The Boor is an opera in one act composed by Ulysses Kay to a libretto based on Anton Chekhov's comic play, The Bear (also known as The Boor). Kay wrote the libretto himself basing it on an English translation of the play by the composer Vladimir Ussachevsky. The opera was commissioned by the Koussevitsky Foundation of the Library of Congress and is dedicated to the memory of Natalie and Serge Koussevitzky. It premiered on 2 April 1968 in concert version at the University of Kentucky in Lexington, Kentucky. [1] [2]
Ulysses Simpson Kay was an American composer. His music is mostly neoclassical in style.
Cale Young Rice was an American poet and dramatist. He was professor of English at Cumberland University. His opera, Yolanda of Cyprus, was widely received.
Intermezzo, Op. 72, is a comic opera in two acts by Richard Strauss to his own German libretto, described as a Bürgerliche Komödie mit sinfonischen Zwischenspielen. It premiered at the Dresden Semperoper on 4 November 1924, with sets that reproduced Strauss' home in Garmisch. The first Vienna performance was in January 1927.
Boor may refer to:
Eric Crozier OBE was a British theatrical director, opera librettist and producer, long associated with Benjamin Britten.
Three Decembers is a chamber opera in two acts by Jake Heggie to a libretto by Gene Scheer which is based on the unpublished play Some Christmas Letters by Terrence McNally. Created with a role for Frederica von Stade, the work premiered on 29 February 2008 at the Houston Grand Opera (HGO). It commissioned the work in association with the San Francisco Opera and Cal Performances.
Black Widow is an opera in three acts by Thomas Pasatieri with an English libretto also by the composer. The libretto is based on Miguel de Unamuno's Dos madres. The opera premiered on March 2, 1972 with Seattle Opera. Lotfi Mansouri was the director. Other notable productions include Lake George Opera in 1972 and the Atlanta Civic Opera Association in 1981. The score was published by Belwin-Mills Publishing Corp. in 1977.
Fennimore und Gerda is a German-language opera with four interludes, by the English composer Frederick Delius. It is usually performed and recorded in English, as Fennimore and Gerda in a translation by Philip Heseltine. The German libretto, by the composer himself, is based on the novel Niels Lyhne by the Danish writer Jens Peter Jacobsen. In neither German nor English is the libretto highly regarded; rather, the work is considered an "orchestral opera", limited in its dramatic appeal but voluptuous and engaging in its instrumental texture.
The Bear: A Joke in One Act, or The Boor, is a one-act comedic play written by Russian author Anton Chekhov. The play was originally dedicated to Nikolai Nikolaevich Solovtsov, Chekhov's boyhood friend and director/actor who first played the character Smirnov.
John Henry Johnstone (1749–1828), also known as 'Jack' Johnstone or 'Irish' Johnstone, was an Irish actor, comedian and singer.
Sganarelle, or The Imaginary Cuckold is a one-act comedy in verse by Molière. It was first performed on 28 May 1660 at the Théâtre du Petit-Bourbon in Paris to great success. Molière himself played the role of Sganarelle at the premiere and continued to perform it throughout his career. The story deals with the consequences of jealously and hasty assumptions in a farcical series of quarrels and misunderstandings involving Sganarelle, his wife, and the young lovers, Célie and Lélie.
Gary Carpenter is a British composer, of concert music and film scores, and also operas and musicals. He is a Visiting Professor at the Royal Academy of Music and the Royal Northern College of Music. He was Associate Music Director for the film The Wicker Man, putting together the ensemble Magnet for the occasion.
The Capitoline Venus is a chamber opera in one act composed by Ulysses Kay to a libretto by Judith Dvorkin based on Mark Twain's 1869 satirical short story "The Legend of the Capitoline Venus". It premiered on 12 March 1971 at the Krannert Center for the Performing Arts in Urbana, Illinois performed by the University of Illinois Opera Group.
Jubilee is an opera in three acts composed by Ulysses Kay to a libretto by Donald Dorr. The opera is based on the narrative in Margaret Walker's 1966 novel Jubilee which described her biracial grandmother's experiences as a slave and then as a free woman during the Reconstruction Era. It was first performed on 20 November 1976 in Jackson, Mississippi by Opera South who had commissioned the work for the U.S. Bicentennial. The premiere performance was conducted by James DePreist with Hilda Harris as Vyry, the opera's protagonist. Jubilee was revived by Opera South in 1977 and then disappeared after Margaret Walker threatened to sue if there were any further performances.
The Juggler of Our Lady is an opera in one act composed by Ulysses Kay to a libretto by Alexander King. The libretto is based on Robert O. Blechman's 1953 book The Juggler of Our Lady. A Medieval Legend. Composed in 1956, the opera premiered on 23 February 1962 in New Orleans, Louisiana performed by the Xavier University Opera Workshop. It was performed again in 1972 by Opera/South in Jackson Mississippi in a double bill with William Grant Still's opera Highway 1, U.S.A.. The 1972 performance of both operas was also broadcast on Voice of America.
Romulus is a 2007 comic opera in one act by Louis Karchin based on an 1854 play by Alexandre Dumas, père; the libretto is by Barnett Shaw, based upon his own translation of the play.
Margaret Ross Griffel is an American musicologist and author.
Hermione is an opera in 4 acts, Op. 40, by Max Bruch to a libretto by Emil Hopffer, based on Shakespeare's The Winter's Tale. The opera premiered March 21, 1872, in Berlin.
Stephen Climax is an opera in three acts by Hans Zender, who wrote his own libretto based on James Joyce and Hugo Ball. It was premiered on 15 June 1986 at the Oper Frankfurt, staged by Alfred Kirchner and conducted by Peter Hirsch. The opera was published by Breitkopf & Härtel. A 1990 production at La Monnaie in Brussels was recorded.