The Blind Man and the Loon

Last updated

The Blind Man (or Boy) and the Loon, also commonly known as the Lumaaq Story (also spelled Lumiuk or Lumak), among other names, is a folktale told all over Greenland, Canada, and down into parts of the United States, though most heavily Inuit and Athabaskan. [1]

Contents

Story

A blind boy lives with an abusive female guardian, either a mother, grandmother, or stepmother. He also has a sister. One day a polar bear arrives in their camp. Through the window of their house, the blind boy shoots the bear. His guardian lies, telling him he missed and then keeps the bear's meat for herself and the sister. The sister brings meat to the boy in secret.

A common loon Common loon drake, stony brook harbor entrance (33738327770).jpg
A common loon

The boy goes to a lake, where he is brought underwater by a loon. The loon brings him underwater and surfaces several times. Each time they surface the boy can see a little more. By the end his sight is entirely restored.

Now that he can see, the boy takes part in a beluga whale hunt at the beach. His guardian comes hunting too, serving as the anchor for the harpoon line. A rope is tied around her waist, and her job is to pull back and brace against the whale. She is pulled out to sea by the whale, either because the boy did not help her pull back, or because he deliberately harpooned a whale that was too large. The large whale pulls her into the water, and she is lost. In some versions she becomes a narwhal, her hair becoming the horn.

Variants

Visual art

The story is a popular subject in Inuit art.

Prints

Figurines

Screen adaptations

Related Research Articles

The Sun and the Moon is an unipkaaqtuat, a story in Inuit folklore. The traditional explanation for the movement of the Sun and Moon through the sky is that a brother and sister are constantly chasing each other across the sky. The story also explains the moon's dappled gray appearance as soot smeared on his face.

<span class="mw-page-title-main">Pitseolak Ashoona</span> Canadian Inuk artist

Pitseolak Ashoona was an Inuk Canadian artist admired for her prolific body of work. She was also a member of the Royal Canadian Academy of Arts.

The Thule or proto-Inuit were the ancestors of all modern Inuit. They developed in coastal Alaska by the year 1000 and expanded eastward across northern Canada, reaching Greenland by the 13th century. In the process, they replaced people of the earlier Dorset culture that had previously inhabited the region. The appellation "Thule" originates from the location of Thule in northwest Greenland, facing Canada, where the archaeological remains of the people were first found at Comer's Midden.

<span class="mw-page-title-main">Dorset culture</span> Paleo-Eskimo culture (500 BCE–1500 CE) that preceded the Inuit in the Arctic of North America

The Dorset was a Paleo-Eskimo culture, lasting from 500 BCE to between 1000 CE and 1500 CE, that followed the Pre-Dorset and preceded the Thule people (proto-Inuit) in the North American Arctic. The culture and people are named after Cape Dorset in Nunavut, Canada, where the first evidence of its existence was found. The culture has been defined as having four phases due to the distinct differences in the technologies relating to hunting and tool making. Artifacts include distinctive triangular end-blades, oil lamps made of soapstone, and burins.

<span class="mw-page-title-main">Peter Pitseolak</span> Inuk photographer, sculptor, artist and historian

Peter Pitseolak (1902–1973) was an Inuk photographer, sculptor, artist and historian. Pitseolak was Baffin Island's first indigenous photographer.

<span class="mw-page-title-main">Annie Pootoogook</span> Canadian Inuk artist

Annie Pootoogook was a Canadian Inuk artist known for her pen and coloured pencil drawings. In her art, Pootoogook often portrayed the experiences of those in her community of Kinngait, in northern Canada, and memories and events from her own life.

<span class="mw-page-title-main">Inuit art</span> Art created by Inuit of the Arctic

Inuit art, also known as Eskimo art, refers to artwork produced by Inuit, that is, the people of the Arctic previously known as Eskimos, a term that is now often considered offensive. Historically, their preferred medium was walrus ivory, but since the establishment of southern markets for Inuit art in 1945, prints and figurative works carved in relatively soft stone such as soapstone, serpentinite, or argillite have also become popular.

