The Birch Tree | |
---|---|
Directed by | Ante Babaja |
Written by | Slavko Kolar Ante Babaja Božidar Violić Slavko Kolar (Story) |
Starring | Manca Košir Bata Živojinović Fabijan Šovagović Nela Eržišnik Stane Sever Stjepan Lektorić |
Cinematography | Tomislav Pinter |
Edited by | Lida Braniš |
Music by | Anđelko Klobučar |
Production company | |
Release date |
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Running time | 92 minutes |
Country | SFR Yugoslavia |
Language | Croatian |
The Birch Tree (Croatian : Breza) is a 1967 Yugoslav film directed by Ante Babaja.
The film won two Golden Arena awards at the 1967 Pula Film Festival, the Yugoslav national film awards, including Best Cinematography (Tomislav Pinter) and Best Actor (Bata Živojinović). [1]
In 1999, a poll of Croatian film critics found it to be one of the best Croatian films ever made. [2]
Mira Furlan was a Croatian-American actress and singer. Internationally, she was best known for her roles as the Minbari Ambassador Delenn in the science fiction television series Babylon 5 (1993–1998), and as Danielle Rousseau in Lost (2004–2010), and also appeared in multiple award-winning films such as When Father Was Away on Business (1985) and The Abandoned (2010).
Rade Šerbedžija is a Croatian actor, director and musician. He is known for his portrayals of imposing figures on both sides of the law. He was one of the best known Yugoslav actors in the 1970s and 1980s. He is internationally known mainly for his role as Boris the Blade in Snatch (2000), his supporting roles in such Hollywood films as The Saint (1997), Eyes Wide Shut (1999), Mission: Impossible 2 (2000), X-Men: First Class (2011), Harry Potter and the Deathly Hallows: Part 1 (2010), and Taken 2 (2012); and for his recurring role as former Soviet Army General Dmitri Gredenko in Season 6 of TV action series 24.
The cinema of Croatia has a somewhat shorter tradition than what is common for other Central European countries: the serious beginning of Croatian cinema starts with the rise of the Yugoslavian film industry in the 1940s. Three Croatian feature films were nominated for the Academy Award for Best Foreign Language Film, several of them gained awards at major festivals, and the Croatian contribution in the field of animation is particularly important.
I Even Met Happy Gypsies is a 1967 Yugoslav film by Serbian director Aleksandar Petrović. The film is centered on Roma people's life in a village in northern Vojvodina, but it also deals with other themes such as love, ethnic and social relationships. Beside Bekim Fehmiu, Olivera Vučo, Bata Živojinović and Mija Aleksić, film features a cast of Roma actors speaking the Romani language. I Even Met Happy Gypsies is considered one of the best films of the Black Wave in Yugoslav cinema.
Pula Film Festival is an annual Croatian film festival, established in 1954. It is held in a Roman amphitheater known as the Pula Arena. Pula Film Festival is the oldest Croatian film festival and is usually held in the summer, in July or August.
The Golden Arena awards were established in 1955 as the Yugoslav national film awards presented annually at the Pula Film Festival in Pula, Croatia, with the Big Golden Arena for Best Film its main prize. From 1955 to 1990 the awards were the Yugoslav cinema equivalent of the Academy Awards.
The Golden Arena for Best Director(Croatian: Zlatna arena za režiju) is an award given for best director at the Pula Film Festival, which was until 1992 the Yugoslav equivalent of the Academy Awards. Since 1992 and the breakup of Yugoslavia the competition narrowed to Croatian films only. The first festival was held in 1954, but the award was introduced in 1955.
The Dream or Dream is a 1966 Yugoslav war film written and directed by Serbian director Puriša Đorđević. It is the second entry in Đorđević's wartime tetralogy, the other three being The Girl (1965), The Morning (1967) and Noon (1968). It belongs to the Yugoslav Black Wave movement. The film entered the competition at the 17th Berlin International Film Festival.
The Golden Arena awards were established in 1955 as the Yugoslav national film awards, presented annually at the Pula Film Festival. From 1955 to 1990 the awards were given for highest achievements in Yugoslav cinema. In 1991 the festival was cancelled due to the breakup of Yugoslavia, only to resume in 1992 as the Croatian film awards festival. It has been held every year since.
The following is a list of winners of the Golden Arena for Best Actress at the Pula Film Festival.
Vatroslav Mimica was a Croatian film director and screenwriter.
The Fall of Italy is a 1981 Yugoslav war film by Croatian director Lordan Zafranović.
The Master and Margaret is a 1972 Italian-Yugoslav film directed by Aleksandar Petrović, loosely based on Mikhail Bulgakov's 1940 novel of the same name, although it mainly focuses on the parts of the novel set in 1920s Moscow.
Tomislav Pinter was a Croatian cinematographer, regarded as the most significant cinematographer in Croatian cinema due to the artistic quality of his work and his prolific career spanning almost five decades.
Death and the Dervish is a 1974 Yugoslav film directed by Zdravko Velimirović based on the novel of the same name by Meša Selimović.
Kozara is a 1962 Yugoslav film directed by Veljko Bulajić. It is a well known film of the partisan film subgenre popular in Yugoslavia in the 1960s and 1970s and depicts events surrounding the Battle of Kozara.
I Have Two Mothers and Two Fathers is a 1968 Yugoslav/Croatian comedy drama film directed by Krešo Golik.
Black Birds is a 1967 Yugoslavian war drama film directed by Eduard Galić.
Frano Vodopivec was a Croatian cinematographer.
The following is a list of winners of the Golden Arena for Best Supporting Actress at the Pula Film Festival.