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Post-rock is a form of experimental rock characterized by a focus on exploring textures and timbre over traditional rock song structures, chords, or riffs. Post-rock artists are often instrumental, typically combining rock instrumentation with electronics. The genre emerged within the indie and underground music scene of the 1980s and early 1990s. However, due to its abandonment of rock conventions, it often bears little resemblance musically to contemporary indie rock, borrowing instead from diverse sources including ambient music, electronica, jazz, krautrock, dub, and minimalist classical.
Kraut is a German word recorded in English from 1918 onwards as a derogatory term for a German, particularly a German soldier during World War I and World War II. Its earlier meaning in English was as a synonym for sauerkraut, a traditional Central and Eastern European food.
Can was a German experimental rock band formed in Cologne in 1968 by the core quartet of Holger Czukay, Irmin Schmidt (keyboards), Michael Karoli (guitar), and Jaki Liebezeit (drums). The group cycled through several vocalists, most prominently the American-born Malcolm Mooney (1968–70) and the Japanese-born Damo Suzuki (1970–73), as well as various temporary members.
Krautrock is a broad genre of experimental rock that developed in West Germany in the late 1960s and early 1970s among artists who blended elements of psychedelic rock, electronic music, and avant-garde composition. These artists moved away from the blues influences and song structure found in traditional Anglo-American rock music, instead utilizing hypnotic rhythms, tape-music techniques, and early synthesizers. Prominent groups associated with krautrock music included Can, Neu!, Amon Düül II, Faust, Popol Vuh, Cluster, Ash Ra Tempel, Agitation Free, Guru Guru, Tangerine Dream, Kraftwerk, and Harmonia.
Neu! was a German band formed in Düsseldorf in 1971 by Klaus Dinger and Michael Rother following their departure from Kraftwerk. The group's albums were produced by Conny Plank, who has been regarded as the group's "hidden member". They released three albums in their initial incarnation—Neu! (1972), Neu! 2 (1973), and Neu! 75 (1975)—before disbanding in 1975. They briefly reunited in the mid-1980s.
Neu! is the debut album by German krautrock band Neu!. It was released in 1972 by Brain Records. It was the first album recorded by the duo of Michael Rother and Klaus Dinger after leaving Kraftwerk in 1971. They continued to work with producer Konrad "Conny" Plank, who had also worked on the Kraftwerk recording sessions.
Neu! 2 is the second studio album by the krautrock band Neu!. It was recorded in January 1973 and mixed in February 1973, both at Windrose-Dumont-Time Studios in Hamburg, Germany, and released in 1973 by Brain Records. It was officially reissued by Astralwerks in the US and by Grönland in the UK and Europe on 29 May 2001. Illegal bootleg CDs from the Germanofon label were widely available in the late 1990s.
Neu! 75 is the third studio album by the krautrock band Neu!. It was recorded and mixed at Conny Plank's studio between December 1974 and January 1975. It was released in 1975 by Brain Records, and officially reissued on CD on 29 May 2001 by Astralwerks in the US and by Grönland Records in the UK.
Motorik is the 4/4 beat often used by, and heavily associated with, krautrock bands. Coined by music journalists, the term is German for "motor skill". The motorik beat was pioneered by Jaki Liebezeit, drummer with German experimental rock band Can. Klaus Dinger of Neu!, another early pioneer of motorik, later called it the "Apache beat". The motorik beat is heard in one section of Kraftwerk's "Autobahn", a song designed to celebrate exactly this experience. It is heard throughout Neu!'s "Hallogallo", from their self-titled album Neu!.
Harmonia was a West German musical "supergroup" formed in 1973 as a collaboration between members of two prominent krautrock bands: Cluster's Hans-Joachim Roedelius and Dieter Moebius joined by Neu! guitarist Michael Rother. Living and recording in the rural village of Forst, the trio released two albums—Musik von Harmonia (1974) and Deluxe (1975)—to limited sales before dissolving in 1976.
Amon Düül II is a German rock band. The group is generally considered to be one of the pioneers of the West German krautrock scene. Their 1970 album Yeti was described by British magazine The Wire as "one of the cornerstones of [...] the entire Krautrock movement."
Blackbird, blackbirds, black bird or black birds may refer to:
Zuckerzeit is the third studio album by German band Cluster, released in 1974 on Brain Records. It was co-produced by Michael Rother, their bandmate in side-project Harmonia. The music on Zuckerzeit marks a shift from Cluster's abrasive early work toward a more rhythmic, pop-oriented sound. Pitchfork ranked the album at number 63 on its list of the top 100 albums of the 1970s, while writer and musician Julian Cope included Zuckerzeit in his "Krautrock Top 50" list.
Faust IV is the fourth studio album by the German krautrock group Faust, released in 1973. The album is included in the book 1001 Albums You Must Hear Before You Die, where it is referred to as a "krautrock classic". This was the last album by the first incarnation of the band, they returned in 1994 with the release of Rien featuring a different line-up.
Sowiesoso is the fourth studio album by German electronic music band Cluster, released in 1976. It was Cluster's first release for Sky Records. Sowiesoso was recorded in just two days in Forst, Germany in 1976 and mixed at Conny's Studio in Wolperath.
Musik von Harmonia is the debut album from the influential German krautrock group Harmonia, released in January 1974 by Brain Records. Formed by the addition of Neu! guitarist Michael Rother to Cluster, they recorded the album from June to November 1973 in Cluster's Forst recording studio. It was self-produced by the group using a primitive mixer and three tape recorders.
Deluxe is the second album from the West German krautrock group Harmonia, featuring Neu! guitarist Michael Rother with the duo Cluster. It was recorded in June 1975 in Harmonia's studio in Forst, Germany. It was first released on the Brain Records label in 1975.
Hole is an album by the Japanese noise musician Merzbow. It is a limited edition of 500 copies, 200 of which were only available for sale in Japan. 50 copies only available through Soleilmoon mailorder, and included an additional card and came wrapped in paper.
Floh de Cologne were a German band, active from 1966 to 1983, regarded as a pioneer of krautrock and Political Satire Music. After some success at the beginning of the 70s, the band separated finally in 1983.
Romantic Warriors IV: Krautrock (2019) is the fourth in a series of feature-length documentaries about progressive music written and directed by Adele Schmidt and José Zegarra Holder. RW4 focuses on the progressive rock music from Germany popularly known as Krautrock, although the integration of Krautrock into the progressive rock genre is a purely American notion. In Europe, the conventional wisdom is that Krautrock can be considered at most as the connection between psychedelic rock and progressive rock. The term "Krautrock" was applied after-the-fact by British journalists, and in fact the German bands share very few similarities.
References
- ↑ Allan Freeman The Crack in the Cosmic Egg 1996 "Amongst the earliest of the Krautrock bands.."
- ↑ The Blackbirds (German)
- ↑ Krautrock.de
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