<span class="mw-page-title-main">Osuitok Ipeelee</span> Canadian artist (born)

Osuitok Ipeelee was an Inuk sculptor who lived in Cape Dorset, Nunavut. His sculptures in green soapstone of caribou and birds are particularly valued for their balance and delicacy. He was an early collaborator with James Archibald Houston, and by Houston's account was instrumental in the conception of the West Baffin Island Eskimo Cooperative. He was also one of the witnesses of the last-remembered traditional Inuit trial.

<span class="mw-page-title-main">Pauta Saila</span> Canadian artist (1916 or 1917-2009)

Pauta Saila was an Inuit artist from Kilaparutua, Baffin Island, Canada who resided in Cape Dorset, Nunavut. His sister was artist Sharni Pootoogook.

<span class="mw-page-title-main">Inuit cuisine</span> Culinary traditions of the Inuit

Historically, Inuit cuisine, which is taken here to include Greenlandic, Yupʼik and Aleut cuisine, consisted of a diet of animal source foods that were fished, hunted, and gathered locally.

<span class="mw-page-title-main">Inuit culture</span> Culture of the Inuit in the Arctic and Subarctic region

The Inuit are an indigenous people of the Arctic and subarctic regions of North America. The ancestors of the present-day Inuit are culturally related to Iñupiat, and Yupik, and the Aleut who live in the Aleutian Islands of Siberia and Alaska. The term culture of the Inuit, therefore, refers primarily to these areas; however, parallels to other Eskimo groups can also be drawn.

<span class="mw-page-title-main">Kananginak Pootoogook</span> Inuk artist

Kananginak Pootoogook was an Inuk sculptor and printmaker who lived in Cape Dorset, Nunavut, in Canada. He died as a result of complications related to surgery for lung cancer.

<span class="mw-page-title-main">Napachie Pootoogook</span>

Napachie Pootoogook was a Canadian Inuit graphic artist.

Alashua Aningmiuq (1914–1972) was an Inuk graphic artist and a carver in Nunavut, Canada working in the 1950s and 1960s.

<span class="mw-page-title-main">Kiugak Ashoona</span> Canadian artist (1933-2014)

Kiugak Ashoona was a Canadian Inuk artist renowned for his sculptural work and his expansive artistic portfolio. He experienced the longest career of any Cape Dorset artist, and is a member of the Order of Canada and the Royal Canadian Academy of Arts. In 1999, he was awarded the Canada Council Molson Prize for his outstanding lifetime contribution to the cultural and intellectual life of Canada.

The West Baffin Eskimo Cooperative, also known as the Kinngait Co-operative is an Inuit co-operative in Kinngait, Nunavut best known for its activities in buying, producing and selling Inuit artworks. The co-operative is part of Arctic Co-operatives Limited, a group of locally owned businesses that provide fundamental services in the Canadian north. The co-operative sets prices for the sale of its member's works, pays the artists in advance and shares its profits with its members.

<span class="mw-page-title-main">Kiakshuk</span> Inuit artist from Canada

Kiakshuk was a Canadian Inuit artist who worked both in sculpture and printmaking. Kiakshuk began printmaking in his seventies and, is most commonly praised for creating “real Eskimo pictures” that relate traditional Inuit life and mythology.

Iyola Kingwatsiak was an Inuit visual artist from Kinngait.

Sharni Pootoogook (1922–2003) was an Inuit printmaker from Cape Dorset, Nunavut.

<span class="mw-page-title-main">Eegyvudluk Pootoogook</span> Inuit sculptor

Eegyvudluk Pootoogook (1931-2000) was an Inuk printmaker and sculptor. He was married to the artist Napachie Pootoogook.

References

  1. Mishler, Craig (2013). The Blind Man and the Loon: The Story of a Tale . Lincoln: University of Nebraska Press. ISBN   9780803239821 via Internet Archive.
  2. Qupiqrualuk, Aisa (1969). "Lumaaq" . Eskimo Stories: Unikkaatuat. By Nungak, Zebedee; Arima, Eugene. Ottawa: National Museums of Canada. pp. 49–50 via Internet Archive.