In 1974, the special was awarded an Emmy for Outstanding Individual Achievement in Children's Programming and was nominated for Outstanding Children's Special (producers Duane Bogie, Walt deFaria and Warren Lockhart), Outstanding Individual Achievement in Children's Programming (performer Judith Anderson), Outstanding Individual Achievement in Children's Programming (performer Juul Haalmeyer) and Outstanding Individual Achievement in Children's Programming (director Walter C. Miller).[3]
The special tells the story of the Clock Family, tiny people who live under the floorboards in a Victorian-era English house.
In a 19th-century English manor, the bedridden matriarch Sophy spends her time continually fortified with wine. She is attended by a strict housekeeper and an elderly groundskeeper. They are unaware of a few-centimeters-tall family of "borrowers" who have set up residence under the mansion's floorboards. The miniature family survive on various items which the father manages to lift during unseen expeditions aboveboard. Sophy is actually aware of Pod, but, aware of her alcoholism, decides he is a delusion.
All is well, until Sophy is required to temporarily house her 8-year-old great nephew. The boy happens to spot Mr Clock during a raid on a dollhouse, and he begins a series of events (including releasing a ferret under the floor to catch the tiny inhabitants) which cause the borrowers to flee into the countryside. However, they are eventually saved by a friendship which develops between the borrowers' daughter, Arrietty, and the boy, who becomes the family's champion.
1974 Outstanding Individual Achievement in Children's Programming (director Walter C. Miller) (Nominated)
Reviewers generally found the movie a good message for its intended audience of young viewers, but a mediocre watch for adult tastes. One wrote: "(The) teleplay follows a delightful path as the Clock family wriggles free of trouble, and the values that Pod [the Clock family patriarch] represents — as compared to the fearfulness and small-mindedness of the story’s normal-sized grown-ups — comprise a lovely message for young viewers."[4] Another wrote: "Eddie Albert plays his father character a little too broadly for my tastes. Overall, I wasn’t too impressed with either the script or the acting. It’s watchable, but could have been a lot better."[5]
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