that they claim reinforces exploitation, such as religion or consumerism. Communist propaganda therefore stands in opposition to bourgeois or capitalist propaganda.
The North Star is a 1943 pro-resistance war film starring Anne Baxter, Dana Andrews, Walter Huston, Walter Brennan and Erich von Stroheim It was produced by Samuel Goldwyn Productions and distributed by RKO Radio Pictures. It was directed by Lewis Milestone, written by Lillian Hellman and featured production design by William Cameron Menzies. The music was written by Aaron Copland, the lyrics by Ira Gershwin, and the cinematography by James Wong Howe. The film also marked the debut of Farley Granger.
Jewish Bolshevism, also Judeo–Bolshevism, is an antisemitic and anti-communist conspiracy theory that claims that the Russian Revolution of 1917 was a Jewish plot and that Jews controlled the Soviet Union and international communist movements, often in furtherance of a plan to destroy Western civilization. It was one of the main Nazi beliefs that served as an ideological justification for the German invasion of the Soviet Union and the Holocaust.
The Soviet Paradise was the name of an exhibition and a propaganda film created by the Department of Film of the propaganda organisation (Reichspropagandaleitung) of the German Nazi Party (NSDAP), and was displayed in the larger cities of the Reich and occupied countries: Vienna, Prague, Berlin and others. Its goal was to show "poverty, misery, depravity and need" of the nations in the Soviet Union under "Jewish Bolshevist" rule and thus to justify the war against the Soviet Union. The accompanying guide for the exhibition noted, "The present Soviet state is nothing other than the realization of that Jewish invention".
Anti-communism is political and ideological opposition to communist beliefs, groups, and individuals. Organized anti-communism developed after the 1917 October Revolution in Russia, and it reached global dimensions during the Cold War, when the United States and the Soviet Union engaged in an intense rivalry. Anti-communism has been an element of many movements and different political positions across the political spectrum, including anarchism, centrism, conservatism, fascism, liberalism, nationalism, social democracy, socialism, leftism, and libertarianism, as well as broad movements resisting communist governance. Anti-communism has also been expressed by several religious groups, and in art and literature.
Anti-Soviet partisans may refer to various resistance movements that opposed the Soviet Union and its satellite states at various periods during the 20th century, between the Russian Revolution (1917) and the collapse of the Soviet Union (1991).
Propaganda is widely used and produced by the government of the Democratic People's Republic of Korea. Most propaganda is based on the Juche ideology, veneration of the ruling Kim family, the promotion of the Workers' Party of Korea, and hostilities against both the Republic of Korea and the United States.
Paix et Liberté was an anti-communist movement that operated in France during the 1950s.
The Crusade for Freedom was an American propaganda campaign operating from 1950–1960. Its public goal was to raise funds for Radio Free Europe; it also served to conceal the CIA's funding of Radio Free Europe and to generate domestic support for American Cold War policies.
Political warfare is the use of hostile political means to compel an opponent to do one's will. The term political describes the calculated interaction between a government and a target audience, including another state's government, military, and/or general population. Governments use a variety of techniques to coerce certain actions, thereby gaining relative advantage over an opponent. The techniques include propaganda and psychological operations ("PsyOps"), which service national and military objectives respectively. Propaganda has many aspects and a hostile and coercive political purpose. Psychological operations are for strategic and tactical military objectives and may be intended for hostile military and civilian populations.
Stop That Tank! is a 22-minute 1942 instructional film created during World War II by Walt Disney Productions for the Directorate of Military Training, The Department of National Defence and the National Film Board of Canada (NFB). Its purpose, akin to "edutainment", was to instruct Canadian soldiers in the handling and care of the Boys Mk.1 Anti-tank rifle for use in combat against Nazi tanks. The film presented information in an entertaining manner as well as providing an anti-Nazi propaganda message.
Communist symbols have been banned, in part or in whole, by a number of the world's countries. As part of a broader process of decommunization, these bans have mostly been proposed or implemented in countries that belonged to the Eastern Bloc during the Cold War, including some post-Soviet states. In some countries, the bans also extend to prohibit the propagation of communism in any form, with varying punishments applied to violators. Though the bans imposed by these countries nominally target the communist ideology, they may be accompanied by popular anti-leftist sentiment and therefore a de facto ban on all leftist philosophies, such as socialism, while not explicitly passing legislation to ban them.
Šluota was a Lithuanian satire and humour magazine which was published, with hiatuses, from 1934 to 2004. Until 1990, it was published by the Communist Party of Lithuania and contained mainly Communist propaganda. It was the only humour magazine in the Lithuanian SSR and it was popular and well received. According to research of Neringa Klumbytė, artists and writers attempted to subvert the Communist ideology using the Aesopian language in the 1970s and 1980s.
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