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Waterloo is a 1929 German silent war film directed by Karl Grune and starring Charles Willy Kayser, Charles Vanel and Otto Gebühr. It depicts the victory of the Allied Forces over Napoleon at the Battle of Waterloo in 1815.
The Eleven Schill Officers is a 1932 German historical film directed by Rudolf Meinert and starring Friedrich Kayßler, Hertha Thiele, and Heinz Klingenberg. It was a remake of a 1926 silent film of the same name which had also been directed by Meinert. The film depicts the failed 1809 uprising of Prussian soldiers led by Ferdinand von Schill against the occupying French. It focuses in particular on eleven of Schill's officers who were executed by the French at Wesel. The film was a Prussian film, part of a wider trend of German historical films made during the Weimar Era and set in the Napoleonic Era.
Valencia is a 1927 German silent film directed by Jaap Speyer and starring María Dalbaicín, Dorothea Wieck, and Oskar Marion. It was made at the Emelka Studios in Munich.
Quarantine is a 1923 German silent film directed by Max Mack and starring Rudolf Lettinger, Helena Makowska and Loni Nest.
The Mute of Portici is a 1922 German silent film directed by Arthur Günsburg. It is based on Daniel Auber's opera La muette de Portici.
A Mother's Love is a 1929 German silent drama film directed by Georg Jacoby and starring Henny Porten, Gustav Diessl, and Paul Henckels. It was shot at the Staaken Studios in Berlin and on location in Pomerania. The film's sets were designed by Gustav A. Knauer and Willy Schiller.
Dawn or Red Morning is a 1929 German silent film directed by Wolfgang Neff and Burton George and starring Paul Henckels, Werner Fuetterer and Carl de Vogt.
Torreani is a 1951 West German drama film directed by Gustav Fröhlich and starring Fröhlich, René Deltgen and Inge Landgut.
The Seven Dresses of Katrin is a 1954 West German romantic comedy film directed by Hans Deppe and starring Sonja Ziemann, Paul Klinger, and Georg Thomalla.
At the Strasbourg is a 1934 German comedy film directed by Franz Osten and starring Hans Stüwe, Ursula Grabley, and Anna von Palen.
The Little Duke is a 1924 German silent film directed by Rudolf Walther-Fein and starring Carl Wallauer, Paul Biensfeldt and Lia Eibenschütz.
Rag Ball is a 1930 German comedy film directed by Carl Heinz Wolff and starring Harry Frank, Irene Ambrus, and Kurt Lilien. The title refers to a costume ball in which the guests turn up in tatters and rags.
Flachsmann the Educator is a 1930 German comedy film directed by Carl Heinz Wolff and starring Paul Henckels, Charlotte Ander and Alfred Braun. It was shot at the Babelsberg Studios in Berlin. The film's sets were designed by the art director Willi Herrmann.
The Poisoned Stream is a 1921 German silent drama film directed by Urban Gad and starring Wilhelm Diegelmann, Hans Behrendt and Carl de Vogt.
The Path of Death is a 1917 German silent drama film directed by Robert Reinert and starring Maria Carmi, Carl de Vogt and Conrad Veidt. It marked the screen debut of Veidt. The film was shot in late 1916, but released the following year. It is a lost film.
The Oath of Stephan Huller is a 1921 German silent drama film directed by Reinhard Bruck and starring Anton Edthofer, Hanni Weisse and Alexander Areuss. It is based on the 1912 novel of the same title by Felix Hollaender.
The Game of Love is a 1924 German silent film directed by Guido Parish and starring Marcella Albani, Alfred Abel, and Carl de Vogt.
The Terror of the Sea is a 1924 German silent film directed by Franz Osten and starring Carl de Vogt, Helena Makowska, and Cläre Lotto.
The Four Last Seconds of Quidam Uhl is a 1924 German silent drama film directed by Robert Reinert and starring Carl de Vogt, Helena Makowska and John Mylong. The film was not a success on its release.
Master of Life and Death is a 1955 West German drama film directed by Victor Vicas and starring Maria Schell, Ivan Desny and Wilhelm Borchert. It was shot at the Spandau Studios in West Berlin and on location around the city and in Brittany. The film's sets were designed by the art directors Hans Ledersteger and Ernst Richter. It is based on the 1938 novel of the same title by Carl Zuckmayer.
References
- ↑ Bock & Bergfelder p. 168
